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“A much greater source of anxiety to Us is the style of action of those who maintain that liturgical worship should shed its sacred character, who foolishly say we should substitute for sacred items & furnishings ordinary common things in daily use.” —Pope Saint Paul VI (14 Oct 1968)

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Views from the Choir Loft

PDF Download • Extremely Rare! — 1966 “Book of Catholic Worship” (809 pages)

Jeff Ostrowski · September 29, 2020

ASCINATING. That is the only word I can use to describe a book recently given to me called “The Book Of Catholic Worship.” It bears a 12 January 1966 IMPRIMATUR from Most Rev. Lawrence Shehan (d. 1984), the Archbishop of Baltimore, who—it seems fair to say—ended up with a stained history. I don’t need to describe to our readers that 1966 was an absolutely crucial year for liturgical reform. The characters who assembled the book were a “mixed bag”—and that is often what we see vis-à-vis 1960s musical committees. For example, we find members who were liturgically “conservative” (such as Sister Josephine Morgan of the Pius X School of Liturgical Music). Yet, we also find members like Father Eugene A. Walsh, who later became a formal heretic for teaching that the assembly—not the priest—consecrates the SANCTISSIMUM during Holy Mass. 1

*  PDF Download • BOOK OF CATHOLIC WORSHIP (1966)
—This PDF file contains the “Hymnal” section, but the other sections are not included.

In Daniel Craig’s Comparison of 15 traditional Catholic hymnals, he spilled quite a bit of ink describing what he called “The ADOREMUS-50”. I’m not going to attempt to repeat everything Mr. Craig said, but this 1966 hymn book seems to match the “ADOREMUS-50” in a way that’s almost scary!

Do you agree?

Shocking Theft

I was absolutely shocked—flabbergasted, even!—to observe that The Book of Catholic Worship did something very sneaky. They stole all their hymns from the 1940 Episcopal Hymnal. Technically they did acknowledge this, but only if somebody realizes what “The Church Pension Fund” is all about. Here is proof is what I am saying:

I could easily give 50 more examples, but here’s just one more—and examine the lyrics closely to discover the vandalism they thought they could get away with:

Almost without exception, the PROPRIUM MISSAE are taken from the 1965 Missale Romanum, which provides an official English translation of the Roman Gradual, approved for liturgical use in the United States of America. We have discussed this topic over and over again. Here is proof they took their antiphon translations from the 1965 Roman Missal:

Here is more proof; the REPROACHES from Good Friday:

I said “almost without exception” because I have noticed a few items which do not come from the 1965 Roman Missal, such as the English translation of the Pange Lingua from Good Friday. By the way, if enough people show interest, I would like to scan (and upload) all 809 pages of the “Book of Catholic Worship” (1966)…but only if enough people show interest.

HROUGHOUT the past five years, we have examined the history of Catholic hymnody. We have seen that until about 1962, most Catholic hymnals never used Protestant texts or translations. If they did use them, the editors tried to disguise them. An example we looked at was Father Bonvin’s Hosanna Hymnal, published in 1914 (St. Louis, Missouri). We spoke about how Father Bonvin tried to hide what he did. I recently discovered a PDF file which I have never shared with you, a Catholic hymnal granted IMPRIMATUR by Most Rev’d William Joseph Walsh, Archbishop of Dublin from 1885-1921. This hymnal has the name: Vox Angelica: A New Collection of Catholic hymns (organ edition). I don’t know anything about the person who created this Catholic hymnal, but I can say that it’s remarkable in terms of its heavy inclusion of Protestant hymnody. When this Dublin hymn book appeared in 1913, including even translations by Protestants was incredibly rare. But we have already discussed this, so I won’t belabor the point…

 


NOTES FROM THIS ARTICLE:

1  I don’t know all the members, but the names of several of them—such as Gabe Huck and Father Godfrey Diekmann (who later supported women’s ordination)—are extremely troubling. They should not have been allowed anywhere near a liturgical project!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, PDF Download Tagged With: Affordable Hymnal for Catholic Parishes Last Updated: December 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    15th Sunday in Ordinary Time (Year C)
    This coming Sunday—13 July 2025—is the 15th Sunday in Ordinary Time (Year C). All the chants have been conveniently assembled and posted at the feasts website. The OFFERTORY, Ad Te Levávi, is particularly beautiful.
    —Jeff Ostrowski
    Music Director Job • $80,000 per year
    Our readers will be interested in this job offering for Music Director at Saint Adalbert’s Basilica, located 40 minutes from where I live. My pastor was recently elevated to this basilica. He is offering $80,000 per year, plus benefits. I’m told Saint Adalbert’s Basilica is utterly gorgeous and contains one of America’s most magnificent pipe organs. It would be fantastic to have a colleague nearby!
    —Jeff Ostrowski
    Simplest “Agnus Dei” Ever Published
    Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“In 1848, Franz Liszt attended a performance of Schumann’s 1st Piano Trio, held in his honor in the Schumanns’ home. Liszt arrived two hours late with Wagner (who hadn’t been invited), derided the piece, and spoke ill of the recently deceased Mendelssohn. This upset the Schumanns, and Robert physically assaulted Liszt.”

— Janita Hall-Swadley

Recent Posts

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  • 15th Sunday in Ordinary Time (Year C)
  • The Tallis Scholars
  • Music Director Job • $80,000 per year
  • Pope Saint Paul VI to Consilium (14 October 1968)

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