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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · November 30, 2013

Uh Oh … How do you spell “Ressurection” ?

The new Gregorian Missal (Solesmes, 2012) is a marvelous book.

Jeff Ostrowski · November 27, 2013

With Regard to the New Document by Francis: “Evangelii Gaudium”

I’ve encountered priests who believe their job during the sermon is to talk like Rush Limbaugh, Chris Matthews, or Bill O’Reilly.

Jeff Ostrowski · November 24, 2013

A Chart That Says It All …

What a stark contrast between the (discredited) translation from the 1970s and the 2011 translation!

Jeff Ostrowski · November 24, 2013

A Simple Plan To Improve Music At Mass

Are all musical styles acceptable for Mass? Movie directors realize such a notion is bogus.

Jeff Ostrowski · November 19, 2013

Rory Cooney Needs “Healing” From Pope Benedict’s Liturgical Reforms

Consider these lines from GIA’s newest hymnal (Worship IV): “Who is this who eats with sinners, calling luckless losers winners?” Did they really just use the phrase “luckless losers” in a Catholic hymn book?

Jeff Ostrowski · November 18, 2013

“Look Beyond The Bread You Eat” (Part 1)

Even after so many years, recalling this statement makes my brain explode with rage.

Jeff Ostrowski · November 18, 2013

“Look Beyond The Bread You Eat” (Part 2)

It dawned on me that nothing I’d been saying had made the slightest impact. I had literally been wasting my breath.

Jeff Ostrowski · November 15, 2013

A Dream Come True: 1965 Missal Online!

“The Conference of Bishops has given permission that, when a qualified man is not
available, a woman may proclaim the readings prior to the gospel, while standing outside the sanctuary.” — 1970 Statement

Jeff Ostrowski · November 14, 2013

More Thoughts On The 3-Year Lectionary …

“The Instruction pretends that we actually do have Propers for the Mass, whereas everyone knows that today the Mass Propers are sung perhaps at one Mass in ten thousand.” — Professor László Dobszay

Jeff Ostrowski · November 11, 2013

When Rome Gets It Wrong

“Many a pope has gone through his entire pontificate without making a single infallible statement.” — Archbishop Fulton J. Sheen

Jeff Ostrowski · November 11, 2013

The Archer Loves The Arrow And The Bow

If you tend to cry a lot, don’t read this poem.

Jeff Ostrowski · November 6, 2013

“For the kingdom, the power and the glory are yours”

A mystery! The 1970s ICEL seems not to have included these words, even though they were in the official Latin …

Jeff Ostrowski · November 5, 2013

Black Vestments & Wisdom From Wives

Following the Second Vatican Council, black vestments aren’t usually worn because they’re considered too “spooky and scary.”

Jeff Ostrowski · November 5, 2013

What’s So Great About The Mass Propers?

“If the world is progressing intellectually, should not the existence of God have been defined in the 1st century and the nature of the Trinity in the 19th?” — Fulton J. Sheen

Jeff Ostrowski · November 2, 2013

Pope Francis Celebrates Mass “Ad Orientem”

Pope Francis celebrating in this manner was a bit of a surprise, since members of his generation aren’t usually accustomed to “turning their backs on the people.”

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Corpus Christi Watershed

President’s Corner

    “Lamb of God” (Musical Setting)
    The MASS OF SAINT ANNE LINE has been quite popular ever since ROMAN MISSAL Third Edition was released circa 2011. You can now download the musical score (PDF) for this setting, placed into five (5) different keys; i.e. “pitch levels” that are high and low. This makes it possible to adjust based upon who’s singing at which time of day.
    —Jeff Ostrowski
    PDF Download • Introit (2nd Sn. Ord.)
    This coming Sunday, 18 January 2026, is the 2nd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT is set according to the fourth mode, which sounds ‘serious’ or ‘dark’ or ‘haunting’ or ‘mysterious’—and its English adaptation corresponds to the authentic version (“Omnis terra adóret”) found in the GRADUALE ROMANUM. In this rehearsal video (click here) I attempt to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it, because the harmonies are delightful.
    —Jeff Ostrowski
    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“Prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death.”

— Robert Cardinal Sarah (23-sep-2019), chosen by Pope Francis to be the Vatican’s chief liturgist

Recent Posts

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  • “Information Requested About Hymnals”
  • “Lamb of God” (Musical Setting)
  • “Sacred Music Journal” Editor Sings w/ Our Choir
  • PDF Download • Introit (2nd Sn. Ord.)

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