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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · September 3, 2019

The 1961 Code of Rubrics • Pope St. John XXIII

I would not argue with someone who called this document curious, or even bizarre; it was only in effect for a few years • Also: “Should the Sanctus and Benedictus be split in the Traditional Latin Mass?” • This “Extraordinary Form” question is treated meticulously with full documentation going back 150 years+

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Jeff Ostrowski · September 2, 2019

PDF Download • Handy Solfège Chart (Printable)

I have no idea whether this will be of use to anyone, but here it is…

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Jeff Ostrowski · September 2, 2019

I. Was. Dead. Wrong.

Setting the record straight.

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Jeff Ostrowski · August 19, 2019

Brébeuf #182 • “Creator Alme Siderum” (Advent)

Most people know this one as “Creator of the stars of night.”

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Jeff Ostrowski · August 16, 2019

Symposium 2019 • “Video Outtakes”

Like any other human, I go through difficult times—this conference was a source of strength.

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Jeff Ostrowski · August 7, 2019

Brébeuf #465 • “Christ Ist Erstanden” (In Latin!)

We posted rehearsal videos in English the other day—now they’re given in Latin!

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Jeff Ostrowski · August 6, 2019

Brébeuf #661 • “Come, Thou Long-Expected Jesus”

It’s okay to start thinking about Advent, which will be here before we know it.

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Jeff Ostrowski · August 3, 2019

Brébeuf #379 • “Quem Terra” (Melcombe)

One of the most popular melodies in Catholic hymnals of yesteryear.

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Jeff Ostrowski · August 1, 2019

PDF Download • “Sanctus For Two Voices”

“In general, it is better to do something well, however modest, than to attempt something on a grander scale if proper means are lacking.” —Pope Pius XII

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Jeff Ostrowski · July 30, 2019

Brébeuf Hymn #464 • “Christ ist erstanden”

The text of this hymn is the Church’s oldest Latin Eucharistic hymn, translated by Fr. Adrian Fortescue.

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Jeff Ostrowski · July 25, 2019

The Day Music Theory Failed Me

Readers already know I believe in the value of Music Theory…

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Jeff Ostrowski · July 24, 2019

Brébeuf Hymn #517 • “Veni Redemptor Gentium”

This recording was completed last night (23 July 2019).

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Jeff Ostrowski · July 20, 2019

Brébeuf Hymn #156 • “Christe Redemptor”

The Soprano line was sung by a young lady in the 8th grade—and she did very well.

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Jeff Ostrowski · July 18, 2019

Can Girls In The 2nd Grade Sing SATB Hymns?

If a girl in the 2nd grade can learn it after hearing it only a few times, I believe everyone is capable of learning it.

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Jeff Ostrowski · July 16, 2019

“For of all sad words of tongue or pen…”

…the saddest are these: “It might have been!”

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Corpus Christi Watershed

President’s Corner

    “Holy, Holy, Holy” transposed lower

    A simple setting based on a work by Canon Jules Vyverman.

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    —Jeff Ostrowski
    Music List • (27th Sund. Ordinary Time)

    Readers have expressed interest in examining my “music list” for this coming Sunday: 4 October 2026

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    —Jeff Ostrowski
    A Mystery! — Re: the “Liber Usualis”

    Even after all these years, nobody has been able to explain this.

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    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

“We wish to express the hope that students of Gregorian Chant come back to the pure Vatican Edition, in the ancient block-note form, without the addition of any signs whatever, in order to achieve Gregorian unity.”

— Josef Gogniat (12 March 1938)

Recent Posts

  • “Holy, Holy, Holy” transposed lower
  • Music List • (27th Sund. Ordinary Time)
  • A Mystery! — Re: the “Liber Usualis”
  • A Popular “Gloria” … in Dutch?
  • From Rome • “International Week of Sacred Music”

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