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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Choir Roster? No. It’s a Love List!

Keven Smith · May 11, 2020

LL across the U.S., rumors abound that certain dioceses will soon return to some semblance of normal parish life. Indeed, they are mostly just rumors right now—and even if they prove true, they don’t necessarily indicate that we’ll all be given the green light to resume full choral activities right away.

Meanwhile, we all continue to feel a loss of connection with our choirs. If you’re part of a very small group, you may have found ways to stay in close communication—and perhaps even get together—with your colleagues. But if you’ve been blessed with a larger program like mine, you’re probably having trouble even picturing all the faces in your soprano section.

I had an idea the other day about how to overcome this challenge. All it takes is a little time and something you already have: a choir roster.

You’ve written down the names and voice types of all your singers, right? Take that list out of your briefcase, or pull it up on screen. Scan the list. What do you see? Names? No. You see faces. You can’t help but see them. And you hear voices—singing voices, of course, due to the nature of our work. But you also hear speaking voices. The voices that tell you stories at rehearsal break or share jokes after Mass. The voices that occasionally arrive in your voicemail on Sunday morning, sounding swollen, informing you of their absence today.

Your choir roster is full of people. And they’re some of the dearest people you’ll ever meet. You’ve been advised not to spend time with these people right now. But the restrictions don’t say anything about spending time with these people in spirit.

So keep that list handy. Don’t think of it as a choir roster. Think of it as a love list.

Spend time with your love list regularly. You can decide the exact schedule. Let your eyes stop on each one of those names for a few moments. Spend that time thinking about that person. You’ll naturally consider where that person is at in his or her musical and vocal development. But be sure to think also about your relationship with that person. Recall the things you enjoy discussing, the inside jokes you’ve developed, even the misunderstandings or difficulties you’ve encountered.

Take it one step further. Print your love list or make sure it’s accessible on your phone. Go to your church (if the doors aren’t locked) and spend a holy hour in which you pray briefly for each person on the list. Ask for God’s assistance in being exactly the choir director and friend each of those people needs you to be.

Spending time with your love list can help eliminate the possibility of awkwardness when we return to full choral activities—whenever that may be. Your singers will sense that they were never far from your mind. And you’ll feel ready to keep building your relationship with them as you work together to glorify God through music.

Try it. You’ll see.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: choir director Last Updated: May 13, 2020

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About Keven Smith

Keven Smith, music director at St. Stephen the First Martyr, lives in Sacramento with his wife and five musical children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    How Well Does ICEL Know Latin?
    This year, the Feast of Saints Peter and Paul (29 June 2025) will fall on a Sunday. It’s not necessary to be an eminent Latin scholar to be horrified by examples like this, which have been in place since 1970. For the last 55 years, anyone who’s attempted to correct such errors has been threatened with legal action. It is simply unbelievable that the (mandatory) texts of the Holy Mass began being sold for a profit in the 1970s. How much longer will this gruesome situation last?
    —Jeff Ostrowski
    Is the USCCB trolling us?
    I realize I’m going to come across as a “Negative Nancy” … but I can’t help myself. This kind of stuff is beyond ridiculous. There are already way too many options in the MISSALE RECENS. Adding more will simply confuse the faithful even more. We seriously need to band together and start creating a “REFORM OF THE REFORM” Missale Romanum so it will be ready when the time comes.
    —Jeff Ostrowski
    “Common” Responsorial Psalm?
    I try to avoid arguing about liturgical legislation (even with Catholic priests) because it seems like many folks hold certain views—and nothing will persuade them to believe differently. You can show them 100 church documents, but it matters not. They won’t budge. Sometimes I’m confronted by people who insist that “there’s no such thing” as a COMMON RESPONSORIAL PSALM. When that happens, I show them a copy of the official legislation in Latin. I have occasionally prevailed by means of this method.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“The pope regrets that this trade in African slaves, that he believed having ceased, is still exercised in some regions and even more cruel way. He begs and begs the King of Portugal that it implement all its authority and wisdom to extirpate this unholy and abominable shame.”

— ‘Pope Pius VII, writing to the King of Portugal’

Recent Posts

  • How Well Does ICEL Know Latin?
  • Nobody Cares About This! • 1887 Rheims-Cambrai Gradual included “Restored” Plainsong
  • Is the USCCB trolling us?
  • What No Musicologist Can Explain!
  • “Common” Responsorial Psalm?

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