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Corpus Christi Watershed

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Views from the Choir Loft

Articles

Aristotle A. Esguerra · January 12, 2013

Aristotle A. Esguerra

Aristotle has served since 2009 as music director of two churches . . .

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Wilfrid Jones · January 11, 2013

Biography • Wilfrid Jones

Wilfrid Jones went on to a choral scholarship at New College, Oxford, where he read music before completing masters degrees in theology at the University of Birmingham and in education at the University of Cambridge…

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Cynthia Ostrowski · January 10, 2013

Catholic Line Art, Black and White • Installment #01

I will be releasing hundreds of these pictures for general use by Catholics everywhere.

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Fr. David Friel · January 10, 2013

Biography • Father David M. Friel

Father Friel was ordained to the Catholic Priesthood in May 2011 . . .

Veronica Moreno · January 10, 2013

Biography • Veronica Moreno

While at UCLA, Veronica earned an undergraduate degree in Ethnomusicology and went on to study special education at Cal State LA.

Gwyneth Holston · January 9, 2013

Gwyneth Holston

Gwyneth is a sacred artist who works to provide and promote good quality Catholic art…

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Fr. David Friel · January 8, 2013

Warring Gods

The Ancient Worldview

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David J. Hughes · January 8, 2013

David J. Hughes

David is Organist & Choirmaster at St. Mary Church in Norwalk . . .

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Fr. David Friel · January 7, 2013

Little Christmas

Gift of Self

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Jeff Ostrowski · January 7, 2013

Baptism of our son

Our son was baptized by Most Rev. Bishop René H. Gracida.

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Dr. Peter Kwasniewski · January 6, 2013

Peter Kwasniewski

Peter has held posts with the International Theological Institute in Austria . . .

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Andrew R. Motyka · January 4, 2013

Biography • Andrew R. Motyka

Andrew is Director of Liturgical Music for the Archdiocese of Indianapolis . . .

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Andrew Leung · January 4, 2013

Biography • Andrew Leung

Andrew holds a degree in Sacred music from the Franciscan University of Steubenville…

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Christopher Mueller · January 3, 2013

Biography • Christopher Mueller

Christopher is a church musician, conductor, and composer…

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Cynthia Ostrowski · January 3, 2013

Extraordinary Form Hymnal

A brand new Latin Mass book—992 pages long—went to print on 12/24/2012.

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Corpus Christi Watershed

President’s Corner

    “Holy, Holy, Holy” transposed lower

    A simple setting based on a work by Canon Jules Vyverman.

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    —Jeff Ostrowski
    Music List • (27th Sund. Ordinary Time)

    Readers have expressed interest in examining my “music list” for this coming Sunday: 4 October 2026

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    —Jeff Ostrowski
    A Mystery! — Re: the “Liber Usualis”

    Even after all these years, nobody has been able to explain this.

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    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

It is necessary to address Bishop Trautman’s statement that “recent directives of the Congregation aimed at ICEL’s work appear to require a word-for-word, syntax-for-syntax correspondence between the Latin and the English texts.” I am happy to clarify that this certainly is not the intention of the Congregation, since the successful translation of the liturgical texts cannot be achieved by such a wooden mechanism.

— Jorge Cardinal Medina Estévez (13 May 2000)

Recent Posts

  • “All Saints Hymn” • Containing a Polyphonic Section
  • A Peculiar Plainsong Practice of the Anglicans
  • 7 Letters • “Simple Music for the Mass Propers”
  • “The Priest in Your Breviary” • Who Was Father Joseph Connelly? (Mysterious Liturgical Scholar)
  • “Holy, Holy, Holy” transposed lower

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