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“A much greater source of anxiety to Us is the style of action of those who maintain that liturgical worship should shed its sacred character, who foolishly say we should substitute for sacred items & furnishings ordinary common things in daily use.” —Pope Saint Paul VI (14 Oct 1968)

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Views from the Choir Loft

A Simple SSA Offering

Richard J. Clark · January 23, 2013

OMPOSED FOR the Boston City Singers, Sing a New Song is based on Psalm 98, reflective of last week’s Responsorial psalm and this Sunday’s Introit. It is a very simple setting for SSA choir with a simple organ accompaniment. It easily learned in a rehearsal or two. A simple harmonization of the melody alternates with a three part canon of the same melody, ending with a rhythmic and step-wise descant.

Free Download:
PDF • “Sing a New Song” (SSA with Organ)

As a guest choir, the Boston City Singers recently sang this piece at St. Cecilia Parish in Boston. But more importantly, this secular organization beautifully models the evangelization we must do in our churches and faith communities (from their website):

Directed by founder, Jane Money, the Boston City Singers was founded in 1995 as a response to budget cuts in music education in the public schools. They provide outstanding music training opportunities to low and moderate income inner-city youth in the communities in which they live. With eight different programs, the students who sing with BCS range in age from four years to eighteen years old.

Eighty percent of the students who sing with BCS live in Boston’s urban neighborhoods. Boston City Singers’ vision is to provide the highest level of musical training and wide–ranging performance opportunities to young people, to inspire personal development, celebrate diversity, and foster goodwill within our city and surrounding towns. As advocates for the performing arts, BCS see themselves as partners with the local community and ambassadors to the world. Through their gift of song, the members of the BCS develop a lifelong love of music and the heart to live in a world of differences.

This is a wonderful example of action taken to better our communities, backed by a long-term commitment! This is what we must do to strengthen our prayer and strengthen our faith communities.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “What Martin Luther Said…”
    My pastor asked me to write little columns for the bulletin each week. The article for 20 July 2025 has been posted, and it’s called: “What Luther Said…” Martin Luther (an ex-priest and apostate) was an infamous heretic whose ignorance of JESUS CHRIST was only exceeded by his filthy and disgusting vulgarity.
    —Jeff Ostrowski
    “Music List” • 15th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 15th Sunday in Ordinary Time (13 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are also provided at the the feasts website.
    —Jeff Ostrowski
    15th Sunday in Ordinary Time (Year C)
    This coming Sunday—13 July 2025—is the 15th Sunday in Ordinary Time (Year C). All the chants have been conveniently assembled and posted at the feasts website. The OFFERTORY, Ad Te Levávi, is particularly beautiful.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“It is very curious, rather barbarous, much too ornate, immeasurably less dignified than ours now, anything in the world rather than archaic or primitive.”

— Fr. Fortescue describing the “Sarum Use” in 1912

Recent Posts

  • “Musicam Sacram” (5 March 1967) • Does It Apply?
  • “What Martin Luther Said…”
  • “Music List” • 15th in Ordinary Time (Year C)
  • Worship the Lord in Holy Attire
  • “How to Conduct 90 Vespers Services Each Year and Live to Tell the Tale.”

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