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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · February 24, 2020

“Notwithstanding all our troubles, we sing Mass” —1601 AD

Let’s remember this sentence when we are tempted to complain about our (holy) vocation providing music for Mass!

Jeff Ostrowski · February 20, 2020

Absolutely Sensational Video About The Sacred Music Symposium!

It’s difficult to imagine a more breathtaking video—the beauty is staggering!

Jeff Ostrowski · February 18, 2020

Magnificent Photograph! • Fr. Valentine With His Mother

He loved his mother dearly; photo circa 1956.

Jeff Ostrowski · February 12, 2020

Protected: « Sundays after Pentecost »

There is no excerpt because this is a protected post.

Jeff Ostrowski · February 11, 2020

Big News! • Symposium Dates Revealed

Woo Hoo! The preëminent conference for Church musicians announces dates for its fifth year!

Jeff Ostrowski · February 11, 2020

Septuagesima Gradual • Strange Formation on Clivis

Is there a “jail” for people who change the official edition of Gregorian Chant?

Jeff Ostrowski · February 7, 2020

“I’m hanging on every word.”—Catholic Organist Group

My friend, Richard J. Clark, sent me a screenshot from the “Catholic Organist Group.”

Jeff Ostrowski · February 7, 2020

When Choirs Prefer A “Real Voice” To Midi

Only an insane person would post this publicly—but I “fit the bill”…so here goes!

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Jeff Ostrowski · February 6, 2020

Short But Superb Film • “Westminster Choir Boys”

The resignation of Martin Baker was quite a shock to the Catholic world.

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Jeff Ostrowski · February 6, 2020

PDF Download • “What Makes A Good Hymn?”

Dr. Terry says: “The melody must be clearly defined, free from triviality and trite clichés, avoiding harmonies that are sugary or sensuous.”

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Jeff Ostrowski · February 5, 2020

Protected: 3rd edition • Saint Edmund Campion Missal

There is no excerpt because this is a protected post.

Jeff Ostrowski · February 4, 2020

PDF Download • “Ave Maris Stella” (Organ Accompaniment)

The 2nd part has blank staves, so you can compose your own harmonies!

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Jeff Ostrowski · February 4, 2020

Could Pope St. Pius X Sing?

“On 12 March 1908, the complete publication of the Roman Gradual was issued by the Vatican Press. On that very day, Dom Pothier solemnly presented the first copy to the Holy Father. A witness of the audience says that Pius X wished to be the first to see the new book; he opened it at […]

Jeff Ostrowski · February 4, 2020

Julius Bas Accompaniment

A very prolific harmonizer of Gregorian chant in the early 20th century was Mr. Julius Bas. He often uses a very strange technique, wherein he employs rests to eliminate the Alto, Tenor, and Bass voices. Consider what he did with “Lumen ad revelationem” here: *  JPEG • Lumen ad revelationem It seems quite lazy, and I’ve […]

Jeff Ostrowski · February 4, 2020

Hitting wrong notes

Fr. Valentine Young, OFM, used to say: “The organist can play 1,000 correct notes and one wrong note—and the only thing people will care about is the wrong note.” Last Sunday I hit some wrong notes, and felt bad. Then I remembered a story about Rudolf Serkin and started to chuckle. Charles Rosen (or was […]

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Corpus Christi Watershed

President’s Corner

    “Reminder” — Month of December (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

[Let there be:] “The Latin, the whole Latin, and nothing but the Latin.”

— Cardinal McIntyre (one of the Vatican II fathers)

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