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Views from the Choir Loft

A Short Reflection for Holy Week: On Love

Keven Smith · March 29, 2021

UST A FEW QUICK THOUGHTS this week because I’m sure most of you are busy planning rehearsals and making final preparations for Triduum liturgies. There’s no shortage of books on Our Lord’s Passion and death. But as I prepare spiritually for what lies ahead over the next week, I keep recalling a passage from Spiritual Excellence: How to Make Progress in Prayer and Love by Fr. Alban Goodier, S.J.

Fr. Goodier (1869-1939) is one of my beloved “old Jesuits.” I’ve greatly enjoyed his books and those of Fr. Raoul Plus, S.J., Fr. Narciso Irala, S.J., and others. Although most modern Jesuits don’t have a reputation for orthodoxy, these early-20th century authors found a way to write in an engaging, accessible style without compromising truth.

In his essay, “Determine whether your love is true,” Fr. Goodier argues that we don’t learn to love by reading about love; we learn to love by loving. To develop a loving nature, Fr. Goodier advises, we must think little of ourselves, allow ourselves to be affected by joy and sorrow (though always moderated by reason), and have the courage to act.

How, though, can we ensure our love is true and pure? The test follows from these same principles. If it’s true love, we continue giving it without considering any potential pleasurable consequences. True love stirs us so that we act based on more than just cold reason. True love never rests, longing to give even more than it possesses while knowing that this love will be its own and only reward.

Fr. Goodier acknowledges that some readers will find this concept appalling. For the rest of us, he closes the chapter on these stunning words, which I hope will help you persevere as you pour yourself into Holy Week liturgies:

[T]he germ of love is in every human heart. The pity of it is that in some it is nipped and frostbitten before it has had time to come to maturity.

But foster the spark, and it will enkindle. At first, it will thrill you with its glow. You will know it by its heat, by the ease with which it aids you to face a trouble, by the joy you find in doing. But later, be prepared for sacrifice.

When the flower has bloomed and the fruit is setting, then, gardeners tell us, is the time of trial. When you have made a certain way, and you have laughed and sung along the road, then will love begin to lead through darker ways, and whither you do not wish to go. It will ask of you surrenders for which you had not bargained.

It will disappoint you. It will fail to recognize you when you come face-to-face. It will leave your noblest actions unrequited, the noblest powers of your soul undeveloped. It will misinterpret your best motives, will envy your worthiest deeds, will crush you with sarcasm, will embitter you with mistrust, and suspicion, and dislike, and an assumption of contempt. At critical moments it will turn its back upon you and will ignore you when you are down. If you appeal for help, it will cry out against you. It will see you wounded on the road and pass you by; crucified, and say it was only your dessert; dripping your life’s blood out, and coldly wait the end.

And then, when it has killed you, then you will come to know. “He that loses his life for my sake shall find it.” When it has purified you, when there is left not a spark of that mean thing self, when you no longer look for relief, for consolation, for comfort, but only for strength to go on, then will come the revelation. Then you will know that which, by any other training, eye can never see, nor ear hear, nor can it enter into the heart of man to conceive.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Holy Week Last Updated: March 29, 2021

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About Keven Smith

Keven Smith, music director at St. Stephen the First Martyr, lives in Sacramento with his wife and five musical children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Simplest “Agnus Dei” Ever Published
    Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.
    —Jeff Ostrowski
    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski
    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

It should be borne in mind that there is no preference expressed in the liturgical legislation for either “versus populum” or “ad orientem.” Since both positions enjoy the favor of law, the legislation may not be invoked to say that one position or the other accords more closely with the mind of the Church.

— ‘Congregation for Divine Worship (Vatican City), 10 April 2000’

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