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Views from the Choir Loft

Easter Chants from Fisher House

Wilfrid Jones · April 22, 2020

The University of Cambridge’s Catholic Chaplaincy, Fisher House, boasts two liturgical choirs: one for the Latin Mass and one for the English. This year they provided recordings of all of the chants of the Easter Vigil, sung by Carlos Rodríguez Otero, the director of the Latin Mass Schola and third year music student at Queens’ College. Carlos has a place at Queens’ to read for the MPhil in Music next year, following on from his undergraduate dissertation on the work of the Counter-Reformation composer Marc’Antonio Ingegneri.

Fisher House is an understated institution in the British Catholic world, having played a role in the lives many of the great movers-and-shakers of the English Church over the last century. Aside from its growing musical capacities, it enjoys a reputation for the spiritual direction, preaching and lectures delivered there, its library and for the best value bar in Cambridge.

Obviously, this year the live-streamed liturgies from Fisher House could not have choral music, but doubtless these recordings will help prepare scholas for next year. Listening to them has made me look forward to next Easter’s celebrations which, God willing, will be two years worth of festivities.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: April 22, 2020

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Wilfrid Jones

About Wilfrid Jones

Wilfrid Jones is a PhD student in the theology faculty of the Albert-Ludwigs University of Freiburg, studying the theology and practice of sacred music.—(Read full biography).

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Quick Thoughts

Can You Spare 33 Seconds?

Here’s an audio excerpt (33 seconds) of a setting for Kyrie VIII which was recorded live last Sunday at our parish in Los Angeles. The setting (“Missa de Angelis”) is by composer Richard Rice, and you can download the free PDF if you click here and scroll to the bottom. I think Richard’s composition is marvelous. I missed a few notes on the organ, but I’ll get them right next time.

—Jeff Ostrowski
5 April 2021 • When Girls Sing

Covid restrictions here in California are still extremely severe—switching “two weeks to flatten the curve” into “two years to flatten the curve.” Since 2020, we’ve had police breaking into our church to check if everyone is wearing a mask…even when only 5-6 people are present! But we were allowed to have a small percentage of our singers back on Easter Sunday, and here is their live recording of the ancient Catholic hymn for Eastertide: Ad Cenam Agni Providi. The girls were so very excited to sing again—you can hear it in their voices!

—Jeff Ostrowski
29 March 2021 • FEEDBACK

“E.S.” in North Dakota writes: “I just wanted to take a moment to say THANK YOU for all the hard work you have put—and continue to put—into your wonderful website. In the past two years, my parish has moved from a little house basement into a brand new church and gone from a few families receiving Low Masses twice a month to several families (and many individuals) receiving Mass every Sunday, two Saturdays a month, and every Holy Day. Our priest has been incorporating more and more High Masses and various ceremonies into our lives, which has made my job as a huge newbie choir master very trying and complicated. CCWatershed has been an invaluable resource in helping me get on my feet and know what to do!!! Thank you more than I can express! May God bless you abundantly and assist you in your work and daily lives!”

—Jeff Ostrowski

Random Quote

“We must say it plainly: the Roman rite as we knew it exists no more. It has gone. Some walls of the structure have fallen, others have been altered—we can look at it as a ruin or as the partial foundation of a new building. Think back, if you remember it, to the Latin sung High Mass with Gregorian chant. Compare it with the modern post-Vatican II Mass. It is not only the words, but also the tunes and even certain actions that are different. In fact it is a different liturgy of the Mass.”

— Fr. Joseph Gelineau (1978)

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