1963 Photograph • Original Lyrics for Fr. Hellriegel’s “To Jesus Christ Our Sovereign King”
Photograph from 1963, the year Monsignor Hellriegel published his 𝐻𝑜𝑙𝑦 𝐶𝑟𝑜𝑠𝑠 𝑃𝑎𝑟𝑖𝑠ℎ 𝐻𝑦𝑚𝑛𝑎𝑙.
Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”
Photograph from 1963, the year Monsignor Hellriegel published his 𝐻𝑜𝑙𝑦 𝐶𝑟𝑜𝑠𝑠 𝑃𝑎𝑟𝑖𝑠ℎ 𝐻𝑦𝑚𝑛𝑎𝑙.
Is it fair to forever bind Dom Guéranger to what he wrote about “barbarous archaisms” in 1855?
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Yesterday, I recorded a video demonstration of each Gregorian Chant tone.
With a brief digression on certain “nasty” traditionalists.
The idea of the tonic accent in Gregorian melody runs through the entire Solesmes tradition from Gontier to Pothier to Mocquereau to the present.
We Church musicians have a high calling to bear witness to the truth with our music and our lives.
The special Vigil of Christmas “Alleluia” sung according to the official rhythm of the Catholic Church.
For several years, due to the large number of Catholics who attend Mass at this parish, all celebrations have been held in a parking lot under a tent.
This video shows a signatory of the famous “Agatha Christie Indult” talking about Glenn Gould (specifically his Bach interpretations).
Including several hymns eminently suitable for the feast of Christ the King.
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We can think of the modes and their traditional characters in a dynamic way, and it can help us to have a little more shape and direction in our singing.
This afternoon, it was suggested to me that I write down (“notate”) the arrangement I use.
This week I attended part of an excellent academic conference in honor of William Mahrt.
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