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“A much greater source of anxiety to Us is the style of action of those who maintain that liturgical worship should shed its sacred character, who foolishly say we should substitute for sacred items & furnishings ordinary common things in daily use.” —Pope Saint Paul VI (14 Oct 1968)

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Views from the Choir Loft

A Full Choir in FSSP-Caen

Veronica Moreno · January 20, 2025

(This is part of a series of posts about a pilgrimage.)

E WERE HOME: ten thousand kilometers away. The steps up Église Saint-Michel de Vaucelles, in a gritty kind of neighborhood, do not prepare you for what is inside. We were deliberate to include visits to local FSSP parishes as a big part of our summer pilgrimage. We were regular pilgrims and tourists praying on our journey, but we sought out places where our children could see the same Tradition we live at home.

This was our first Sunday Mass with the Fraternity in Caen, France. It was heavenly!

I have to explain that for the last few years, we have attended Sunday Mass in a tent! We are parishioners at St. Vitus, the FSSP-Los Angeles parish, and we now have a building! Hurray! But we were in a tent since 2020.

This experience has really shaped our ears and our other senses. Being inside this building in Caen, it was so obvious that the liturgy had designed this building.

This is what it looked like after our Prayers at the End of Mass.

Exploring the space, we saw this notice on a pillar. Asperges, Kyrale, Credo, Salve Regina. Latin sure does something to unite us, even if the readings and some of the hymns were in French. Some choir member or the choirmaster dutifully took the time to write this all out. Modern whiteboard up on an ancient pillar! (No powerpoint screen!) French accents! Latin! The Feast of the Sacred Heart!

Sorry Mr. Ostrowski, this was not the Saint John de Brébeuf Hymnal. The French vernacular is quite alive in this place! Everyone sang!

Now, being in the St Vitus choir ten years and having sung all of the music that Mr. Ostrowski has posted for all these years, I was pleasantly surprised that there was a full choir singing chant and polyphony. You can imagine the acoustics!

But imagine how much more for this member of a choir who was delegated to a storage room in the back of the Church, who had to use microphones to get the sound to a tent without walls! So it was quite refreshing to hear such sacred music sung where it’s supposed to be sung.

This is how the local municipal government website rejoices in its Church building:

A 12th century Romanesque tower, a 15th century choir, a 16th century nave, not to mention the classical façade built at the end of the 18th century: Saint-Michel-de-Vaucelles truly appears as a synthesis of the different periods of religious art. Perched on a hill, it peacefully dominates the right bank of the Orne. The visitor is greeted by a statue of the Archangel Michael, represented as a Roman legionary slaying the dragon. (link)

Century building upon century.

This was the high altar.

This was the high altar!!

I can’t emphasize enough what it felt like to be in this old building for a High Mass. This did not look like the original altar, for all it’s beauty and history, I wonder if this Church suffered a “renovation”, so one day that official description above may need to add: “21st century altar”. For all it’s ancient beauty and history, the altar looked just like the one that our very own St. Vitus priests built with their own hands under our tent.

But it was everything. The stained-glass to stare at during Mass. The sound that leaves the sides of our tent back home, echoes back to us. The sound that had to pass from the microphones through speakers can now come directly down from the choir loft. The sound of the gospel read from the pulpit above us! The priest had to ascend those stairs! We had never seen that before! Go find it in the second picture on the right side!

I was to have this experience over and over again, but mostly when the music was purposefully chant and purposefully polyphony.

(Because in Europe, there were folk-guitars too.)

This was a side altar!

Our lives have been enriched by our visit to France. I had a really hard time keeping this short. I don’t know how my life as a cantor and choir member really fits into these pages. Mr. Ostrowski encourages my blog posts, but I am really humbled by the other contributors whose lives are musical excellence.

Sometimes I think, “Jeff, I just sing!”

I will continue to share, but if anyone would like to know more about Caen, traveling, parking (!), trains, or bathrooms, please feel free to send me a message. (seekenchantaspire@gmail.com) I will update this blog post if any answers are useful.

Again, if you’re ever in Normandy for travel, Holy Mass here will enrich your spiritual life.

We found the bathrooms by asking!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 20, 2025

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About Veronica Moreno

Veronica Moreno is married to a teacher and homeschools five children. She has been cantor at her local Catholic parish for over a decade.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 15th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 15th Sunday in Ordinary Time (13 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are also provided at the the feasts website.
    —Jeff Ostrowski
    15th Sunday in Ordinary Time (Year C)
    This coming Sunday—13 July 2025—is the 15th Sunday in Ordinary Time (Year C). All the chants have been conveniently assembled and posted at the feasts website. The OFFERTORY, Ad Te Levávi, is particularly beautiful.
    —Jeff Ostrowski
    Music Director Job • $80,000 per year
    Our readers will be interested in this job offering for Music Director at Saint Adalbert’s Basilica, located 40 minutes from where I live. My pastor was recently elevated to this basilica. He is offering $80,000 per year, plus benefits. I’m told Saint Adalbert’s Basilica is utterly gorgeous and contains one of America’s most magnificent pipe organs. It would be fantastic to have a colleague nearby!
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“And thus, when we renounce for Thee | Its restless aims and fears, | The tender mem’ries of the past, | The hopes of coming years, | Poor is our sacrifice, whose eyes | Are lighted from above; | We offer what we cannot keep, | What we have ceased to love.”

— Blessed John Henry Cardinal Newman

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