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Views from the Choir Loft

Articles

Jeff Ostrowski · August 7, 2015

Propers for the Assumption (15 August)

Videos, Scores, & Mp3 Files

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Richard J. Clark · August 7, 2015

That’s Entertainment, Folks!

Entertainment distracts from the Real Presence. We must lead. We must offer substance. Our spiritual lives depend upon it, as do those whom we serve.

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Andrew Leung · August 6, 2015

Sacred Music as an Emotional Experience

Emotions and the field of Sacred Music

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Jeff Ostrowski · August 6, 2015

Pope Paul VI Celebrates Ambrosian Rite At Vatican II

Cardinal Montini—later known as Pope Paul VI—celebrates Mass in the St. Peter’s Basilica during Vatican II.

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Jeff Ostrowski · August 5, 2015

Help Needed From Organists Who Can Improvise!

Are you a composer?

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Jeff Ostrowski · August 5, 2015

Musical Resources • 11th Sunday after Pentecost (Extraordinary Form)

The Verdelot “Agnus Dei” gets better and better the more we explore its treasures.

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Jeff Ostrowski · August 4, 2015

My Response To “Should Church Singers Be Paid?”

“The labourer is worthy of his hire.” (I Tim 5:18)

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Dr. Lucas Tappan · August 4, 2015

A Must Have For The Choir Director’s Shelf

This book is invaluable for the church musician.

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Jeff Ostrowski · August 4, 2015

The Easiest Way To Teach Your Choir Polyphony

What could be simpler or more fun than this?

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Jeff Ostrowski · August 4, 2015

Why St. Josemaría Escrivá Only Celebrated The Extraordinary Form

“Such moments had been a part of his spiritual life since boyhood and through his priesthood.”

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Fr. David Friel · August 3, 2015

Assumption Mass 1

A Solemn High Mass in the Extraordinary Form next Friday evening in Philadelphia.

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Jeff Ostrowski · August 2, 2015

Loading Choir Binders for 2 August 2015

Once we finish revising the scores at Goupil, this will be unnecessary.

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Andrew Leung · August 2, 2015

Maestro Colin Mawby—The Newest Blogger

Maestro Mawby is now a contributor for «CASTAWAY» and his articles may interest you…

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Fr. David Friel · August 2, 2015

Vesting Prayers • Part 5 of 9

The Cincture

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Veronica Brandt · August 1, 2015

Teaching chant to your children

Just a little each day. As Confucius says: “It does not matter how slowly you go as long as you do not stop.”

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Our Father” (1 page)
    Dutch organist, teacher, and conductor HERMAN STRATEGIER (d. 1988) studied under Hendrik Andriessen. He composed this unison setting with organ accompaniment for the LORD’S PRAYER (“Our Father”) which a children’s choir would find both within reach and worthy of the effort. The whole thing fits neatly on a single page. Strategier eventually became organist of Saint Catherine’s Cathedral in Utrecht. He also taught at the “Dutch Institute for Catholic Church Music” (Nederlands Instituut voor Katholieke Kerkmuziek).
    —Jeff Ostrowski
    PDF • “Organ Interlude” (Manuals Only)
    Monsignor Franciszek Walczyński (d. 1937) was a Polish composer. If you play the pipe organ, I encourage you to try out this ORGAN INTERLUDE FOR MANUALS ONLY (1-page PDF) which he composed. Walczyński taught plainsong at the seminary in Tarnów (about 50 miles east of Kraków). With his brother Stanisław—also a Catholic priest—he initiated the Saint Adalbert Society for the Support of Church Music, which ran annual workshops for their diocese. In July of 1894 (more than a decade before the appearance of the Editio Vaticana) Walczyński lectured on “congregational singing and Gregorian Chant.” On top of all that, Monsignor Walczyński founded an organists’ school in Tarnów and the SAINT ADALBERT CHOIR at the cathedral.
    —Jeff Ostrowski
    Eucharistic Prayer No. 2 on Sundays?

    Highlighted in yellow (on this single-page PDF file) is documentation concerning whether the 2nd Eucharistic prayer may be used on Sundays.

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    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

“Those who are trying to improve the quality of congregational singing cannot refuse to Gregorian chant the place which is due to it.”

— Sacred Congregation of Divine Worship (14 April 1974)

Recent Posts

  • Sacred Music in the Sunflower State!
  • The Vanishing Art of Knowing Hymns • We Seek a Hymn “Expert” (Not Just a Hymn “Enthusiast”)
  • Preface of Saint Joseph (added by the pope)
  • PDF Download • “Our Father” (1 page)
  • Composer Isabella Quintana: “Christ my teacher, Christ my healer, Christ my Savior.” • (Guest Article)

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