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Corpus Christi Watershed

“A much greater source of anxiety to Us is the style of action of those who maintain that liturgical worship should shed its sacred character, who foolishly say we should substitute for sacred items & furnishings ordinary common things in daily use.” —Pope Saint Paul VI (14 Oct 1968)

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Views from the Choir Loft

Archives for April 2025

Jeff Ostrowski · April 11, 2025

PDF Download • “Communion” (Holy Thursday)

Its verses are quite beautiful.

Jeff Ostrowski · April 10, 2025

“Ubi Caritas” • Knox Translation (1950s)

What a treasure!

Jeff Ostrowski · April 10, 2025

“Music List” • Palm Sunday

Readers have expressed interest in examining the “music list” I prepared for this coming Sunday.

Jeff Ostrowski · April 9, 2025

PDF Download • “Offertory” (Palm Sunday)

Some believe that “joyful” texts sound happy in Gregorian Chant and “sad” texts sound mournful.

Jeff Ostrowski · April 8, 2025

“And the Chief Priests…” (Palm Sunday)

“And the chief priests made a plot against Lazarus’ life too…”

Jeff Ostrowski · April 7, 2025

“Articles for Bulletin” • Saint Mary’s in Muskegon

This series is for Saint Mary’s in Muskegon.

Jeff Ostrowski · April 7, 2025

Re: The “Restoration” of the Easter Vigil

It’s a strange type of “restoration” that rejoices over innovations that never existed before.

Corpus Christi Watershed · April 7, 2025

Father John Paul Lewis • “Saint Francis of Assisi Parish in Oklahoma City”

The musical director is Dr. Alvez Barkoskie IV.

Jeff Ostrowski · April 7, 2025

Yesterday’s Offertory • ‘Live’ by 2 Young Women

A large choir isn’t necessary to have dignified music at Mass.

Jeff Ostrowski · April 7, 2025

The 1970s Liturgical Wasteland

“In a sense we need ‘disposable’ music, created to last not centuries, but weeks (or hours).” —Father Hovda

Jeff Ostrowski · April 7, 2025

“Reader Feedback” • 7 April 2025

A reader in Poland writes…

Jeff Ostrowski · April 5, 2025

“Music List” • 5th Sunday of Lent

Readers have expressed interest in examining the “music list” I prepared for this coming Sunday.

Jeff Ostrowski · April 5, 2025

Best-Kept “Secret” of Church Music?

Some have called it that.

Jeff Ostrowski · April 4, 2025

“Entrance Chant” • 5th Sunday of Lent

The Latin words are rendered so beautifully by Monsignor Knox.

Jeff Ostrowski · April 3, 2025

Cool Symbolism

That’s pretty awesome!

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Corpus Christi Watershed

President’s Corner

    Music Director Job • $80,000 per year
    Our readers will be interested in this job offering for Music Director at Saint Adalbert’s Basilica, located 40 minutes from where I live. My pastor was recently elevated to this basilica. He is offering $80,000 per year, plus benefits. I’m told Saint Adalbert’s Basilica is utterly gorgeous and contains one of America’s most magnificent pipe organs. It would be fantastic to have a colleague nearby!
    —Jeff Ostrowski
    Simplest “Agnus Dei” Ever Published
    Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.
    —Jeff Ostrowski
    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

Although the New Testament is now so much more important to us than the Old, we must remember that the archetype of the Canon of Scripture is the Old Testament. At first that was the whole Bible, to Christians as to Jews. When the apostles speak of “Scripture” they mean the Old Testament only. Indeed, the way in which the books of the New Testament came to be considered canonical was by making them equal to those of the Old.

— Rev’d Doctor Adrian Fortescue

Recent Posts

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  • Simplest “Agnus Dei” Ever Published

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