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Corpus Christi Watershed

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Views from the Choir Loft

Articles

Guest Author · May 19, 2017

New Compositions Worthy Of Your Attention

A new Mass by Michael Duryea and two short works by Thomas J. Mosser.

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Jeff Ostrowski · May 18, 2017

Archbishop Sheen on Liturgy & Plainchant Choirs

“Sisters in pants distribute communion, while priests sit idle in the sanctuary. This ‘option’ results from a decay of the reverence for the Lord’s Presence.” —Fulton J. Sheen (1976)

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Jeff Ostrowski · May 17, 2017

Rehearsal Videos • Guerrero “Agnus Dei” (SSATB)

Do you understand why I only apologize once—and not twice—for the Soprano line?

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Jeff Ostrowski · May 17, 2017

Rehearsal Videos • “Ave Sacer Christi Sanguis”

Precious few modern masterpieces exist…but this motet by Kevin Allen is one.

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Jeff Ostrowski · May 16, 2017

EWTN Video • Priestly Fraternity of Saint Peter

Two members talk about their new CD, “Requiem.”

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Dr. Lucas Tappan · May 16, 2017

Recruiting and Auditioning Choristers

The audition itself is very straight forward and usually takes about 10 minutes, although I know within the first minute if I plan to accept the child into the choir.

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Fr. David Friel · May 14, 2017

Podcast on Sacred Music

An interview with the blog, “Seminarian Casual”

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Dr. Lucas Tappan · May 12, 2017

Ten “Ave Maria” Settings from Different Lands

Live recordings—music in honor of Our Lady of Fatima.

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Corpus Christi Watershed · May 11, 2017

May Is Dedicated To Mary

“Prior to the singing of each hymn, a brief background of its history and significance in Catholic devotional life will be presented by Peter Meggison.”

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Andrew Leung · May 11, 2017

Church Musicians are called to be Good Shepherds

Not only priests, church musicians are also called to be good shepherds after the example of Christ.

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Jeff Ostrowski · May 10, 2017

Musical Resources • 4th Sunday after Easter (1962)

“…He shall not speak of Himself; but what things soever He shall hear, He shall speak…”

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Jeff Ostrowski · May 9, 2017

Guerrero’s Gloria from “Missa Iste Sanctus”

Why Do We Produce Rehearsal Videos? And what made more than 600 people show up for Santa Barbara’s first Latin Mass in fifty years?

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Fr. David Friel · May 7, 2017

Fota X Conference (and other Summer Opportunities)

Summer 2017 looks to be a blockbuster period for sacred music activity.

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Andrew Leung · May 4, 2017

Why the Pipe Organ?

Why is the pipe organ to be held in high esteem?

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Jeff Ostrowski · May 4, 2017

Fulton J. Sheen • World’s Most Progressive Bishop?

Sheen replied: “Mr. President, I’m not the least bit impressed with your source.”

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Singers’ Booklet”

    The Communion antiphon this week is the powerful “Parable of the Ten Bridesmaids.”

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    —Jeff Ostrowski
    Feast of All Saints (Nov. 1st)

    The formatting of this booklet is ‘messy’—but it’s only ever seen by the singers (not the congregation).

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    —Jeff Ostrowski
    Twenty-Two (22) English Translations
    We gathered every English translation of “Creátor Alme Síderum” ever made by Catholic poets, priests, bishops, cardinals, and saints (22 in all). Click this link to see them displayed, placed directly alongside the original Latin. Some are strikingly beautiful (e.g. “Great Maker of the glitt’ring stars”) and together they trace the hymn back to the ancient “Cónditor Alme Síderum,” which POPE URBAN VIII reworked in 1632AD.
    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

“The Catholic Church has a dignity far surpassing that of every merely human society, for it was founded by Christ the Lord. It is altogether fitting, therefore, that the language it uses should be noble, majestic, and non-vernacular.”

— Blessed John XXIII (22 February 1962)

Recent Posts

  • Hymn: “Lux Alma Jesu Méntium” • 16 English Translations by Priests, Cardinals, & Bishops
  • PDF Download • “Singers’ Booklet”
  • “Rare Photograph” • Dom Anthony Gregory Murray
  • PDF Download • Sanctus XIII — “Excellent for Congregations” (Harmonies by Jeff Ostrowski)
  • “Ad Orientem” • Six (6) Post-Conciliar Quotes

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