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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · September 17, 2014

Positive Liturgical Fruits Of Vatican II: Second Part

I know people will attack me for saying this, but I’m against “concert Masses”—and I think that quote from “Sacrosanctum Concilium” backs me up.

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Jeff Ostrowski · September 16, 2014

Spectacular Video: Porfiri Conducts Requiem For Parents In China

“As you notice, they sing the whole concert—seventeen pieces—all by memory. They are really amazing.” — Aurelio Porfiri

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Jeff Ostrowski · September 15, 2014

A Catholic Nun Challenged Reagan As Vice-President … For The Communist Party!

Are we surprised that authentic Church music died in the 1970s?

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Jeff Ostrowski · September 15, 2014

Can Church Musicians Learn From An Online Role-Playing Game?

Let’s help Catholics appreciate the richness of polyphonic music, which can be quite powerful.

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Jeff Ostrowski · September 14, 2014

Update * Atonement Parish — San Antonio, Texas

A consistently serious parish whose Pastor never deviates from Catholic doctrine.

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Jeff Ostrowski · September 10, 2014

Vatican Breaks Its Silence On Kneeling For Communion In The USA

“When this Congregation gave ‘recognitio’ to your Bishops’ Conference, this was done on the condition that kneeling communicants are not to be denied Holy Communion.” — Vatican Statement

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Jeff Ostrowski · September 9, 2014

That Inscrutable Creature On The Internet

I’ve come to realize that truth & beauty should be loved for their own sake. Trying to “possess” them is silly.

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Jeff Ostrowski · September 8, 2014

Have We Lost The Church Music Battle?

The traditional music still triumphs in one important area: parishes run by “no-nonsense” priests.

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Jeff Ostrowski · September 2, 2014

PDF Download: Mediator Dei Hymnal (1955)

This book’s editor had the reputation of being a “walking encyclopedia” of American hymnology…

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Jeff Ostrowski · September 1, 2014

Barack Obama & Catholic Sacred Music

I wish somebody had explained this to me in 2005, when I began working for the Ordinary Form.

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Jeff Ostrowski · August 28, 2014

Why I No Longer Compose

When I observe our beautiful children, I realize that God is the True Artist.

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Jeff Ostrowski · August 28, 2014

Choirs & Singers With Spread Vowels — Best Example Ever!

When teaching your choir to hear the difference between “spread” vowels & proper choral vowels, use this example.

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Jeff Ostrowski · August 27, 2014

Dan Schutte’s “Missa My Little Pony” (2nd Part)

My original article was shared 4,000 times and generated a surprising amount of hate mail.

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Jeff Ostrowski · August 25, 2014

NBC “Meet The Press” & Catholic Church Music

At the program’s conclusion, I felt dumber than when I’d started watching.

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Jeff Ostrowski · August 25, 2014

Pope John Paul II Wearing The Cappa Magna (As Cardinal Wojtyla)

The most marvelous uniform I’ve seen was the one worn by Prince Charles when he married Diana.

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Corpus Christi Watershed

President’s Corner

    Knox. Has. No. Equal.
    Dr. Finberg (of the University of Leicester) famously said: “No living writer possesses a greater command over the English language than Monsignor Ronald Knox.” A lifetime spent among his works would not exhaust them; always another thing to see, never once a reason to look away. Consider the marvelous way Knox Englished the famous VERBUM SUPERNUM of Saint Thomas Aquinas. The 4th verse (in Latin) means: “By being born, He became man’s companion; at this supper, He became man’s food; in dying, He became man’s ransom; in reigning, He is man’s reward.” Knox brilliantly makes the English fit the Latin meter: The manger, Christ their equal made, | That upper room, their souls’ repast, | The Cross, their ransom dearly paid, | And heav’n, their high reward at last. I believe the meaning of the French word “manger” was not absent from his thoughts when he penned that stanza.
    —Jeff Ostrowski
    Proportionalist Plainchant • (Documented)
    On this website, we believe: “If we don’t know where we came from, we can’t know where we’re going.” As a result, we often spend hours scanning old books of GREGORIAN CHANT (and organ accompaniments). We don’t claim those items are useful or desirable for today’s circumstances; the goal is understanding where we came from. Here is a fascinating musical score from the 19th century. At that time, it was believed that MENSURALISM (a.k.a. “proportionalism”) was the historically correct way to sing plainsong.
    —Jeff Ostrowski
    Garnier Alleluias • “Have They Moved?”

    We received an email asking whether the “Garnier Gospel Acclamations website” has…

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    —Jeff Ostrowski

Quick Thoughts

    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed

Random Quote

When we say: “The people like this” we regard them as unable to develop, as animals rather than human beings, and we simply neglect our duties in helping them towards a true human existence — indeed, in this case, to truly Christian existence.

— Professor László Dobszay (2003)

Recent Posts

  • “Panis Angelicus” • Organ Accompaniment (7 Pages)
  • 1,187 Pages • “Dripping With Color, Craft, and Splendor” (Missale Romanum, 1933)
  • Knox. Has. No. Equal.
  • “Plainsong Propers” • Fascinating 1980s Recordings
  • Proportionalist Plainchant • (Documented)

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