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Corpus Christi Watershed

“A much greater source of anxiety to Us is the style of action of those who maintain that liturgical worship should shed its sacred character, who foolishly say we should substitute for sacred items & furnishings ordinary common things in daily use.” —Pope Saint Paul VI (14 Oct 1968)

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Views from the Choir Loft

EWTN Features Catholic Choirmaster & Composer

Jeff Ostrowski · September 22, 2020

RIAN J. NELSON is now in his tenth year as Director of Sacred Music at the Saint Lawrence Catholic Campus Center, serving the students, faculty, and staff of the University of Kansas in gorgeous Lawrence, Kansas. Beginning under the tenure of Monsignor Vince Krische in the 1980s, St. Lawrence has become known for its commitment to strong, vibrant Liturgy and Music. Throughout its history, the center has benefited from the tradition of choral and organ scholars: KU students with significant talent and openness of heart who sing or play at Mass regularly. Center Director Fr. Mitchell Zimmerman has expanded the scholarship program to include all the major ministries at St. Lawrence, adding intellectual and spiritual components.

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Dr. Nelson oversees, trains, and develops twelve choral scholars, two organ scholars, four instrumentalists, a choral administrative scholar and a cantor scholar. His predecessors include Wolfgang Resinger, Lynn Trapp, Kevin Vogt, Marie Rubis Bauer, Lucas Tappan, and Michael Podrebarac. Mæstro Nelson’s settings of the Responsorial Psalm for the Ordinary Form of the Mass can be found at International Liturgy Publications, along with professional recordings:

*  Responsorial Psalms • Brian J. Nelson
—For the Ordinary Form, published by International Liturgy Publications.

You can also read Dr. Nelson’s full biography:

*  PDF Download • BIOGRAPHY

“From the Throne of Grace” • Click here to see Dr. Nelson rehearsing his choir in one of his own hymn compositions.

I was pleased to see that EWTN featured Dr. Nelson a few years back:

You can learn more at the KU Catholic website.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Brian Nelson Composer, St Lawrence Catholic Campus Center Last Updated: September 23, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    15th Sunday in Ordinary Time (Year C)
    This coming Sunday—13 July 2025—is the 15th Sunday in Ordinary Time (Year C). All the chants have been conveniently assembled and posted at the feasts website. The OFFERTORY, Ad Te Levávi, is particularly beautiful.
    —Jeff Ostrowski
    Music Director Job • $80,000 per year
    Our readers will be interested in this job offering for Music Director at Saint Adalbert’s Basilica, located 40 minutes from where I live. My pastor was recently elevated to this basilica. He is offering $80,000 per year, plus benefits. I’m told Saint Adalbert’s Basilica is utterly gorgeous and contains one of America’s most magnificent pipe organs. It would be fantastic to have a colleague nearby!
    —Jeff Ostrowski
    Simplest “Agnus Dei” Ever Published
    Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Since the English is not meant to be sung, but only to tell people who do not understand Latin what the text means, a simple paraphrase in prose is sufficient. The versions are not always very literal. Literal translations from Latin hymns would often look odd in English. I have tried to give in a readable, generally rhythmic form the real meaning of the text.”

— Fr. Adrian Fortescue (1913)

Recent Posts

  • “How to Conduct 90 Vespers Services Each Year and Live to Tell the Tale.”
  • 15th Sunday in Ordinary Time (Year C)
  • The Tallis Scholars
  • Music Director Job • $80,000 per year
  • Pope Saint Paul VI to Consilium (14 October 1968)

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