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“A much greater source of anxiety to Us is the style of action of those who maintain that liturgical worship should shed its sacred character, who foolishly say we should substitute for sacred items & furnishings ordinary common things in daily use.” —Pope Saint Paul VI (14 Oct 1968)

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Views from the Choir Loft

Letter from “Penelope” • (18 October 2023)

Corpus Christi Watershed · October 18, 2023

We love receiving mail from readers. When possible, we share such letters with you. We seldom reveal names, although our posted policy does allow that. Normally, we create a fake name—to protect the reader’s privacy—in today’s dangerous society.

NITIALLY, I had missed your 2nd hymn quiz, but came across it today after reading another excellent recent article featuring hymns for the Holy Souls. I heard the familiar refrain of Gott Vater Sei Gepriesen during your organ improvisation. I think there are probably various English translations in use, so I recognize the refrain more readily anyways. This being said, I find your article of 16 October 2023 very timely. The idea of a new section of “Tricks for the Conscientious Choirmaster” is brilliant. I was recently asked to step in and lead someone else’s choir for a High Mass, with very little time to prepare. The variety you describe in your article is one of the key concepts I took away from attending the Sacred Music Symposium. Due to the time constraints on rehearsing with this choir (the night before), I gave some parts to the men, others to women, sang some of the Proper myself as a soloist (as requested by the director for whom I was the substitute), and taught them a couple of hymns (unison and in parts). At first the choir balked at “not being allowed” to sing absolutely everything. Understandably, they were used to their director, who’s an organist and accompanies even the Propers to help them sing everything. We did have a substitute organist for this Mass, but I did not ask him to accompany the Propers. In the end, it went fairly well and was very well received, thanks be to God. Another point that I greatly appreciate is the note on modal variety. That sense of balance between darker modes and brighter modes is certainly a good way of helping the faithful to pray. As a musician, of course, it becomes also something that feels like painting with sound. Anyhow, have a blessed day and may God reward you for all you do in His service! 🔷 Sincerely yours, Penelope.

Editor’s Note • The article Penelope refers to several times (published on 16 October 2023) may be found by clicking here:

*  Article • “Hymn for the Souls in Purgatory”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: October 18, 2023

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Corpus Christi Watershed

President’s Corner

    15th Sunday in Ordinary Time (Year C)
    This coming Sunday—13 July 2025—is the 15th Sunday in Ordinary Time (Year C). All the chants have been conveniently assembled and posted at the feasts website. The OFFERTORY, Ad Te Levávi, is particularly beautiful.
    —Jeff Ostrowski
    Music Director Job • $80,000 per year
    Our readers will be interested in this job offering for Music Director at Saint Adalbert’s Basilica, located 40 minutes from where I live. My pastor was recently elevated to this basilica. He is offering $80,000 per year, plus benefits. I’m told Saint Adalbert’s Basilica is utterly gorgeous and contains one of America’s most magnificent pipe organs. It would be fantastic to have a colleague nearby!
    —Jeff Ostrowski
    Simplest “Agnus Dei” Ever Published
    Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“It is also customary in many lands that a brief but meaningful hymn be sung between the Gospel and the sermon. (I note in passing that this custom also preserves the original and primary function of the medieval congregational hymn, which was to frame the sermon.)”

— Professor László Dobszay (2003)

Recent Posts

  • “How to Conduct 90 Vespers Services Each Year and Live to Tell the Tale.”
  • 15th Sunday in Ordinary Time (Year C)
  • The Tallis Scholars
  • Music Director Job • $80,000 per year
  • Pope Saint Paul VI to Consilium (14 October 1968)

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