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Views from the Choir Loft

Articles

Corpus Christi Watershed · April 8, 2017

Members’ Page • Sacred Music Symposium 2018

Private & Confidential

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Richard J. Clark · April 7, 2017

Sing Everything From the Viewpoint of the Resurrection

Music has a way of describing the indescribable, of bringing to speech the ineffable. That is what our choirs must do this Holy Week.

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Jeff Ostrowski · April 7, 2017

Intensely Powerful • “Requiem” Production (FSSP)

I’ve never seen a more beautiful promo video.

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Jeff Ostrowski · April 7, 2017

Musical Resources • Palm Sunday (1962) 1

“The multitude goeth forth to meet our Redeemer with flowers and palms, and payeth the homage due to a triumphant conqueror.”

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Andrew Leung · April 6, 2017

It is Finished

What can a musician learn from the last words of our crucified King?

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Jeff Ostrowski · April 5, 2017

Strong Vibrato • What Do You Think?

In my view, a “tight” vibrato can be quite a beautiful thing.

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Dr. Lucas Tappan · April 4, 2017

Family Life and the Sacred Liturgy

I can’t imagine my family playing such an intimate role in the ceremonies of Holy Week, but it surely made an awesome impression on the von Trapps.

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Jeff Ostrowski · April 3, 2017

Mesmerizing Credo Setting (SATB) • After Machaut

Two young ladies helped record these 14th-century harmonies.

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Jeff Ostrowski · April 2, 2017

Two Popes Singing “Our Father” in Latin

Listen to the instructions John Paul II gives the Chicago congregation.

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Fr. David Friel · April 2, 2017

Two Articles Worth Reading

On “Liturgiam authenticam” and the Crisis in Art

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Veronica Brandt · April 1, 2017

Liturgical Language Barriers

Learning enough to use Latin liturgically is important and easy if you have the information. Including a short video giving tips to cover most Church Latin pronunciation.

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Jeff Ostrowski · April 1, 2017

Musical Resources • 5th Sunday of Lent (“Passion”)

The Jews therefore said to Him, “Thou art not yet fifty years old and hast Thou seen Abraham?”

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Jeff Ostrowski · March 31, 2017

“Adoro te devote” (SATB) • Rehearsal Videos

…with English translation by Fr. Adrian Fortescue.

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Andrew Leung · March 30, 2017

Reconstructed 16th-Century Mass

An interesting project to reconstruct a 16th century Mass as Henry VIII would have heard it.

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Jeff Ostrowski · March 29, 2017

“The World” • What is the world?

Golden Jubilee Homily by Bishop René H. Gracida.

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Corpus Christi Watershed

President’s Corner

    A Popular “Gloria” … in Dutch?
    Close to 16 years ago, I composed a “Glory to God in the Highest” in honor of SAINT RALPH SHERWIN. It was subsequently sung all over the world, and included in various collections (under different titles). You can download the musical score in plainsong notation. It was selected for inclusion in the Saint Isaac Jogues Illuminated Missal, Gradual, and Lectionary—and here’s its keyboard accompaniment (PDF file). I have a terrible memory, but somebody reminded me it was translated into Dutch (!) in 2012. I have no idea who did this—but you can download the score by clicking here. Because I don’t speak Dutch, I have no idea whether the adaptation was done skillfully.
    —Jeff Ostrowski
    Music List • (26th Sund. Ordinary Time)

    Readers have expressed interest in examining my “music list” for this coming Sunday: 27 September 2026.

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    —Jeff Ostrowski
    “Reminder” — Month of September (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). Since we were founded in 2006, not one of our board members has ever accepted any remuneration whatsoever—not a penny. We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

Jeffrey Tucker: “What are your thoughts on what passes for sacred music in most Catholic parishes today?” Richard Morris: “There’s nothing sacred about it. The tunes, rhythms, and messages are drawn mainly from secular culture. When it isn’t aesthetically repugnant and downright offensive to the Faith, it is utterly forgettable.”

— James Richard Morris (concert organist)

Recent Posts

  • A Popular “Gloria” … in Dutch?
  • From Rome • “International Week of Sacred Music”
  • Music List • (26th Sund. Ordinary Time)
  • “Anima Christi” for 3 Voices • Truly a Masterpiece!
  • “Plainsong Pop Quiz” • What’s This Called?

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