Views from the Choir Loft

Essential Resources • Psalm Tones for Mass Propers

Jeff Ostrowski · June 15, 2016

Additional Psalm Verses for the Communion antiphons:

* * [40 pages] • PSALMS FOR COMMUNION (Solesmes, 1957)

* * [232 pages] • VERSUS PSALMORUM ET CANTICORUM (Solesmes, 1962)

* * [307 pages] • Richard Rice «COMMUNIO» (CMAA, 2008)

Notice that “Versus Psalmorum” (1962) also contains extra verses for the introit!

Simple Settings for the Gradual, Tract, and Alleluia verse:

* * [257 pages] • CHANTS ABRÉGÉS (Solesmes, 1930)

* * [290 pages] • CHANTS ABRÉGÉS (Solesmes, 1955)

* * [111 pages] • LIBER BREVIOR EXCERPT (Solesmes, 1954)

The Church Music Association of America has also posted a fabulous resource (“Simplified Graduale”) by Richard Rice in booklet form and also in portrait.

Extra Verses for the Offertory chants:

* * [186 pages] • FULL VERSES by Carl Ott (1935)

* * [36 pages] • SIMPLE OFFERTORY VERSES (Richard Rice)

As I mentioned in my Symposium speech, those interested in adapting the Gregorian psalm tones for English should first study the above resources to understand Gregorian psalmody. Moreover, they should visit the Lalande Online Library and download all the books called “Psalmi in Notis.”

Most of these files were scanned & posted by the CMAA.

The CMAA new policy (22 April 2015) allows reposting when credit is given.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Luis Martínez Must Go!

Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]

—Jeff Ostrowski

Urgent! • We Desperately Need Funds!

A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!

—Jeff Ostrowski

“Booklet of Eucharistic Hymns” (16 pages)

I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.

—Jeff Ostrowski

Pope Pius XII Hymnal?

Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.

—Corpus Christi Watershed

“Hybrid” Chant Notation?

Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.

—Corpus Christi Watershed

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).

—Corpus Christi Watershed

Saint Phillip Neri founded a religious congregation called the Oratory. Animuccia was involved from early on and remained “maestro di capella” of the Oratory until his death. The Oratory was able to attract many musicians who volunteered their services, including the famous singer Francesco Soto de Langa from the Capella Sistina, the composer Palestrina, and probably the composer Tomás Luis de Victoria who lived in the same house as St. Phillip Neri for five years.

— Source Unknown