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Corpus Christi Watershed

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Views from the Choir Loft

Articles

Richard J. Clark · January 25, 2013

Full and Active Preparation – ora et labora

For the sacred musician, full and active participation not only includes mindfulness during mass . . .

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Dr. Peter Kwasniewski · January 24, 2013

Musical Harmony Softens Hard Hearts

Saint Hildegard of Bingen, pray for us!

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Cynthia Ostrowski · January 23, 2013

Catholic Line Art, Black and White • Installment #03

I will be releasing hundreds of these B/W religious line art drawings for free and instant download.

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Richard J. Clark · January 23, 2013

A Simple SSA Offering

A beautiful model of the evangelization we must do in our churches and faith communities

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Corpus Christi Watershed · January 21, 2013

Homiletic & Pastoral Review: Article by Fr. Friel

As I prayed these prayers from the new missal for the first time on January 3, 2012, I was struck nearly dumb . . .

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Jeff Ostrowski · January 20, 2013

Babies, Toddlers, And The Sacred Liturgy

I can only imagine what would happen if I brought home a friend home without preparation or planning.

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Fr. David Friel · January 20, 2013

The Mass

Miracle or Magic?

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Dr. Peter Kwasniewski · January 17, 2013

In every age, the challenge is the same

A Bible passage that has always struck me very forcefully . . .

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Richard J. Clark · January 17, 2013

St. Cecilia, Pray for Us

Why do we so intensely hand over our lives to the Church without fully realizing it until it is much too late?

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Veronica Brandt · January 16, 2013

Biography • Veronica Brandt

Veronica has published a wide variety of Catholic publications . . .

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Dr. Alfred Calabrese · January 15, 2013

Biography • Dr. Alfred Calabrese

Alfred holds a doctorate in choral conducting from Indiana University…

Corpus Christi Watershed · January 15, 2013

John Henry Newman Institute of Liturgical Music

The Newsletter for January 2013 and questionnaire.

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Jeff Ostrowski · January 14, 2013

Reflections On Playing The Piano At Church

Reflections on whether the piano ought be used at the Catholic Mass.

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Richard J. Clark · January 14, 2013

Biography • Richard J. Clark

Richard serves as Music Director and Organist at Holy Cross Cathedral . . .

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Jeff Ostrowski · January 13, 2013

The Need For Beauty In the Church

Artistic works often look “natural and easy” but their creation might have been by “blood, sweat, and tears.”

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Corpus Christi Watershed

President’s Corner

    “Holy, Holy, Holy” transposed lower

    A simple setting based on a work by Canon Jules Vyverman.

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    —Jeff Ostrowski
    Music List • (27th Sund. Ordinary Time)

    Readers have expressed interest in examining my “music list” for this coming Sunday: 4 October 2026

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    —Jeff Ostrowski
    A Mystery! — Re: the “Liber Usualis”
    When it comes to the Latin language, accent marks aren’t placed on 2-syllable words, because doing so would be excessive. In other words, if a Latin word has two (2) syllables, the first syllable always gets the accent—so there’s no need to mark it. Nevertheless, as the years went on, the ABBEY OF SOLESMES began placing accents on 2-syllable words throughout their publications. Yet, they made exceptions for certain words, and nobody can explain why. For example, they never put an accent on the word simul in Latin, as far as I can tell. Download this PDF file if you wish to see with your own eyes. It seems they omit the accent mark about 20% of the time, which eliminates the possibility of oversight.
    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

“A vigorous search is instituted for the best tenor and bass singers to be found in the realm. Luys de Villafranca, master of the altar boys and instructor of plainchant, petitions on November 27 that the boy-bishop festivities be combined this year with those for the Feast of St. Nicholas.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla: Chapter Resolution (20 November 1562)

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