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Views from the Choir Loft

Articles

Jeff Ostrowski · June 16, 2013

Nobody Can Answer My Question?

I have an important question, but nobody seems to care. It has to do with the famous: “When it falls on a Saturday or a Monday, the obligation to attend Mass is abrogated.”

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Veronica Brandt · June 16, 2013

Try Illuminare Score Editor

Yet another training video, this time simpler than ever.

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Veronica Brandt · June 15, 2013

Restoring Catholic Music in the Home

… one week at a time. Some families are keen to teach their children good hymns, but don’t know where to start.

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Corpus Christi Watershed · June 15, 2013

Fr. Pierre Paul And Pope Francis

Fr. Pierre Paul is well-known to Church musicians everywhere due to the amazing progress he has personally overseen with the Vatican choirs.

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Richard J. Clark · June 14, 2013

Stravinsky on Tradition

“A real tradition is not the relic of a past that is irretrievably gone; it is a living force that animates and informs the present” –Igor Stravinsky

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Jeff Ostrowski · June 13, 2013

Does Your Missal Obey Pope Paul VI?

“Gregorian Chant is apt to remain the singing voice of the Church for a good many years to come.” — Fr. Malone, writing in 1962.

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Dr. Peter Kwasniewski · June 13, 2013

What Vatican II Said (and Didn’t Say) about the Liturgy

Vatican II presents a mystical, contemplative, symbolic vision of liturgy, the celebration of which John Paul II said “must be characterized by a profound sense of the sacred.” Is it what you experience at your local parish?

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Guest Author · June 12, 2013

Responsorial Psalms & Gospel Acclamations

“It is true that the use of the ancient psalm tones for texts in English has been a matter of recent debate, some asserting that it is not possible to fit the cadences of the Gregorian tones . . .”

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Andrew R. Motyka · June 12, 2013

An FYI on EP in the OF – Part 3

This timeless text is the high point of this liturgy.

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Jeff Ostrowski · June 11, 2013

Proud Father With Son & Daughter

Normally, I hate it when blogs become too personal, but I hope our readers will tolerate me sharing two (2) pictures of our children.

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Corpus Christi Watershed · June 11, 2013

Chant Workshop At Historic Mission San Buenaventura

The session in Ventura, CA, will include Gregorian notation and solfege, Chant in English and Latin, Counting, Mass Ordinary, and a capstone using the Pange Lingua.

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Jeff Ostrowski · June 11, 2013

Choir Members’ Behavior In The Year 1596

On 24 December 1596, Nanino records that the singers missed a response of “Amen,” which they were supposed to make after the pope said the Gospel at Matins. But the books were marked so that the same thing would not happen the following year, as it might if they depended only on memory.

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Corpus Christi Watershed · June 11, 2013

An 1833 English Translation of the Missal?

Considering the history of vernacular translations, which were forbidden at certain times by the Church, the following 1833 document will be of interest.

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Fr. David Friel · June 11, 2013

Obedience to the Church

Freedom or Slavery?

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Jeff Ostrowski · June 10, 2013

Entering The Danger Zone: Congregational Singing

Are we being honest when we claim that the “entire congregation” can sing a hymn at Mass? I had to search pretty hard, but finally found someone willing to admit the truth.

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Corpus Christi Watershed

President’s Corner

    “Singers’ Booklet” (15 Nov.)—26 pages

    Readers have expressed interest in examining my “music list” for this coming Sunday.

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    —Jeff Ostrowski
    “Reprehensible Rhymes” • (1955 Hymnal)

    It really does seem as though this gentleman was only considered an ‘expert’ in Roman Catholic hymnody when compared to others…

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    —Jeff Ostrowski
    PDF Download • “Singers’ Booklet”

    The Communion antiphon this week is the powerful “Parable of the Ten Bridesmaids.”

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    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

The representative Protestant collection, entitled “Hymns, Ancient and Modern”—in substance a compromise between the various sections of conflicting religious thought in the Establishment—is a typical instance. That collection is indebted to Catholic writers for a large fractional part of its contents. If the hymns be estimated which are taken from Catholic sources, directly or imitatively, the greater and more valuable part of its contents owes its origin to the Church.

— Orby Shipley (1884)

Recent Posts

  • “Singers’ Booklet” (15 Nov.)—26 pages
  • “Five (5) Clarifications” • Fr. Campesato’s Article
  • Seven (7) ‘Ad Libitum’ Antiphons • “Gateway to the Gregorian Propers”
  • “Reprehensible Rhymes” • (1955 Hymnal)
  • Brief Thoughts on a Dissertation-Length Article on Gregorian Chant

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