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Views from the Choir Loft

EWTN Features Catholic Choirmaster & Composer

Jeff Ostrowski · September 22, 2020

RIAN J. NELSON is now in his tenth year as Director of Sacred Music at the Saint Lawrence Catholic Campus Center, serving the students, faculty, and staff of the University of Kansas in gorgeous Lawrence, Kansas. Beginning under the tenure of Monsignor Vince Krische in the 1980s, St. Lawrence has become known for its commitment to strong, vibrant Liturgy and Music. Throughout its history, the center has benefited from the tradition of choral and organ scholars: KU students with significant talent and openness of heart who sing or play at Mass regularly. Center Director Fr. Mitchell Zimmerman has expanded the scholarship program to include all the major ministries at St. Lawrence, adding intellectual and spiritual components.

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Dr. Nelson oversees, trains, and develops twelve choral scholars, two organ scholars, four instrumentalists, a choral administrative scholar and a cantor scholar. His predecessors include Wolfgang Resinger, Lynn Trapp, Kevin Vogt, Marie Rubis Bauer, Lucas Tappan, and Michael Podrebarac. Mæstro Nelson’s settings of the Responsorial Psalm for the Ordinary Form of the Mass can be found at International Liturgy Publications, along with professional recordings:

*  Responsorial Psalms • Brian J. Nelson
—For the Ordinary Form, published by International Liturgy Publications.

You can also read Dr. Nelson’s full biography:

*  PDF Download • BIOGRAPHY

“From the Throne of Grace” • Click here to see Dr. Nelson rehearsing his choir in one of his own hymn compositions.

I was pleased to see that EWTN featured Dr. Nelson a few years back:

You can learn more at the KU Catholic website.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Brian Nelson Composer, St Lawrence Catholic Campus Center Last Updated: September 23, 2020

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Jeff Ostrowski

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Los Angeles.—(Read full biography).

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20 January 2021 • REMINDER

We have no savings, no endowment, and no major donors. You can help us (please) by subscribing to our mailing list. It’s incredibly easy; just scroll to the bottom of any blog article and enter your email address. Thank you!

—Jeff Ostrowski
19 January 2021 • Confusion over feasts

For several months, we have discussed the complicated history of the various Christmas feasts: the Baptism of the Lord, the feast of the Holy Family, the Epiphany, and so forth. During a discussion, someone questioned my assertion that in some places Christmas had been part of the Epiphany. As time went on, of course, the Epiphany came to represent only three “manifestations” (Magi, Cana, Baptism), but this is not something rigid. For example, if you look at this “Capital E” from the feast of the Epiphany circa 1350AD, you can see it portrays not three mysteries but four—including PHAGIPHANIA when Our Lord fed the 5,000. In any event, anyone who wants proof the Epiphany used to include Christmas can read this passage from Dom Prosper Guéranger.

—Jeff Ostrowski
6 January 2021 • Anglicans on Plainsong

A book published by Anglicans in 1965 has this to say about Abbat Pothier’s Editio Vaticana, the musical edition reproduced by books such as the LIBER USUALIS (Solesmes Abbey): “No performing edition of the music of the Eucharistic Psalmody can afford to ignore the evidence of the current official edition of the Latin Graduale, which is no mere reproduction of a local or partial tradition, but a CENTO resulting from an extended study and comparison of a host of manuscripts gathered from many places. Thus the musical text of the Graduale possesses a measure of authority which cannot lightly be disregarded.” They are absolutely correct.

—Jeff Ostrowski

Random Quote

“The Church has always kept, and wishes still to maintain everywhere, the language of her Liturgy; and, before the sad and violent changes of the 16th century, this eloquent and effective symbol of unity of faith and communion of the faithful was, as you know, cherished in England not less than elsewhere. But this has never been regarded by the Holy See as incompatible with the use of popular hymns in the language of each country.”

— Pope Leo XIII (1898)

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