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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Dr. Lucas Tappan · February 7, 2020

Westminster Cathedral Choir School: Update

Jeff’s recent post made me think that perhaps a recap of all the events so far at Westminster Cathedral would be helpful to readers.

Jeff Ostrowski · February 7, 2020

“I’m hanging on every word.”—Catholic Organist Group

My friend, Richard J. Clark, sent me a screenshot from the “Catholic Organist Group.”

Jeff Ostrowski · February 7, 2020

When Choirs Prefer A “Real Voice” To Midi

Only an insane person would post this publicly—but I “fit the bill”…so here goes!

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Jeff Ostrowski · February 6, 2020

Short But Superb Film • “Westminster Choir Boys”

The resignation of Martin Baker was quite a shock to the Catholic world.

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Jeff Ostrowski · February 6, 2020

PDF Download • “What Makes A Good Hymn?”

Dr. Terry says: “The melody must be clearly defined, free from triviality and trite clichés, avoiding harmonies that are sugary or sensuous.”

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Jeff Ostrowski · February 5, 2020

Protected: 3rd edition • Saint Edmund Campion Missal

There is no excerpt because this is a protected post.

Dr. Lucas Tappan · February 4, 2020

The Institution as Formator (Part I)

Everyone is searching for a silver bullet. Perhaps it’s a certain education method, a special book or a technique. Standing somewhat in opposition to all of these various techniques and methods is the English choir school, where the director stands in front of the boys and says “that’s an A, now sing it!”

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Jeff Ostrowski · February 4, 2020

PDF Download • “Ave Maris Stella” (Organ Accompaniment)

The 2nd part has blank staves, so you can compose your own harmonies!

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Jeff Ostrowski · February 2, 2020

PDF Booklet • Feast of the Purification (2 February)

Better late than never, right?

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Jeff Ostrowski · January 31, 2020

A Traditional—But Bizarre!—Way To Assist At Mass

Just because I’m aware of something that happened in the past doesn’t mean I endorse it.

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Richard J. Clark · January 31, 2020

Two Reasons for Fewer Vocations

The marketing and commercialization of sacred music has had vastly mixed results, some positive, but some deleterious.

Andrea Leal · January 29, 2020

In Which a Neo-Pagan Converts

I could feel that this Glory was immense, and mysterious, and real. But I could not quite grasp what that meant for me or what I should even do about it.

Dr. Gregory Hamilton · January 28, 2020

“Performance” and the Liturgy.

I have sometimes been told that I was “performing” in the Liturgy, and this has made me think about the meaning of this term and why people say it…

Jeff Ostrowski · January 28, 2020

Photos! • Brébeuf Choral Supplement Has Arrived

The Brébeuf hymnal collection is now complete—and it’s truly revolutionary!

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Jeff Ostrowski · January 28, 2020

Pothier’s 1906 “De Caetero” Letter • 3 Translations

“The Catholic tradition cannot be that of any special school, either ancient or modern…” —Abbot Pothier

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Corpus Christi Watershed

President’s Corner

    Job Opening • $65,000 per year +
    A parish 15 minutes away from me is looking for a choir director and organist. The parish is filled with young families. When I began my career, I would have jumped at such an opportunity! Saint Patrick’s in Grand Haven has a job opening for a music director paying $65,000 per year including benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” I lived in Kansas for 15 years, Texas for 10 years, and Los Angeles for 10 years. Michigan is the closest place I know to heaven!
    —Jeff Ostrowski
    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“Many of those who have influenced the reform […] have no love, and no veneration of that which has been handed down to us. They begin by despising everything that is actually there.”

— Cardinal Antonelli (Peritus during the Second Vatican Council)

Recent Posts

  • Exclusive Interview • Hannah Houston w/ Mæstro Richard J. Clark
  • Job Opening • $65,000 per year +
  • “Reminder” — Month of November (2025)
  • “Reader Feedback” • 5 November 2025
  • Never Work For A Priest Or Bishop Who Believes Sacred Music Should Be “Entertainment”

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