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Corpus Christi Watershed

“A much greater source of anxiety to Us is the style of action of those who maintain that liturgical worship should shed its sacred character, who foolishly say we should substitute for sacred items & furnishings ordinary common things in daily use.” —Pope Saint Paul VI (14 Oct 1968)

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Views from the Choir Loft

The 1970s Liturgical Wasteland

Jeff Ostrowski · April 7, 2025

HE FOLLOWING is an excerpt from Maurice Lavanoux’s Liturgical Arts Quarterly dated 2 February 1970. It was authored by Father Robert W. Hovda—an extremely ‘progressive’ priest of the diocese of Fargo—and Gabe Huck. According to online sources, Gabe Huck was director of something called Liturgy Training Publications from 1977 until 2001. Mr. Huck claimed publicly that he was “fired” (his word) by Francis Cardinal George (d. 2015) of Chicago. From what I can tell, Huck’s goal was to convince Catholics that the sacred liturgy must be looked at primarily through a political lens. Thankfully, he seems to have left no enduring legacy.

1970s Article • If the following excerpt is a good representation of Mr. Huck, Cardinal George did well to fire him. Their article would be impossible to parody:

There are no rigid criteria for
selecting good music for the liturgy.
In recent months many songs have
appeared that could well find an
appropriate place in the liturgy;
these might include “Both Sides Now”;
“Abraham, Martin and John”; “Mrs.
Robinson”; “Gentle On My Mind”
(there is a real need for good love
songs in the liturgy); and “Little
Green Apples.” In a sense we need
“disposable” music just as we need—
and to some extent have—“disposable”
art objects which are created to last
not centuries, but weeks (or hours).
Our secular music is that way; the
amount of new material is so great
that even many good things pass
quickly. While many of the songs
from the folk and pop lists (as well
as the country-western list or the
Broadway list) do not have the depth
or quality to last for decades, they
still have the power to enrich the
liturgy here and now.

Final Thoughts • Father Hovda was highly regarded by the Collegeville Press—they called him “the renowned liturgist”—and continued to be cited (and praised) by that group even after certain of his views became known. Here’s a 1970s review by Father Ralph March, a Cistercian born in Hungary, who ended up teaching at the University of Dallas if memory serves:

500 Robert W. Hovda liturgical

Addendum (7 April 2025):
A reader writes: “In today’s post you referred to ‘something called Liturgy Training Publications.’ LTP is the in-house liturgical publishing apparatus of the Archdiocese of Chicago. While much of their output has definitely improved since those heady days of Hovda-worship, they are still stuck in a 1970s mentality overall. However, I will say that I find their bound lectionaries quite elegant, esthetically, and they shocked many of us when they chose our friend Matthew Alderman (definitely not stuck in the 1970s) to provide illustrations for their new Altar Missal. Keep up all of your good work!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Father Ralph March, Father Robert W Hovda, Matthew Alderman Art Last Updated: April 7, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    15th Sunday in Ordinary Time (Year C)
    This coming Sunday—13 July 2025—is the 15th Sunday in Ordinary Time (Year C). All the chants have been conveniently assembled and posted at the feasts website. The OFFERTORY, Ad Te Levávi, is particularly beautiful.
    —Jeff Ostrowski
    Music Director Job • $80,000 per year
    Our readers will be interested in this job offering for Music Director at Saint Adalbert’s Basilica, located 40 minutes from where I live. My pastor was recently elevated to this basilica. He is offering $80,000 per year, plus benefits. I’m told Saint Adalbert’s Basilica is utterly gorgeous and contains one of America’s most magnificent pipe organs. It would be fantastic to have a colleague nearby!
    —Jeff Ostrowski
    Simplest “Agnus Dei” Ever Published
    Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“It is the same Church which has introduced the vernacular into the sacred liturgy for pastoral reasons, that is, for the sake of people who do not know Latin, which gives you the mandate of preserving the age-old solemnity, beauty and dignity of the choral office, in regard both to language, and to the chant.”

— Pope Saint Paul VI (15 August 1966)

Recent Posts

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  • The Tallis Scholars
  • Music Director Job • $80,000 per year
  • Pope Saint Paul VI to Consilium (14 October 1968)

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