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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

William J. Fritz · September 13, 2023

“Ever Ancient, Ever New” • Sacred Concert in North Florida

“It is even more encouraging when a concert with 𝑡𝑟𝑢𝑙𝑦 𝑎𝑢𝑡ℎ𝑒𝑛𝑡𝑖𝑐 Catholic music is done.” —Mæstro Fritz

Jeff Ostrowski · September 12, 2023

“Can No One Defend This?” • Why Everyone Should Sing From the Official Edition

I can never go back!

Jeff Ostrowski · September 11, 2023

Jeff Ostrowski’s Discovery • (Does Anyone Care?)

Feel free to examine every single page if you doubt what I’m saying!

Cynthia Ostrowski · September 11, 2023

Can a Lens Make a Difference?

My husband tells me this edition (by Dom Pothier’s student) is of monumental importance. I take him at his word.

Dr. Lucas Tappan · September 9, 2023

Lack Choir Boys? • A Foolproof Way to Get Them!

What happened to this masculine presence in all things musical in the United States?

Dr. Alfred Calabrese · September 7, 2023

Dr. Alfred Calabrese on William Byrd’s “Sanctus” • (Mass for Five Voices)

“The Byrd Masses were printed without title pages, and with no reference to a composer. It was too dangerous to do so.” —Dr. Calabrese

Jeff Ostrowski · September 6, 2023

Natalia’s Message • “Explaining The Two Sections!”

If you asked random Catholics to recite in English—without reference to a book—a stanza from the “Tantum Ergo” of Saint Thomas Aquinas, how many do you think could?

Jeff Ostrowski · September 5, 2023

Does It Make Sense to Alphabetize Hymnals?

Perhaps you’re saying to yourself: “Jeff comes across as super ungrateful.”

Matthew Frederes · September 4, 2023

Revealed! • Father Enemond Massé Manuscripts of Sacred Gregorian Chant

Please enjoy this new addition to the website which provides a useful list of manuscripts discussed on this blog, for easy access to the same sources used by the contributors!

Jeff Ostrowski · September 4, 2023

When Others Say You’re “Dumb”

I could give a zillion more examples of my disability.

Jeff Ostrowski · September 2, 2023

Are You A Professional? • (Am I One?)

Including a Eucharistic Hymn (#142) every Catholic should know!

Guest Author · September 1, 2023

Gregorian Rhythm Wars • “The Counter Tradition”

Guest submission (1 September 2023) by Alasdair Codona of Glasgow, Scotland.

Jeff Ostrowski · August 30, 2023

“Momentous Release!” • Freakishly Rare Gradual & Vesperal Published by Pothier’s Protégé (1,638 pages!)

He screamed into the telephone: “There’s no such thing as Gregorian Chant!”

Patrick Williams · August 30, 2023

Report from St. Louis Chant Workshop with Marcel Pérès

“I would characterize the sound as heavy and visceral in contrast to the soaring and ethereal aesthetic of the Solesmes style of chant.” —Patrick Williams

Jeff Ostrowski · August 29, 2023

PDF Download • “Alleluia Verse before Gospel” • (Mass in honor of Saint Noël Chabanel)

Instead, Saint Francis knelt down and kissed the priest’s hands…

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski
    “Entrance Chant” • 23rd (Ordinary Time)
    This coming Sunday, 7 September 2025, is the 23rd Sunday in Ordinary Time (Year C). You can download the “Entrance Chant,” conveniently located at the feasts website. I also recorded a rehearsal video for it (freely available at the same website). The Communion Chant includes gorgeous verses in FAUXBOURDON. I attempted to create a rehearsal video for it, and it’s been posted at the feasts website, called by some: “church music’s best kept secret.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

Luys de Villafranca, master of the altar boys—who are to be distinguished from the choirboys (“seises”) because they study only plainchant whereas the choirboys live with the chapelmaster and study polyphony and counterpoint as well—is rewarded on October 17 with a salary increase of 6,000 maravedís and an extra 12 bushels of wheat.

— Sevilla Cathedral: Chapter Resolution (7 September 1565)

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  • “The Injustice of Traditionis Custodes” • (Private Meetings at the Vatican)
  • New Bulletin Article • “14 September 2025”
  • PDF Download • Croft’s “Canonic Kyrie” (SATB)

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