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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Richard J. Clark • Article Archive

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross. He is also Chapel Organist (Saint Mary’s Chapel) at Boston College. His compositions have been performed worldwide.—Read full biography (with photographs).

Richard J. Clark · October 30, 2015

Text and Emotion • Our Pastoral Responsibility

Treat the Word of God carelessly, and we will lose our orientation towards the Divine. It is therefore, a pastoral responsibility to ensure the God’s Word reaches the faithful.

Richard J. Clark · October 23, 2015

The Seraphim Singers • World Première of work by Adam Wood and Richard J. Clark

World Premiere of my collaboration with poet, Adam Wood

Richard J. Clark · October 9, 2015

Digital vs. Pipe Organ • Who Wins?

The debate between digital and pipe organs as been intensified by a collaboration between Sony’s GRAMMY®-nominated artist, Cameron Carpenter and organ builders Marshall & Ogletree. Is it a revolution?

Richard J. Clark · October 2, 2015

Believe. Connect. Disappear.

The older I get, I prepare more not to receive accolades, but to become invisible.

Richard J. Clark · September 18, 2015

Communion Antiphons for Advent • World Library Publications

World Library Publications has published settings of Communion propers for Advent. Listen here to beautiful recordings directed by Paul French.

Richard J. Clark · September 11, 2015

To What Shall We Aspire?

Set the bar high and hold precious our sacred treasury of music.

Richard J. Clark · September 4, 2015

Six Things Of Which We’ve Lost Sight

No. 3: Christ is the center of our music—not us.

Richard J. Clark · August 28, 2015

Frank La Rocca • Contemporary Music for the Sacred Treasury

If you are not familiar with the works of composer Frank La Rocca, you should be. His works move contemporary sacred music towards the realization of Vatican II.

Richard J. Clark · August 14, 2015

Entering the Mainstream Conversation

Will Cardinal Sarah’s recent letter make it into the mainstream conversation?

Richard J. Clark · August 7, 2015

That’s Entertainment, Folks!

Entertainment distracts from the Real Presence. We must lead. We must offer substance. Our spiritual lives depend upon it, as do those whom we serve.

Richard J. Clark · July 31, 2015

Personal Issues Manifested in the Mass

Personal tensions can rise to the highest boiling point during Mass and no other place.
Why is this? As it turns out, there’s a pretty interesting reason.

Richard J. Clark · July 17, 2015

Carpeting Is the Enemy of Congregational Singing

The removal of carpeting is the most effective way to improve many aspects of the liturgy. Externally, what benefits most is congregational singing.

Richard J. Clark · July 10, 2015

Saint Cecilia and an Angel Orazio Gentileschi and Giovanni Lanfranco

As church musicians, what sustains us?

As musicians, what sustains us? Certainly, good music is a requirement. Not just good music, but beauty itself.

Richard J. Clark · July 3, 2015

I Have No Idea How to Solve this Problem

A dilemma for parents that has resurfaced many times is how to manage raising children in the faith while working for the Church, and I have no idea how to solve it.

Richard J. Clark · June 26, 2015

Why It is Truly Right and Just to Sing the Preface

Like the Creed, the Preface is a unique place in the Mass where dogma of the Church is expressed. Furthermore, it expresses thanksgiving for the work of salvation.

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Corpus Christi Watershed

President’s Corner

    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski
    “Music List” • 21st in Ordinary Time (Year C)
    Our choir returns on Sunday, 24 August 2025. Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for it, which is the 21st Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website. When it comes to the feast of the Assumption (15 August 2025), I have uploaded the music list for that Mass—but not the “bi-lingual” Mass in the evening (Spanish, Latin, and English) which has completely different music.
    —Jeff Ostrowski
    “Entrance Chant” • 21st Sunday Ordin. Time
    You can download the ENTRANCE ANTIPHON in English for the 21st Sunday in Ordinary Time (Year C) which is coming up on 24 August 2025. Corresponding to the vocalist score is this free organ accompaniment. It’s set in a melancholy mode, but if you heard my choir’s female voices singing it your soul would be uplifted beyond belief. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“Place the missal in the hand of the faithful so that they may take part more easily and more fruitfully in the Mass; and that they faithful, united with the priest, may pray together in the very words and sentiments of the Church.”

— Ven. Pope Pius XII

Recent Posts

  • Solemn “Salve Regina” (Chant)
  • A Nice Hymn In Spanish
  • Fulton J. Sheen • “Why Four Bishops Voted Against the Liturgical Constitution”
  • New Marian Organ Work • a Triptych on “Lumen Ad Revelatiónem”
  • “Music List” • 21st in Ordinary Time (Year C)

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