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Views from the Choir Loft

Solesmes Salicus & Scandicus Vs. Pure Vatican Edition

Jeff Ostrowski · April 29, 2013

OSTING ABOUT THIS SUBJECT probably makes me an official geek, but here goes. Those who carefully examine yesterday’s Communion Proper (5th Sunday of Easter, Year C) will notice that there are major discrepancies between how it is printed in the ORDO CANTUS MISSAE and the Solesmes Gregorian Missal of 1989. The ORDO CANTUS MISSAE was printed in 1970, 1974, and again in 1988. There are so many important discrepancies, I will not show them, because it would take too long. However, the excerpts below serve as good examples of what I’m talking about. The RED ARROWS are from the ORDO CANTUS MISSAE (1988) and the PURPLE ARROWS are from the Gregorian Missal:

Errors like these happen approximately five times, which is quite remarkable considering Ego Sum Vitis Vera is an extremely short chant. Anyone who has read my article in Sacred Music (Winter 2008) realizes the deep significance of these discrepancies. Furthermore, they would be easier to account for if the chant were printed by the Pothier Commission, but this chant was first added in 1970.

Here’s my 2008 article, for those who care:

      * *  The Rhythm of the Vatican Edition (Winter 2008) [pdf]

And here’s a series of videos you can watch, if the article doesn’t make sense to you:

      * *  Video Presentation on the Vatican Rhythm of the Chant

But the easiest way to understand what I’m talking about is to read “Lesson 8” found here:

      * *  How to Read and Sing Gregorian Chant

Happy Geek-ing!!!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Los Angeles.—(Read full biography).

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Quick Thoughts

19 May 2022 • “Trochee Trouble”

I’m still trying to decide how to visually present the “pure” Editio Vaticana scores, using what is (technically) the official rhythm of the Church. You can download my latest attempt, for this coming Sunday. Notice the “trochee trouble” as well as the old issue of neumes before the quilisma.

—Jeff Ostrowski
16 May 2022 • Harmonized Chant?

This year’s upcoming Sacred Music Symposium will demonstrate several ways to sing the CREDO at Mass. This is because—for many parishes—to sing a full-length polyphonic CREDO by Victoria or Palestrina is out of the question. Therefore, we show options that are halfway between plainsong and polyphony. You can hear my choir rehearsing a section that sounds like harmonized plainsong.

—Jeff Ostrowski
14 May 2022 • “Pure” Vatican Edition

As readers know, my choir has been singing from the “pure” Editio Vaticana. That is to say, the official rhythm which—technically—is the only rhythm allowed by the Church. I haven’t figured out how I want the scores to look, so in the meantime we’ve been using temporary scores that look like this. Stay tuned!

—Jeff Ostrowski

Random Quote

“What will be the results of this innovation? The results expected, or rather desired, are that the faithful will participate in the liturgical mystery with more understanding, in a more practical, a more enjoyable and a more sanctifying way.” [Enjoyable?]

— Pope Paul VI (26 Nov 1969)

Recent Posts

  • PDF Download • “A Canon Choirs Love!”
  • On Mistakes (Part I of II)
  • 19 May 2022 • “Trochee Trouble”
  • “Gregorian Chant Not In Danger Pope Tells French”
  • PDF Download • “O Salutaris” (Modern Setting)

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