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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Jeff Ostrowski · April 6, 2020

CCW President on “Real Presence Radio”

Mr. Matthew L. Willkom and Fr. Randall Kasel (Pastor, St. Michael in Pine Island, MN) interviewed Jeff Ostrowski a few weeks ago.

Veronica Brandt · April 5, 2020

This Holy Week Visit Sydney

The virus has prompted many parishes to livestream their Masses. Veronica showcases four.

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Jeff Ostrowski · April 5, 2020

PDF Download • “Pre-1955 Holy Saturday” (Draft)

Today, I release something I probably shouldn’t—because it’s “not ready for Prime Time.”

Fr. David Friel · April 5, 2020

Craving the Body of Christ

Insights from Joseph of Arimathea

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Andrea Leal · April 4, 2020

Repeating Repertoire? • Andrea Leal

To repeat or not to repeat: that is the question!

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Fr. David Friel · April 2, 2020

Repeating Repertoire? • Father Friel

The merits of repetition and variation.

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Patrick Torsell · April 2, 2020

Repeating Repertoire? • Patrick Torsell

The Church’s patrimony of sacred music is so rich, so replete with material for most any occasion, that it seems on the surface we ought not need to repeat. But there are good reasons to repeat repertoire tastefully.

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Jeff Ostrowski · April 2, 2020

What a young Father Morales wrote for Charles V

I prefer this old recording—but there are plenty of modern recordings available if you don’t like it.

Dr. Gregory Hamilton · April 1, 2020

Repeating Repertoire? • Dr. Hamilton

Psalm 51 occurs a dozen times in the lectionary during the year, for such diverse days such as St. Thomas Aquinas, weekdays during ordinary Time, many days in Lent, and the Easter Vigil.

Jeff Ostrowski · April 1, 2020

Hymn: “All glory, laud, and honor to Thee, Redeemer, King” (Sopr, Alto, Tenr, Bass)

Today, rehearsal videos were uploaded for each *individual* voice part: Soprano, Alto, Tenor, Bass.

Wilfrid Jones · March 31, 2020

Repeating Repertoire? • Wilfrid Jones

Post-Liberal Theology compares a religion to a language. How might that comparison, which could include the concept of a “vocabulary” of liturgical music, inform how we think about repeating repertoire?

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Veronica Brandt · March 31, 2020

Repeating Repertoire? • Veronica Brandt

Sometimes a music director can encounter criticism about the music program. The good side of this is that it shows that someone cares.

Jeff Ostrowski · March 31, 2020

Going Beyond Archbishop Fulton Sheen’s “Take”

Sheen has sometimes been criticized for avoiding mention of the sacred liturgy during his talks, but I cannot agree with such a view. • Includes about the Holy Eucharist, including a quote by Father Leslie Rumble and a quote from Pope Pius X+

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Christopher Mueller · March 30, 2020

Repeating Repertoire? • Christopher Mueller

I’m sure I’m not the only one to feel this way: certain celebrations don’t feel right without “that piece.”

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Patrick Torsell · March 29, 2020

8 Tips • “Improving Live Stream Audio Quality”

Many churches have turned to live streaming during these difficult times. But getting the audio quality right is challenging. Here are some tips!

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Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski

Random Quote

“By a decree of the synod of the diocese of Exeter in 1284, no one should claim any seat in a church; but whoever first entered a church for the purpose of devotion, might choose at his pleasure a place for praying.”

— A work by Fr. Husenbeth (d. 1872)

Recent Posts

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