Views from the Choir Loft

Musical Resources • 14th Sunday after Pentecost (Extraordinary Form)

Jeff Ostrowski · August 26, 2015

RESPONSES FOR HIGH MASS

PDF Score (Singer) • printed on a single sheet

PROCESSIONAL

Organist.

ASPERGES

PDF Score (Singer) • Practice Audio (Singer) • Organist

To practice the new section of the Asperges, you must locate #4550.

INTROIT • Sung by the men only.

PDF Score (Singer) • Practice Audio (Singer)

KYRIE ELEISON

To practice the Kyrie by Richard Rice, which we will do soon, you must locate #4781.

And never forget our Palestrina Kyrie that we sing sometimes. The 1st section (#5054) and the 2nd section (#5053).

GLORIA IN EXCELSIS

The Gloria this week is #4748.

The one by Zachariis (†1594) which we’ve been doing for months is #5051.

GRADUAL & ALLELUIA

To practice the new Palestrina ALLELUIA, you must locate #4470. Until the new one is learned, we’ll continue with #5050.

You don’t need to practice the chant verses which change each week.

CREDO IV • Alternatim

PDF Score (Singer) • Practice Audio (Singer) • Organist

OFFERTORY ANTIPHON

PDF Score (Singer)

OFFERTORY

Christe Supreme • Score • Accompaniment

SANCTUS & HOSANNA

To practice the polyphic “Hosanna,” you must locate #5048. You don’t need to practice the Chant Part.

Our members need to memorize (if possible) the solfège from #4912 which we use to begin rehearsal.

AGNUS DEI

To practice the Agnus Dei by Philippe Verdelot (d. 1531), you must locate #4801.

COMMUNION ORGAN

Organist … while choir receives Holy Communion.

COMMUNION ANTIPHON

PDF Score (Singer) • Practice Audio (Singer)

RECESSIONAL HYMN • #860 To the Name that brings salvation

From the Campion Hymnal. Organist.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Luis Martínez Must Go!

Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]

—Jeff Ostrowski

Urgent! • We Desperately Need Funds!

A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!

—Jeff Ostrowski

“Booklet of Eucharistic Hymns” (16 pages)

I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.

—Jeff Ostrowski

Pope Pius XII Hymnal?

Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.

—Corpus Christi Watershed

“Hybrid” Chant Notation?

Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.

—Corpus Christi Watershed

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).

—Corpus Christi Watershed