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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Jeff Ostrowski · January 15, 2020

What Palestrina Did With Kyrie II (“Fons Bonitatis”)

Many erroneously believe the Kyrie was the only thing troped, but that’s not even close to true.

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Fr. David Friel · January 15, 2020

Digitizing the Vatican Library

One decade into the project, the results are fascinating.

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Patrick Torsell · January 14, 2020

Youth Choristers: Get Them While They’re Young

Here’s how our parish is working to fill the ears, hearts, and minds of the youth with truly sacred music from a young age.

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Jeff Ostrowski · January 14, 2020

A Phenomenal Epiphany Hymn!

I wish Epiphany lasted forever—the hymns are rich with theology!

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Veronica Brandt · January 13, 2020

Trad Kids TV

Introduction to the Latin Mass For Kids, By Kids

Take a look at this new introduction to the Latin Mass from the Trad Kids TV.

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Wilfrid Jones · January 11, 2020

Stepping off the hamster wheel

We can be so caught up in the cycle of planning, delivering and marking lessons, that we never have time to step back and consider the bigger picture in a way that would improve how we do our jobs.

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Richard J. Clark · January 10, 2020

Chant, Mighty Pipe Organs • Two Sundays, Two Cathedrals

Gregorian Chant and mighty pipe organs will be front and center at two concerts: Boston’s Cathedral of the Holy Cross and Saint Patrick’s Cathedral, New York City.

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Jeff Ostrowski · January 7, 2020

JMO Copy (inviolable) St. Jean de Lalande Library of Rare Books

JMO Copy (inviolable) St. Jean de Lalande Library of Rare Books “The judicious searcher in this remarkable online collection will certainly reap great rewards for his effort.” — Fr. Robert A. Skeris, Benjamin T. Rome School of Music (CUA) HE SAINT Jean de Lalande Library is derived primarily from Jeff Ostrowski’s personal collection of rare […]

Veronica Moreno · January 1, 2020

Protected: Watershed in 2020

There is no excerpt because this is a protected post.

Veronica Moreno · December 31, 2019

Watershed in 2019

Article Categories Liturgical Choices Catholic Beauty Music Life Music Brébeuf Hymnal Music Pieces Liturgical Choices “Church Music Manifesto” (2019) — Mass should be a peaceful experience for the congregation, not an opportunity to be harassed. Where do we go from here? — We need to break away from simply providing music for the next Sunday’s […]

Jeff Ostrowski · December 31, 2019

Hymn • “A Solis Ortus Cardine” (In English)

The Church’s greatest hymn? Many believe it’s this one.

Jeff Ostrowski · December 30, 2019

PDF Accompaniment • “Jesu Redemptor Omnium”

You can compare my accompaniment to that of Achille P. Bragers.

Jeff Ostrowski · December 24, 2019

Video • “Hark! The Herald Angels Sing”

Older Catholic hymnals did funny things with this melody.

Richard J. Clark · December 20, 2019

Announcement of Easter & the Movable Feasts • 2020

Free download of The Announcement of Easter and the Moveable Feasts for 2020

Jeff Ostrowski · December 17, 2019

“Agincourt” • Do You Know This Hymn?

I insisted that my interpretation was correct. Then she made a comment that haunts me still.

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Corpus Christi Watershed

President’s Corner

    Liturgical Round (“Canon”) in C-Major
    Those who direct children’s choirs are always on the lookout for repertoire that’s dignified, inspired, and pleasing—yet still within reach of young choristers. Such directors will want to investigate this haunting liturgical round (PDF download) which has been married to the KYRIE from Mass VI (EDITIO VATICANA). I have provided an accompaniment, but it’s only for use during rehearsal; i.e. when teaching this round to your choristers. I also provided an organ accompaniment for the KYRIE—which some know by its trope (Kyrie Rex Genitor)—so that your congregation can take part when this round is used as a choral extension during Mass.
    —Jeff Ostrowski
    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed
    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“The pope regrets that this trade in African slaves, that he believed having ceased, is still exercised in some regions and even more cruel way. He begs and begs the King of Portugal that it implement all its authority and wisdom to extirpate this unholy and abominable shame.”

— ‘Pope Pius VII, writing to the King of Portugal’

Recent Posts

  • Children’s Repertoire • Three More Recommendations by Keven Smith
  • Liturgical Round (“Canon”) in C-Major
  • PDF Download • Liturgical Round (“Canon”) for your Children’s Choir
  • Latin Liturgy Association
  • Important Quote by a Church Musician

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