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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for April 2025

Corpus Christi Watershed · April 30, 2025

Dramatic & Spectacular Testimonies from Last Year’s Sacred Music Symposium

“I had to stop singing for a moment while trying not to cry.” —2023 Participant

Jeff Ostrowski · April 29, 2025

“Entrance Chant” • 3rd Sunday of Easter

This “Entrance Chant” is used during liturgical years A, B, and C.

Jeff Ostrowski · April 27, 2025

“Simple English Propers” • Error this Sunday?

Did the good of the Church “genuinely and certainly” require this confusing change in 1970?

Jeff Ostrowski · April 26, 2025

PDF Download • “Extremely Rare” — German Organ Accompaniment for Hymnal (158 pages)

This year, we did something unusual.

Richard J. Clark · April 26, 2025

Feast of Life • Two Thomas Aquinas Texts for SATB • GIA Publications

Two Thomas Aquinas, translations in English by Alan J. Hommerding — settings by Richard J. Clark

Jeff Ostrowski · April 23, 2025

“Reminder” — Month of April (2025)

Since a new month has arrived, it’s my pleasure to remind you that…

Jeff Ostrowski · April 22, 2025

“Why Choir Directors Fail” • Six Reasons

Re: Singing in front of 580 people!

Jeff Ostrowski · April 18, 2025

(2025) • “Vexilla Regis” + “Ubi Caritas”

But they said: “Lord, behold here are two swords.” And He said to them: “It is enough.” —Luke 22:38

Jeff Ostrowski · April 18, 2025

“Music List” • Easter Sunday

Readers have expressed interest in examining the “music list” I prepared for this coming Sunday.

Jeff Ostrowski · April 17, 2025

Caught on Video! • Choir Director’s Disturbing Holy Week “Meltdown”

Since Covid-19, many Catholic churches “live-stream” their Masses … and this disturbing footage emerged.

Jeff Ostrowski · April 15, 2025

PDF Download • Exceedingly Rare! — “The Torn Tunic” (122 pages) … published in 1967

Is Tito Casini correct that vernacular plainsong is a “sin against nature?”

Jeff Ostrowski · April 14, 2025

“Our Trials” • Choirmaster Crosses

How can we experience peace of soul when most people don’t even understand the mental trauma we deal with?

Jeff Ostrowski · April 13, 2025

PDF Download • “Easter Sunday Introit”

In accordance with the official edition.

Jeff Ostrowski · April 12, 2025

“Music List” • Holy Thursday

Readers have expressed interest in examining the “music list” I prepared for Maundy Thursday.

Corrinne May · April 11, 2025

The Highlight Of My “Sacred Music Journey”

“I’ll be instructing participants in plainsong and Palestrina.” —Corrinne May

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“The following question is asked by the Most Reverend Lord Bishop of the Diocese of Chur: May this Diocese’s ancient custom be continued of having the Celebrant in Sung Masses (excepting more solemn Masses) intone the Credo and when he is finished reciting it going on immediately to the offertory and finishing it while the credo is being sung by the choir?” (Dubium of Dec 1909)

— 11 December 1909

Recent Posts

  • New Bulletin Article • “21 September 2025”
  • How do you pronounce this word in Latin?
  • Cheap! Cheap! Cheap!
  • Children’s Repertoire: “3 Recommendations”
  • PDF Download • Dom Murray Harmonies

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