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Corpus Christi Watershed

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Views from the Choir Loft

Articles

Jeff Ostrowski · August 25, 2016

“Simple Kyriale” for Dumb Organists Like Me!

Fr. Valentine used to say: “You can play 100 notes right, and miss just one—and people will criticize you for that wrong one!”

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Jeff Ostrowski · August 25, 2016

The Eight Gregorian Psalm Tones (PDF)

I’m sick of looking for this chart online!

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Jeff Ostrowski · August 24, 2016

Can You Hear The Difference?

Do you prefer polyphony recorded by just my voice, or mixed with “real” voices?

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Jeff Ostrowski · August 23, 2016

“Ad Orientem” • Why I’m Rejoicing over Sloppy Errors in the Catholic Herald

His assertion that “smoking out enemies” is best done by appointing them to high positions in the Vatican is absurd.

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Dr. Lucas Tappan · August 23, 2016

A New Choral Year Off to the Races

If you aren’t used to working with children, it can be a bit daunting on your first day…

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Fr. David Friel · August 21, 2016

Essence, Form, Experience

Fourth Annual Art of the Beautiful Lecture Series

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Richard J. Clark · August 19, 2016

Saint Cecilia and an Angel Orazio Gentileschi and Giovanni Lanfranco

New Resource from the Archdiocese of Boston for First Communion and Confirmation

The most important element of this document is not the list of hymns and chants, but the vital coupling of faith formation and sacred music.

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Jeff Ostrowski · August 18, 2016

“Polyphony For Dummies”

A new video presentation with excellent audio samples.

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Jeff Ostrowski · August 16, 2016

Breathtaking Images from Poland

A liturgical workshop took place in Licheń, Poland from 4-11 August 2016.

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Dr. Lucas Tappan · August 16, 2016

Strive for Excellence

Let’s face facts—the English cathedral system of forming church musicians works.

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Cynthia Ostrowski · August 15, 2016

Catholic Bulletin Art • Installment #71

If you’re confused about what’s happening, search google for “Dormition of Mary.”

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Jeff Ostrowski · August 15, 2016

Hymn for St. Thomas More & St. John Fisher

Fascinating verses by Msgr. Ronald Knox

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Fr. David Friel · August 14, 2016

World Youth Day Krakow: Music Recordings

Seventeen (17) Tracks Now Available on iTunes

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Jeff Ostrowski · August 12, 2016

Major Media Outlet Re: “Ad Orientem”

Corpus Christi Watershed is mentioned and cited!

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Richard J. Clark · August 12, 2016

The Difficulty of Cultivating a Prayerful Focus for Musicians

Quiet prayer for church musicians is very difficult to come by. Here are nine things one may find helpful.

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Corpus Christi Watershed

President’s Corner

    PDF • “Organ Interlude” (Manuals Only)
    Monsignor Franciszek Walczyński (d. 1937) was a Polish composer. If you play the pipe organ, I encourage you to try out this ORGAN INTERLUDE FOR MANUALS ONLY (1-page PDF) which he composed. Walczyński taught plainsong at the seminary in Tarnów (about 50 miles east of Kraków). With his brother Stanisław—also a Catholic priest—he initiated the Saint Adalbert Society for the Support of Church Music, which ran annual workshops for their diocese. In July of 1894 (more than a decade before the appearance of the Editio Vaticana) Walczyński lectured on “congregational singing and Gregorian Chant.” On top of all that, Monsignor Walczyński founded an organists’ school in Tarnów and the SAINT ADALBERT CHOIR at the cathedral.
    —Jeff Ostrowski
    Eucharistic Prayer No. 2 on Sundays?

    Highlighted in yellow (on this single-page PDF file) is documentation concerning whether the 2nd Eucharistic prayer may be used on Sundays.

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    —Jeff Ostrowski
    Knox. Has. No. Equal.
    Dr. Finberg (of the University of Leicester) famously said: “No living writer possesses a greater command over the English language than Monsignor Ronald Knox.” A lifetime spent among his works would not exhaust them; always another thing to see, never once a reason to look away. Consider the marvelous way Knox Englished the famous VERBUM SUPERNUM of Saint Thomas Aquinas. The 4th verse (in Latin) means: “By being born, He became man’s companion; at this supper, He became man’s food; in dying, He became man’s ransom; in reigning, He is man’s reward.” Knox brilliantly makes the English fit the Latin meter: The manger, Christ their equal made, | That upper room, their souls’ repast, | The Cross, their ransom dearly paid, | And heav’n, their high reward at last. I believe the meaning of the French word “manger” was not absent from his thoughts when he penned that stanza.
    —Jeff Ostrowski

Quick Thoughts

    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed

Random Quote

“I would hope there is a place [at Mass] for the avant-garde in the same way I think there has to be a place—and we have to be careful with this—a place for Jazz and a place for Evangelical and all of that. […] On theological grounds, I do think we need interaction with the culture at the level of high art or at the level of more commercial pop culture.”

— Fr. Anthony Ruff (22 June 2016)

Recent Posts

  • Composer Isabella Quintana: “Christ my teacher, Christ my healer, Christ my Savior.” • (Guest Article)
  • PDF • “Organ Interlude” (Manuals Only)
  • PDF Download • Roman Catholic Hymnal (1953) with Lyrics in Dutch! — 71 pages
  • (Simplified Keyboard Accompaniment) • “Now Thank We All Our God”
  • Test Your Gregorian Chant Knowledge!

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