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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for January 2025

Corpus Christi Watershed · January 24, 2025

Reader Feedback • Re: “Simplified” Organ Music

I’ve lived through various pendulum swings: the “Glory and Praise” phase; the “hymn sandwich” phase; and the “baroque tracker organ” phase.

Dr. Samuel Backman · January 24, 2025

The Lofty Nature of This Goal

The lofty nature of this goal…

Veronica Brandt · January 24, 2025

Our Lady of Good Success Novena (+ Antiphon)

Today starts a Novena to Our Lady of Good Success. Curiously, there is an Antiphon included towards the end of each day’s prayers which looks very similar to this one.

Dr. Charles Weaver · January 23, 2025

My Recent Conversation • “Chant Rhythm”

This past week, I appeared on the Nikhil Hogan show to talk about Gregorian rhythm and the Vatican edition.

Keven Smith · January 23, 2025

Don’t Be Fooled by a Late Easter

Isn’t it wonderful to come back to rehearsals after a brief Christmas recess and realize Easter doesn’t come until April 20? It’s tempting to be very relaxed about progress, but I’m trying to keep a sense of momentum. Though I will probably spend a bit of extra time working on vocal production issues with my […]

Jeff Ostrowski · January 23, 2025

“Entrance Chant” • 3rd Sunday (Ord. Time)

This English adaptation uses a Tetrardus mode, as does the authentic Gregorian Chant version.

Corpus Christi Watershed · January 23, 2025

“How To Prepare A Talk” • Bishop Fulton J. Sheen

A television broadcast from the 1960s.

Jeff Ostrowski · January 23, 2025

“Reminder” — Month of January (2025)

Since a new month has arrived, it’s my pleasure to remind you that…

Jeff Ostrowski · January 22, 2025

“Remembering William Mahrt” • My interview with Dr. Horst Buchholz (21 January 2025)

Includes Dr. Buchholz’s obituary for William Mahrt: “A Gentleman, a Scholar, and a Friend”

Jeff Ostrowski · January 22, 2025

PDF Download • “Pipe Organ Recessional” (Manuals Only) — George Frederick Handel

I have a confession to make…

Jeff Ostrowski · January 21, 2025

PDF Download • Singers’ Wedding Booklet (28 Pages)

I don’t pretend to have an answer to this question.

Veronica Moreno · January 20, 2025

A Full Choir in FSSP-Caen

A choir member visits the FSSP in Normandy, France and is overjoyed to hear the full choir raining down chant and polyphony throughout the Church building. She recommends Sunday Mass if you’re on pilgrimage.

Jeff Ostrowski · January 20, 2025

PDF • “Gloria VIII” on 5 lines!

As of a few minutes ago, you can freely download this PDF score.

Julie Huebner · January 19, 2025

PDF Download • “Small Choirs, Unite!” (2nd Part)

This is definitely a piece worth bringing out for choirs of all sizes!

Jeff Ostrowski · January 18, 2025

“Music List” • 2nd Sunday (Ord. Time)

Readers have expressed interest in examining the “music list” I prepared for this coming Sunday.

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Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski

Random Quote

“Now with the elimination of Latin, the choirs that performed the treasures of sacred music are dying. Someone remarked that the study of sacred music is the history of its disappearance. In place of the authentic music demanded by the Vatican Council, all kinds of secular forms and inferior dance and combo music are heard.”

— Monsignor Richard J. Schuler (1971)

Recent Posts

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  • Fulton J. Sheen • “24-Hour Catechism”

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