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Views from the Choir Loft

“On this day O Beautiful Mother” … Blacklisted?

Jeff Ostrowski · March 2, 2013

ELOW, I quote from an article [pdf] by Fr. Francis Brunner. I will explain why a little later. First, a quick word about the background. The article was published in the 1953 Caecilia Magazine (Vol. 80, No. 4). During those years, the editorial staff for Caecilia included many “big names” like Theodore Marier, Fr. Elmer F. Pfeil, Fr. Francis Brunner, and others. These days, Brunner is remembered primarily for his English translation of Missarum Sollemnia (“The Mass of the Roman Rite: Its Origins and Development”) by Fr. Josef Jungmann, S.J. This is a two volume set, and each page has a whole bunch of footnotes. I am told that some joker actually published this book as a single volume . . . by leaving out all the footnotes! How incredible! How reprehensible! The primary value of Jungmann’s work these days is found in the footnotes.

Years ago, Jungmann was taken very seriously, in spite of some embarrassing episodes, such as the one I describe in this article [url]. However, when “the dust settled” on his scholarship, it was found that he fell into the same trap as so many other historians. Jungmann would find evidence of a liturgical practice in some ancient manuscript and assume that the practice was widespread and/or universal in the Catholic Church at that time. This is an unfortunate trap to fall into, because the responsible historian realizes that the mere fact that some practice is described in one manuscript or another does not necessarily mean the practice was universal. In fairness to Jungmann, his scholarship was incomplete, because when he got close to publication, he was chased out of his city by the Nazi armies. As you might imagine, Jungmann was not able to carry with him all the books he needed, which made it very difficult for him to complete his “masterpiece” in an adequate way. That being said, his work is still very valuable on account of the footnotes (as I’ve already mentioned), and Fr. Francis Brunner did the world a great service by making an English translation of Jungmann’s German text.

Anyway, getting back to Fr. Francis Brunner, here’s what he wrote in 1953:

Q. According to the “White List” the “St. Basil’s Hymnal” is on the list of disapproved hymnals; however, it is the only hymnbook which contains “On this day O Beautiful Mother”, which is much loved hereabouts. Would you tell me whether that piece is suitable?

A. The whole question of hymnody is so tangled and twisted, that it is generally difficult to give a straightforward answer regarding particular hymns. There is the problem of the verse — some of it atrocious as to form, some of it equally atrocious as to content. There is the question of melody — sometimes unsingable, sometimes worldly in tone, sometimes trite and inartistic. Catholics in America have been the heirs of a sentimental and subjective hymn tradition that, for some reason or other, has taken a deep and fast hold on the fancy of the average person. And no one has yet had the courage to do anything about the problem that is thus created. However, in the case of the piece mentioned in the question, this writer would venture an unqualified “unsuitable, unfit.” The verse is the sort that is unsubstantial and sugary. The musical setting is waltzy. Read the words and tell me what they convey to you. Then dance to the tune, and you’ll understand what I mean.

In several rather long articles regarding the Campion Missal [url], I have spoken about this problem. If you go visit the Campion website and scroll to the bottom, you will find several of those articles. Therefore, when I find a quote like this by a respected priest like Brunner:

Catholics in America have been the heirs of a sentimental and subjective hymn tradition that, for some reason or other, has taken a deep and fast hold on the fancy of the average person.

I rejoice, because these words by Fr. Brunner are in accord with the other authors I have quoted. After all, when somebody “tosses out” statements like that, it can be difficult to believe, unless many authors say the same thing.

We worked very hard to choose ONLY the finest hymns for the Campion Hymnal [url], and I could not be happier with the final results. Laudetur Jesus Christus in vitam aeternam!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Los Angeles.—(Read full biography).

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Quick Thoughts

    Tempo?? • 𝘏𝘰𝘭𝘺 𝘎𝘰𝘥, 𝘞𝘦 𝘗𝘳𝘢𝘪𝘴𝘦 𝘛𝘩𝘺 𝘕𝘢𝘮𝘦
    Once, after Mass, my pastor said he really loved the hymn we did. I said: “Father, that's Holy God, We Praise Thy Name—you never heard it before?” He replied: “But the way you did it was terrific. For once, it didn't sound like a funeral dirge!” Last Sunday, our volunteer choir sang that hymn. I think the tempo was just about right … but what do you think?
    —Jeff Ostrowski
    Don’t You Agree About These?
    If you want to make Jeff Ostrowski really happy, send him an email with effusive praise about the individual voice recordings for hymn #296. [Soprano, Alto, Tenor, Bass] They came out dazzlingly sensational, don't you agree?
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    Choral Vowels? Yes? No?
    Here's a live recording of one of the choral “warm-up” exercises my choir enjoys. It was taken during our rehearsal on 27 January 2023. It’s good to make sure each chord is perfectly in tune and balanced before moving to the next one. That only happens when each singer has the correct vowel. If you like, you can freely download that vocal exercise.
    —Jeff Ostrowski

Random Quote

“We decided to entrust this work to learned men of our selection. They very carefully collated all their work with the ancient codices in Our Vatican Library and with reliable, preserved or emended codices from elsewhere. Besides this, these men consulted the works of ancient and approved authors concerning the same sacred rites; and thus they have restored the Missal itself to the original form and rite of the holy Fathers.”

— ‘Pope St. Pius V (Quo Primum, 1570)’

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