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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Bring Your “Lost Motets” to Life

Keven Smith · May 4, 2020

OST of us church choir directors across the U.S. are experiencing a severe disruption to our normal liturgical lives. Some of us at least have the privilege of singing for live-streamed Masses with scaled-down choral forces. Others are waiting on the sidelines—and I can only imagine how difficult that must be for you.

In either case, there’s much we can do to build up the liturgical lives of our parishes even after having our wings clipped. Here’s just one idea: take this time to educate your parish on what your choir was working on before you had to suspend rehearsals.

Think about it: you were probably preparing full steam for Holy Week and Easter when you got the word in mid-March to stop indefinitely. Some of that music may have been ready for Mass, while other pieces needed more polish. But you and your singers put a lot of work into all of it.

So, why not let your parishioners know a little bit about these pieces? Describe what you love about this music and why you selected it. Tell them briefly about the composers. Share an anecdote or two about the musical challenges your choir overcame in rehearsals. Express your optimism that you’ll have a chance to sing these pieces at a future Mass.

I’ve begun doing exactly this in a series on my own blog that I’m calling “The Lost Motets.” Depending on your situation, you might prefer to send a message to your parish email loop, post an article on your parish website, or even create a YouTube video. Consider including some audio, whether it’s an actual recording of your choir or a YouTube recording of another choir.

I can think of several potential benefits here:

  1. You’ll send the message to your parish that your choir works hard to make all those beautiful Masses possible.
  2. You’ll increase appreciation of the music you sing at Mass. It’s not just pretty background noise for prayer—it’s sacred!
  3. You’ll capture the attention of potential choir members—perhaps even from other parishes. Surely there’s someone in your pews who has always meant to ask about joining your choir but just hasn’t gotten around to calling you.
  4. You’ll give parishioners a chance to get to know you better through your writing, even if they’ve never spoken with you in person.
  5. You’ll be striking yet another blow against the comfortable mediocrity that has plagued liturgical music for decades.

You don’t have to do much to do a little good. Let your natural passion for your work shine through, and encourage people to listen to a recording so that the music can speak for itself. And then keep praying.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: choir director Last Updated: May 4, 2020

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About Keven Smith

Keven Smith, music director at St. Stephen the First Martyr, lives in Sacramento with his wife and five musical children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Simplified Accomp. • Schubert’s “Ave Maria.”
    Sometimes the organist must simultaneously serve as the CANTOR. (Those who work in the field of church music know exactly what I’m talking about.) One of our contributors composed this simplified keyboard accompaniment for Franz Schubert’s “Ave Maria,” a piece which is frequently requested for Catholic funerals and weddings. In terms of the discussion about whether that piece is too theatrical (‘operatic’) for use in Church, I will leave that discussion to others. All I know is, many church musicians out there will appreciate this simplified version.
    —Jeff Ostrowski
    “Reminder” — Month of April (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simply click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“…I started down the road of the liturgy, and this became a continuous process of growth into a grand reality transcending all particular individuals and generations, a reality that became an occasion for me of ever-new amazement and discovery. The incredible reality of the Catholic liturgy has accompanied me through all phases of life, and so I shall have to speak of it time and again.”

— Joseph Cardinal Ratzinger

Recent Posts

  • Simplified Accomp. • Schubert’s “Ave Maria.”
  • “The Unselected Hymn” • Do You Recognize It?
  • 2026 Sacred Music Pilgrimage (Washington DC) • With Richard J. Clark
  • “Reminder” — Month of April (2026)
  • “Gregorian Chant Isn’t a Platform for Your Personal Theories, Jeff” • (A Letter We Received)

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