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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Dr. Alfred Calabrese · October 9, 2025

Exclusive Interview • “Púeri Cantóres” President

On 9 October 2025, I was pleased to interview the legendary Paul French.

Dr. Charles Weaver · October 8, 2025

The Real Miracle of Gregorian Chant

It may not have been dictated into a saintly pope’s ear by a dove, but the real story is no less wonderful.

Guest Author · October 7, 2025

“Three Reasons To Shun Bad Hymns” • Daniel B. Marshall

Ever wonder why the Church is so particular about sacred music? There’s more at stake than you think.

Jeff Ostrowski · October 7, 2025

“Puzzling Comment” • By A Respected FSSP Priest

Once upon a time, Catholics were supposed to attend Mass within their “parochial boundaries.”

Jeff Ostrowski · October 4, 2025

Involving Women in the Communion?

Not long ago, I received a weird telephone call from a man appointed “director of music” for a large USA diocese.

Guest Author · October 3, 2025

“Toward a More Sacred Style With Pastoral Charity” • Guest Article by Dr. Myrna Keough

“Their response was ironic, as we continued to sing both an entrance and communion hymn—and neither were in Latin!” —Dr. Keough

Corpus Christi Watershed · October 2, 2025

“Fulfilled!” • Bride’s Musical Request

Sophia Institute Press has been generous in this regard.

Richard J. Clark · October 2, 2025

Incredible Message of Hope from Michael Olbash

“I’m convinced many of them will go on to be great parish priests, bishops, great theologians, and great political leaders…” —Michael Olbash

Mark Haas · October 1, 2025

My choir is devoid of this generation (And it’s a healthy sign)

“This unique vitality is nowhere more visible than in the choir loft.”

Jeff Ostrowski · September 30, 2025

Good News From The Vatican

This concerns you!

Richard J. Clark · September 29, 2025

I’m tired of tribalism.

“Forgive this recounting of my personal background…” —Richard J. Clark

Corpus Christi Watershed · September 28, 2025

“Allow Us to protect your interests, even against your own will.” —Pope Saint Paul VI

“A choir which eliminates Gregorian Chant will be like a snuffed candle, which no more attracts the eyes and minds of men.”

Julie Huebner · September 27, 2025

Unison • “Deceptively Easy, Relentlessly Unforgiving”

“That’s not just music. That’s Catholicism at its most apostolic, most bold, and most timeless.” —Julie Huebner

Corpus Christi Watershed · September 27, 2025

Church Facelift • Saint Andrew’s (Tipton, Missouri)

You won’t believe this transformation!

Jeff Ostrowski · September 25, 2025

PDF Download • “Hymn by Father Thomas à Kempis” (arranged for 2 voices)

For the upcoming feast on 9 November (which replaces the Sunday Mass).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“The Church has always kept, and wishes still to maintain everywhere, the language of her Liturgy; and, before the sad and violent changes of the 16th century, this eloquent and effective symbol of unity of faith and communion of the faithful was, as you know, cherished in England not less than elsewhere. But this has never been regarded by the Holy See as incompatible with the use of popular hymns in the language of each country.”

— Pope Leo XIII (1898)

Recent Posts

  • Exclusive Interview • “Púeri Cantóres” President
  • PDF Download • “Offertory” for this Sunday
  • The Real Miracle of Gregorian Chant
  • Why A “Fugue” Here?
  • “Three Reasons To Shun Bad Hymns” • Daniel B. Marshall

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