A monthly subscription fee of $4.95 gives access to the entire website (beginning on 8 May 2026). Thank you for supporting our efforts!
Whether your particular parishes are rich or poor, big or small, love sacred music or hate it, there is one thing that I challenge all of you to do, and that is to sing the Mass.
You can also donate using PayPal, even though we prefer Cornerstone.
Six reasons in favor of the “Second Confiteor” and my thoughts.
At the time of his death, Fortescue was Professor of Church History at St. Edmund’s College, Ware—the oldest Catholic school in England.
The frontier of composition is clearly producing new settings of the propers in the vernacular, useful for a typical parish.
I’ve often told my choir members that before I die they will be singing from music displayed on some form of a tablet, but I never thought I’d see the Capella Sistina blazing the trail!
These things must begin at the parish level.
I cannot imagine a more powerful text.
I hope and pray the Church continues to raise up true artists who will bring the Gospel to the world through the greatest of all the Church’s arts—Music.
The Goupil Graduals arrived this morning, and they look marvelous!
If you think we weren’t nervous to sing before so many … think again!
A church musician’s work may well be priceless. We don’t need to have gratitude for our natural talent, though talent can make life easier. The big honour is to serve God at the summit and source of Christian life.
Reflections on Offering a Colloquium Mass
It took me—the composer—to realize this is really a work about mother and child.
We’ll be joined by Bishop Athanasius Schneider, our FSSP District Superior, and several FSSP seminarians for a Solemn Pontifical Mass in Hollywood.
