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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Richard J. Clark • Article Archive

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross. He is also Chapel Organist (Saint Mary’s Chapel) at Boston College. His compositions have been performed worldwide.—Read full biography (with photographs).

Richard J. Clark · November 13, 2015

“Liturgy Wars” and Four Universal Principles

An important approach when utilizing multiple styles in one liturgy is to filter all music through the most important musical and liturgical principals.

Richard J. Clark · November 6, 2015

The People Deserve Better

Two documents that speak directly to the issue of liturgical experimentation and abuse.

Richard J. Clark · October 30, 2015

Text and Emotion • Our Pastoral Responsibility

Treat the Word of God carelessly, and we will lose our orientation towards the Divine. It is therefore, a pastoral responsibility to ensure the God’s Word reaches the faithful.

Richard J. Clark · October 23, 2015

The Seraphim Singers • World Première of work by Adam Wood and Richard J. Clark

World Premiere of my collaboration with poet, Adam Wood

Richard J. Clark · October 2, 2015

Believe. Connect. Disappear.

The older I get, I prepare more not to receive accolades, but to become invisible.

Richard J. Clark · September 18, 2015

Communion Antiphons for Advent • World Library Publications

World Library Publications has published settings of Communion propers for Advent. Listen here to beautiful recordings directed by Paul French.

Richard J. Clark · September 4, 2015

Six Things Of Which We’ve Lost Sight

No. 3: Christ is the center of our music—not us.

Richard J. Clark · August 28, 2015

Frank La Rocca • Contemporary Music for the Sacred Treasury

If you are not familiar with the works of composer Frank La Rocca, you should be. His works move contemporary sacred music towards the realization of Vatican II.

Richard J. Clark · August 14, 2015

Entering the Mainstream Conversation

Will Cardinal Sarah’s recent letter make it into the mainstream conversation?

Richard J. Clark · August 7, 2015

That’s Entertainment, Folks!

Entertainment distracts from the Real Presence. We must lead. We must offer substance. Our spiritual lives depend upon it, as do those whom we serve.

Richard J. Clark · July 31, 2015

Personal Issues Manifested in the Mass

Personal tensions can rise to the highest boiling point during Mass and no other place.
Why is this? As it turns out, there’s a pretty interesting reason.

Richard J. Clark · July 17, 2015

Carpeting Is the Enemy of Congregational Singing

The removal of carpeting is the most effective way to improve many aspects of the liturgy. Externally, what benefits most is congregational singing.

Richard J. Clark · July 10, 2015

Saint Cecilia and an Angel Orazio Gentileschi and Giovanni Lanfranco

As church musicians, what sustains us?

As musicians, what sustains us? Certainly, good music is a requirement. Not just good music, but beauty itself.

Richard J. Clark · July 3, 2015

I Have No Idea How to Solve this Problem

A dilemma for parents that has resurfaced many times is how to manage raising children in the faith while working for the Church, and I have no idea how to solve it.

Richard J. Clark · June 26, 2015

Why It is Truly Right and Just to Sing the Preface

Like the Creed, the Preface is a unique place in the Mass where dogma of the Church is expressed. Furthermore, it expresses thanksgiving for the work of salvation.

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Corpus Christi Watershed

President’s Corner

    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski
    “Music List” • 30th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 26 October 2025, which is the 30th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Little Encouragement?
    In the Gospel, our Savior tells about 10 lepers who were healed. Only one went back to give thanks. Precious few express gratitude, yet many have endless energy to complain. For that reason, I deeply appreciate receiving messages like the following, which arrived a few days ago (about the parish where I direct in Michigan): “Last Sunday, a couple I knew from Grand Rapids was at Mass at 10:00 a.m. I got a chance to talk to them after Mass. I wanted to let you know what they said about the choir. They were absolutely floored by our sound!!!!! They both said they could continuously listen to our choir and the beauty of it. They asked me: “Do you always sound like that?” And they were also very surprised at how packed the church was. They said it was nice for them to be in such a full church. I just thought you would be interested to know their thoughts about our choir.”
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

“I am now old but I was young when I was received into the Church. I was not at all attracted by the splendour of her great ceremonies—which the Protestants could well counterfeit. Of the extraneous attractions of the Church which most drew me was the spectacle of the priest and his server at Low Mass, stumping up to the altar without a glance to discover how many or how few he had in his congregation; a craftsman and his apprentice; a man with a job which he alone was qualified to do.”

— Evelyn Waugh (7 August 1964)

Recent Posts

  • A Practical Method of Projecting Solfege for Chant
  • PDF Downloads • Four (4) Simple Pieces in Harmony for Men’s Choirs
  • Typo in the “Missale Romanum” (1962)
  • “Music List” • 30th in Ordinary Time (Year C)
  • “Our Father” • Musical Setting?

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