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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Dr. Gregory Hamilton · January 28, 2020

“Performance” and the Liturgy.

I have sometimes been told that I was “performing” in the Liturgy, and this has made me think about the meaning of this term and why people say it…

Jeff Ostrowski · January 28, 2020

Photos! • Brébeuf Choral Supplement Has Arrived

The Brébeuf hymnal collection is now complete—and it’s truly revolutionary!

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Jeff Ostrowski · January 28, 2020

Pothier’s 1906 “De Caetero” Letter • 3 Translations

“The Catholic tradition cannot be that of any special school, either ancient or modern…” —Abbot Pothier

Andrew Leung · January 28, 2020

Mass with Masks Thumbnail

Mass with Masks in Hong Kong

I took a few pictures during our Sunday Mass…

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Veronica Brandt · January 28, 2020

Litany of St Joseph

The Litany of St Joseph in Latin chant with an English translation.

Jeff Ostrowski · January 27, 2020

Photograph • Fr. Valentine w/ Composer Kevin Allen

Please keep Fr. Valentine in your prayers—thank you!

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Fr. David Friel · January 26, 2020

The Book of Kells Online

The Book of Kells, as well as 150,000 artworks housed in Parisian museums, can be freely viewed online.

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Patrick Torsell · January 25, 2020

The Organ Postlude: Distraction, or Powerful Aid to Devotion?

The organ postlude is a powerful way to cultivate dispositions of rejoicing, thanksgiving, and awe before the greatness of God at the conclusion of the Holy Sacrifice of the Mass.

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Richard J. Clark · January 24, 2020

Liturgy is the work of Christ and His Body, the Church.

When we consider the redemptive power of the Mass, our eyes, hearts, and minds are opened wide!

Jeff Ostrowski · January 23, 2020

Extremely Rare! • 1908 Solesmes Graduale (PDF Download)

I’ve been searching for this book for twenty years! • For the first time in history, the Graduale Romanum from 1908 (with Solesmes rhythmic markings) has been scanned and uploaded • Includes copious and detailed information about the rhythm of the Editio Vaticana (“Vatican Edition”) you won’t find anywhere else+

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Dr. Lucas Tappan · January 22, 2020

Here is Where We Go

What is absolutely necessary for the existence of a choral foundation?

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Jeff Ostrowski · January 21, 2020

PDF Download • “Lucis Creator Optime” (Vespers Hymn)

I followed the “Brébeuf hymnal method,” in which every verse is written out…

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Jeff Ostrowski · January 20, 2020

Comparison • “1909 Missal vs. 1999 Missal”

A picture is truly worth 1,000 words!

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Jeff Ostrowski · January 20, 2020

Fr. Valentine Young, OFM — R.I.P.

Father Valentine Young, OFM—a faithful Catholic priest—died on 17 January 2020 around 8:00am.

Fr. David Friel · January 20, 2020

Sir Roger Scruton

Roger Scruton, Magister Pulchritudinis

Sir Roger Scruton died January 12, 2020, leaving a mammoth legacy in the field of aesthetics.

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Corpus Christi Watershed

President’s Corner

    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski
    “Music List” • 14 September (Holy Cross)
    Readers have expressed interest in perusing the ORDER OF MUSIC I prepared for 14 September 2025, which is the Feast of Exaltation of the Holy Cross. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“It introduces us to a still and serious world, deserted and rigid, without colour, without light, without motion; it does not gladden, does not distract; yet we cannot break away from it.”

— ‘Schweitzer on the THEME from Bach’s “Art of Fugue”’

Recent Posts

  • Children’s Repertoire: “3 Recommendations”
  • PDF Download • Dom Murray Harmonies
  • “Music List” • 14 September (Holy Cross)
  • Do You Recognize This Hymn? Do You Like It?
  • Charlie Kirk’s Fascination with Traditional Catholic Liturgy

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