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I also provide an example of what—in my humble opinion—is a truly reprehensible way to select hymns for Mass.
A wonderful piece for choirs that have more female singers than male singers.
I suspect that professor would have detested my organ accompaniments to Gregorian chant!
“I need hardly say that there is no possible excuse for the outrageous practice of omitting the Proper of the Mass, in flat disobedience to the law.” —Father Adrian Fortescue
This ardent supporter of Dom Mocquereau’s method and was nicknamed “Spot” because of the many dots in the Solesmes editions.
Happening right now, hosted by the Pontifical Institute of Sacred Music … and I’m in attendance!
Choirs love singing this piece, and the prayer itself is powerful.
Put your knowledge to the test: a Gregorian Chant practice that surprises even the well-informed.
In this official communication posted by Jeffrey Tucker, the USCCB reminded Catholic musicians that it’s licit to sing a hymn in addition to the Introit assigned by the Church to each Sunday.
Released on 14 September 2026 (Solemnity of the Exaltation of the Holy Cross) which is the 19th anniversary of “Summorum Pontificum” coming into force.
Last time I created a ‘simplified’ keyboard accompaniment it was downloaded more than 1,000 times within 24 hours.
A small booklet of antiphons chanted for English “Poor Clares” (nuns) shows plainsong which is remarkably melismatic.
Jeff addresses the question: “What is Gregorian Chant? And what is it not?” Our plainchant books contain a fair number of ‘pseudo’ plainsong compositions.
“I was blessed to be involved in the preparation and execution of such an important day for his priesthood and the parish.” —Julie Huebner
I love the little “wandering” left-hand accompaniment beginning in the variation on page 3.
