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Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Archives for April 2025

Jeff Ostrowski · April 11, 2025

PDF Download • “Communion” (Holy Thursday)

Its verses are quite beautiful.

Jeff Ostrowski · April 10, 2025

“Ubi Caritas” • Knox Translation (1950s)

What a treasure!

Jeff Ostrowski · April 10, 2025

“Music List” • Palm Sunday

Readers have expressed interest in examining the “music list” I prepared for this coming Sunday.

Jeff Ostrowski · April 9, 2025

PDF Download • “Offertory” (Palm Sunday)

Some believe that “joyful” texts sound happy in Gregorian Chant and “sad” texts sound mournful.

Jeff Ostrowski · April 8, 2025

“And the Chief Priests…” (Palm Sunday)

“And the chief priests made a plot against Lazarus’ life too…”

Jeff Ostrowski · April 7, 2025

“Articles for Bulletin” • Saint Mary’s in Muskegon

This series is for Saint Mary’s in Muskegon.

Jeff Ostrowski · April 7, 2025

Re: The “Restoration” of the Easter Vigil

It’s a strange type of “restoration” that rejoices over innovations that never existed before.

Corpus Christi Watershed · April 7, 2025

Father John Paul Lewis • “Saint Francis of Assisi Parish in Oklahoma City”

The musical director is Dr. Alvez Barkoskie IV.

Jeff Ostrowski · April 7, 2025

Yesterday’s Offertory • ‘Live’ by 2 Young Women

A large choir isn’t necessary to have dignified music at Mass.

Jeff Ostrowski · April 7, 2025

The 1970s Liturgical Wasteland

“In a sense we need ‘disposable’ music, created to last not centuries, but weeks (or hours).” —Father Hovda

Jeff Ostrowski · April 7, 2025

“Reader Feedback” • 7 April 2025

A reader in Poland writes…

Jeff Ostrowski · April 5, 2025

“Music List” • 5th Sunday of Lent

Readers have expressed interest in examining the “music list” I prepared for this coming Sunday.

Jeff Ostrowski · April 5, 2025

Best-Kept “Secret” of Church Music?

Some have called it that.

Jeff Ostrowski · April 4, 2025

“Entrance Chant” • 5th Sunday of Lent

The Latin words are rendered so beautifully by Monsignor Knox.

Jeff Ostrowski · April 3, 2025

Cool Symbolism

That’s pretty awesome!

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Corpus Christi Watershed

President’s Corner

    “Music List” • 6th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 6th Sunday of Easter (25 May 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are provided at the the feasts website.
    —Jeff Ostrowski
    “Gloria in Spanish” • Free Accompaniment
    Several people have requested an organ accompaniment for the GLORY TO GOD which prints the Spanish words directly above the chords. The Spanish adaptation—Gloria a Dios en el cielo—as printed in Roman Misal, tercera edición was adapted from the “Glória in excélsis” from Mass XV (DOMINATOR DEUS). I used to feel that it’s a pretty boring chant … until I heard it sung well by a men’s Schola Cantorum, which changed my view dramatically. This morning, I created this harmonization and dedicated it to my colleague, Corrinne May. You may download it for free. Please let me know if you enjoy it!
    —Jeff Ostrowski
    How Well Does ICEL Know Latin?
    This year, the Feast of Saints Peter and Paul (29 June 2025) will fall on a Sunday. It’s not necessary to be an eminent Latin scholar to be horrified by examples like this, which have been in place since 1970. For the last 55 years, anyone who’s attempted to correct such errors has been threatened with legal action. It is simply unbelievable that the (mandatory) texts of the Holy Mass began being sold for a profit in the 1970s. How much longer will this gruesome situation last?
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“However well equipped and trained a choir may be, all its good points may be obscured by an unsuitable accompaniment. In fact the organist can, in a large measure, either make or mar his choir. It must be owned, however, that the accompanist of Plainsong has to contend with many difficulties. […] The purist will still find his best enjoyment of the chant when it is sung unaccompanied, but to most a becoming accompaniment gives an added charm.”

— Benedictines of Stanbrook (1905)

Recent Posts

  • “Music List” • 6th Sunday of Easter (Year C)
  • “Can the Choir Sing Alone at Mass?” • Yes! And Here’s Why That Matters
  • “Gloria in Spanish” • Free Accompaniment
  • How Well Does ICEL Know Latin?
  • Nobody Cares About This! • 1887 Rheims-Cambrai Gradual included “Restored” Plainsong

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