Views from the Choir Loft

SATB “Alleluia” By Palestrina • Brief, Easy, & Sumptuous

Jeff Ostrowski · August 25, 2015

HEN JOHANN SEBASTIAN BACH visited King Frederick II on 7 May 1747, the king gave him a challenging fugue subject, which Bach used to create gorgeous music. Something similar was done with the melody of “Ut Re Mi Fa Sol La” by the great composers. My choir has already done a version by Morales, and now we are doing one by Palestrina:

* * PDF Download • ALLELUIA “Ut Re Mi Fa Sol La”

By the way, both those composers—Palestrina & Morales—wrote full Masses in which the theme constantly appears in the most ingenious ways.

The following rehearsal videos provide Solfège versions, and I believe that using Solfège will allow you to teach your choir this piece in no time flat. (Pardon the pun!)

Rehearsal Videos :

EQUAL VOICES : YouTube • Mp3 Audio

SOPRANO : YouTube • Audio incl. Solfège

ALTO : YouTube • Audio incl. Solfège

TENOR : YouTube • Audio incl. Solfège

BASS : YouTube • Audio incl. Solfège

You owe it to yourself to sing through the Alto line … such fun!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Los Angeles.—(Read full biography).

Alabama Assessment!

We received this evaluation of Symposium 2022 from an Alabama participant:

“Oh, how the Symposium echoed the words of Cardinal Merry Del Val: …choosing only what is most conformed to Thy glory, which is my final aim. In one short and fast paced week, the faculty and attendees showed me the hand of God and our Lady working in our lives. The wide range of education—from Gregorian Chant, jazz modes in organ improvisation, to ‘staying sane’ while leading a choir—were certainly first-class knowledge from the best teachers of the art. However, the most powerful lesson was learning how to pray as a choir. The sacrifice of putting songs together, taking time to learn the sacred text, meditating on the church teaching through the chants, and gaining the virtues required to persevere in these duties were not only qualities of a choir but of a saint. The sanctification of the lives of the attendees was a beautiful outcome of this event … and that in itself is worth more than a beautifully-sung Solesmes style chant!”

—Jeff Ostrowski

PDF Download • Trinity Sunday (22 pages)

Feel free to download this Organ Accompaniment Booklet for Trinity Sunday (Second Vespers). Notice how the modes progress by number. Psalm 1 is mode 1; Psalm 2 is mode 2; Psalm 3 is mode 3; Psalm 4 is mode 4; Psalm 5 is mode 5. I am told by an expert that other feasts (such as Corpus Christi) are likewise organized by mode, and it’s called a “numerical office.”

—Jeff Ostrowski

10 June 2022 • “Official” rhythm of plainsong

I continue to search for the most beautiful way to present the “pure” Editio Vaticana scores. (Technically, the “pure” rhythm of the official edition is what everyone is supposed to use.) You can download my latest attempt, which is the Introit for this coming Sunday: Feast of the Most Holy Trinity. Because this is not an ancient feast, the Introit had to be adapted (perhaps around 750AD). Prior Johner says the adaptation is “not an entirely happy one.”

—Jeff Ostrowski

“Church officials frequently asked Tomás Luis de Victoria for his opinion on cathedral appointments because of his fame and knowledge. He was faithful to his position as convent organist even after his professional debut as an organist, and never accepted any extra pay for being a chapelmaster. Held in great esteem, his contract allowed him frequent travel away from the convent, and he attended Palestrina’s funeral (in Rome) in 1594.”

— ‘Dr. Robert Stevenson, 1961 (mod.)’