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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Keven Smith • Article Archive

Keven Smith is the music director at St. Stephen the First Martyr Catholic Church, an apostolate of the Priestly Fraternity of St. Peter (FSSP) in Sacramento, California. He trains and directs a mixed choir that sings full Gregorian propers, ordinaries, and sacred polyphony at more than 100 traditional Latin Masses per year. Keven lives in Sacramento with his wife and five musical children.—Read full biography (with photographs).

Keven Smith · April 12, 2021

“The Great Reset” • For Your Choir?

Consider using this time of disruption as an opportunity to make long-overdue changes in the way your choir operates.

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Keven Smith · March 29, 2021

A Short Reflection for Holy Week: On Love

May these thoughts on selfless love encourage you to persevere through Holy Week.

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Keven Smith · March 22, 2021

Hidden Gem: Crux Fidelis (attr. King John IV of Portugal)

I don’t know who really wrote this motet, but I do know it’s a soothing and highly accessible selection for Holy Week.

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Keven Smith · March 9, 2021

The Anatomy of an Organ Improvisation

Here are some audio samples from recent Masses, along with explanations of what I was thinking for each improvisation.

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Keven Smith · March 1, 2021

Three Ways to Improvise at the Organ

Don’t just play the organ. Pray the organ.

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Keven Smith · February 23, 2021

Four Reasons to Improvise at the Organ

If an ex-clarinetist can do it, you can do it—and the benefits far outweigh the effort involved.

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Keven Smith · February 16, 2021

PDF • “Spiritual Mass Plan for Church Organists”

Some guidance on how to stay recollected at a low Mass while you’re also playing organ.

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Keven Smith · February 1, 2021

Looking for a Good Lenten Devotion? Try the Seven Sorrows Rosary

Learn about the amazing promises attached to this venerable devotion.

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Keven Smith · January 25, 2021

Quick Vocal Tip: Breathe on Cutoffs

This simple breathing hack could bring new life to your choir’s sound.

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Keven Smith · January 18, 2021

Hidden Gem: Salvum Fac Populum Tuum (Bruckner)

This little-known, accessible motet could serve as your choir’s introduction to the thrilling sonic world of Anton Bruckner.

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Keven Smith · January 11, 2021

What Color Is B-Flat? Life as a Musician with Synesthesia

Musicians rely on hearing. Hearing is a sense. Synesthesia makes the senses cross over. And that’s where the fun begins….

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Keven Smith · January 4, 2021

Here’s a New Year’s Resolution: Tell Strangers What You Do

A recent encounter made me realize what can happen when we discuss church music with others.

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Keven Smith · December 28, 2020

Start the New Year Right with a Spectacular Alleluia

If you attend the Extraordinary Form, the Alleluia for the Octave of the Nativity will enable you to start the New Year with a bang.

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Keven Smith · December 21, 2020

Hidden Gem: Alma Redemptoris Mater (Salazar)

Here’s a Spanish Baroque motet that will gradually, gently win your heart while giving your choir another good option for the entire Christmas cycle.

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Keven Smith · December 14, 2020

How to Help Children Match Pitch (part III)

Three more tips on what to do and how to act with your young music students. Learn the secret ingredient of success!

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski
    “Entrance Chant” • 23rd (Ordinary Time)
    This coming Sunday, 7 September 2025, is the 23rd Sunday in Ordinary Time (Year C). You can download the “Entrance Chant,” conveniently located at the feasts website. I also recorded a rehearsal video for it (freely available at the same website). The Communion Chant includes gorgeous verses in FAUXBOURDON. I attempted to create a rehearsal video for it, and it’s been posted at the feasts website, called by some: “church music’s best kept secret.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“It will not be Rome to tell you what you should do, no: because you have the charism. …you have the Holy Spirit for this. If Rome were to begin to make the decisions it would be a blow to the Holy Spirit, who works in the particular Churches.”

— Pope Francis (27 March 2023)

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  • New Bulletin Article • “14 September 2025”

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