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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Jeff Ostrowski · July 27, 2015

Why It’s Pointless To Argue Over Our Roman Missal Translation

“Women forced to sell their bodies in desperation and fear” —From a 2013 GIA hymnal

Fr. David Friel · July 27, 2015

The Church of Our Savior

And the Case of the Vanishing Icons

Fr. David Friel · July 26, 2015

Vesting Prayers • Part 4 of 9

The Alb

Veronica Brandt · July 25, 2015

Why it’s great to be Catholic

The thing that stands out is the enormous breadth of the Church Universal. Through all times, all places, all languages this Mystical Body of Christ is alive and drawing men to God. What other religious tradition can even come close?

Jeff Ostrowski · July 24, 2015

Pope Pius XI and “Concelebration”

Can anyone shed light on this?

Jeff Ostrowski · July 23, 2015

Polyphony (SATB) By Verdelot • With Optional Hymn “Christe Supreme”

Amazing! Verdelot’s cadence here sounds quite modern!

Andrew Leung · July 23, 2015

Review • Bread from Heaven

A collection of English Eucharistic motets published by Heath Morber and Ben Yanke

Jeff Ostrowski · July 22, 2015

Musical Resources • 9th Sunday after Pentecost (Extraordinary Form)

The organist will play softly at the Offertory.

Jeff Ostrowski · July 22, 2015

The “Little Rock Nine” & Sacred Music

How could closing down all the schools be a good plan?

Jeff Ostrowski · July 21, 2015

Fr. Robert E. Barron To Be Made A Bishop!

Three new auxiliary bishops for Los Angeles!

Jeff Ostrowski · July 21, 2015

Fr. Carlo Rossini Is Wrong About “EU”

You can sleep soundly at night, knowing how to correctly pronounce “hagióque pnéumate.”

Dr. Lucas Tappan · July 20, 2015

Should Children Have To Audition?

There is a proper balance between an impossibly hard formal audition and the usual “any child can join” policy that exists in the typical parish children’s choir.

Jeff Ostrowski · July 20, 2015

“Sacred Vs. Secular Music” • Fr. John C. Selner

“…like man, Mary, you are IN—really cool among women.”

Jeff Ostrowski · July 20, 2015

Is Renaissance Music Too Expressive For Holy Mass?

“To thee do we send up our sighs, mourning and weeping in this valley of tears.”

Andrew Leung · July 20, 2015

Videos • Bishop-Elect Robert Barron on the Liturgy

People should not be coming to Mass for the emotional high

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski
    “Entrance Chant” • 23rd (Ordinary Time)
    This coming Sunday, 7 September 2025, is the 23rd Sunday in Ordinary Time (Year C). You can download the “Entrance Chant,” conveniently located at the feasts website. I also recorded a rehearsal video for it (freely available at the same website). The Communion Chant includes gorgeous verses in FAUXBOURDON. I attempted to create a rehearsal video for it, and it’s been posted at the feasts website, called by some: “church music’s best kept secret.”
    —Jeff Ostrowski

Quick Thoughts

    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that claim is false. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Saint John Vianney, several centuries ago, taught clearly that canonizations are not infallible.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“Church officials frequently asked Tomás Luis de Victoria for his opinion on cathedral appointments because of his fame and knowledge. He was faithful to his position as convent organist even after his professional debut as an organist, and never accepted any extra pay for being a chapelmaster. Held in great esteem, his contract allowed him frequent travel away from the convent, and he attended Palestrina’s funeral (in Rome) in 1594.”

— ‘Dr. Robert Stevenson, 1961 (mod.)’

Recent Posts

  • Vatican II Changed Wedding Propers?
  • New Bulletin Article • “14 September 2025”
  • PDF Download • Croft’s “Canonic Kyrie” (SATB)
  • Karl Keating • “Canonization Questions”
  • “Music List” • 23rd in Ordinary Time (Year C)

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