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Views from the Choir Loft

Easter Chants from Fisher House

Wilfrid Jones · April 22, 2020

The University of Cambridge’s Catholic Chaplaincy, Fisher House, boasts two liturgical choirs: one for the Latin Mass and one for the English. This year they provided recordings of all of the chants of the Easter Vigil, sung by Carlos Rodríguez Otero, the director of the Latin Mass Schola and third year music student at Queens’ College. Carlos has a place at Queens’ to read for the MPhil in Music next year, following on from his undergraduate dissertation on the work of the Counter-Reformation composer Marc’Antonio Ingegneri.

Fisher House is an understated institution in the British Catholic world, having played a role in the lives many of the great movers-and-shakers of the English Church over the last century. Aside from its growing musical capacities, it enjoys a reputation for the spiritual direction, preaching and lectures delivered there, its library and for the best value bar in Cambridge.

Obviously, this year the live-streamed liturgies from Fisher House could not have choral music, but doubtless these recordings will help prepare scholas for next year. Listening to them has made me look forward to next Easter’s celebrations which, God willing, will be two years worth of festivities.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: April 22, 2020

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Wilfrid Jones

About Wilfrid Jones

Wilfrid Jones is a PhD student in the theology faculty of the Albert-Ludwigs University of Freiburg, studying the theology and practice of sacred music.—(Read full biography).

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Quick Thoughts

6 January 2021 • Anglicans on Plainsong

A book published by Anglicans in 1965 has this to say about Abbat Pothier’s Editio Vaticana, the musical edition reproduced by books such as the LIBER USUALIS (Solesmes Abbey): “No performing edition of the music of the Eucharistic Psalmody can afford to ignore the evidence of the current official edition of the Latin Graduale, which is no mere reproduction of a local or partial tradition, but a CENTO resulting from an extended study and comparison of a host of manuscripts gathered from many places. Thus the musical text of the Graduale possesses a measure of authority which cannot lightly be disregarded.” They are absolutely correct.

—Jeff Ostrowski
2 January 2021 • Temptation

When I see idiotic statements made on the internet, I go nuts. When I see heretics promoted by people who should know better, I get angry. Learning to ignore such items is difficult—very difficult. I try to remember the words of Fr. Valentine Young: “Do what God places in front of you each day.” When I am honest, I don’t believe God wants me to dwell on errors and idiocy; there’s nothing I can do about that. During 2021, I will strive to do a better job following the advice of Fr. Valentine.

—Jeff Ostrowski
31 December 2020 • “COMITES CHRISTI”

The feasts for Saint Stephen Proto-Martyr (26 December), Saint John the Evangelist The Disciple Whom Jesus Loved (27 December), and the Feast of the Holy Innocents (28 December) seem untouched by any liturgical reforms. These are very powerful feasts—I believe they once possessed octaves—and I believe they could sometimes “overpower” a Sunday feast. The rules for octaves in the olden days are extremely complex. These feasts are sometimes referred to as a single entity as: Comites Christi (“Companions of Christ”). This is just a guess, but there seems to be a triple significance: STEPHEN martyred after Christ lived, JOHN was a martyr who knew Christ personally, and the HOLY INNOCENTS were martyred before Christ’s birth.

—Jeff Ostrowski

Random Quote

“Ways to receive Our Lord as King of the Universe…read and reflect on the Sunday Scriptures, plan your whole weekend around receiving your King, wear your best garments, spend time in quiet, kneel to receive Him, receive Him on the tongue, offer silent time of thanks after mass.”

— Most Rev. Bishop Strickland (15 December)

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