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Views from the Choir Loft

Why It is Truly Right and Just to Sing the Preface

Richard J. Clark · June 26, 2015

HE PREFACE, perhaps like other parts of the Liturgy of the Eucharist can at times be easily overlooked or tuned out. Yet most often, there is something very unique and special about the Preface.

Under the The Eucharistic Prayer” the General Instruction of the Roman Missal (GIRM) states:

364. The numerous Prefaces with which the Roman Missal is endowed have as their purpose to bring out more fully the motives for thanksgiving within the Eucharistic Prayer and to set out more clearly the different facets of the mystery of salvation.

Like the Creed, the Preface is a unique place in the Mass where dogma of the Church is expressed. Furthermore, it expresses thanksgiving for the work of salvation.

”…The thanksgiving (expressed especially in the Preface), in which the Priest, in the name of the whole of the holy people, glorifies God the Father and gives thanks to him for the whole work of salvation or for some particular aspect of it, according to the varying day, festivity, or time of year.

ITH A NAME LIKE “PREFACE” it connotes something less important. Relatively speaking, it is less important than the consecration. However, giving thanks for the work of salvation certainly deserves greater dignity of proclamation! It warrants singing. Proclaimed by the Head—the priest acting in persona Christi capitis—it is prayed by the entire body. It is another act of unity.

An astounding example of the Preface “setting out more clearly the differ facets of the mystery of salvation” is from the Nativity of John the Baptist, June 24:


THE MISSION OF THE PRECURSOR

In his Precursor, Saint John the Baptist,

We praise your great glory,
for you consecrated him for a singular honor
among those born of women.

His birth brought great rejoicing;
Even in the womb he leapt for joy
at the coming of human salvation.
He alone of all the prophets
pointed out the Lamb of redemption.

And to make holy the flowing waters,
he baptized the very author of Baptism
and was privileged to bear him supreme witness
by the shedding of his blood.

I find these words to be extraordinary. To sing them is truly right and just.

You may download all the chanted Prefaces of the liturgical year (as well as all music from the Roman Missal) here.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“The revision of the liturgical books must carefully attend to the provision of rubrics also for the people’s parts.”

— The Second Vatican Council (SC §31)

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