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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for December 2024

Jeff Ostrowski · December 30, 2024

Accents Do Matter!

The upcoming feast of the Epiphany gives a good example…

Dr. Charles Weaver · December 29, 2024

God’s in His Holy Place, but in which Mode?

Ideas have consequences.

Jeff Ostrowski · December 27, 2024

Year’s End Appeal • “Asking for Help”

As 2024 comes to a close, we could really use even a TINY amount of your generous financial support…

Jeff Ostrowski · December 27, 2024

“Music List” • Feast of the Holy Family

Readers have expressed interest in perusing the “music list” I have prepared for the Feast of the Holy Family.

Jeff Ostrowski · December 26, 2024

Bizarre Statements From “Leaflet Missal” Founder

Imagine blaming the rise of Adolf Hitler on the Church’s immemorial use of a ‘lingua sacra’ during Mass!

Jeff Ostrowski · December 25, 2024

PDF Download • From Cambridge: “Saint John Fisher Responsorial Psalms Collection” (253 Pages)

This 2024 collection incorporates responsorial psalms by many composers, particularly Catholic composers associated with Cambridge University.

Jeff Ostrowski · December 25, 2024

“Music List” • Midnight Mass (Christmas)

Readers have expressed interest in perusing the “music list” we used at our Christmas Midnight Mass.

Jeff Ostrowski · December 24, 2024

“Silent Night” • Easy Organ Arrangement

Choirs will ‘pick up’ this piece up with minimal rehearsal time.

Jeff Ostrowski · December 23, 2024

PDF Download • “Chart For Each Mode”

If you notice any errors, please let me know!

Corpus Christi Watershed · December 23, 2024

Reader Question • “Extra Verses” for the Propers

Jeff Ostrowski answers a reader’s question with nine (9) statements.

Jeff Ostrowski · December 22, 2024

Year’s End Appeal • “Asking for Help”

As 2024 comes to a close, we could really use even a TINY amount of your generous financial support…

Jeff Ostrowski · December 20, 2024

“Source and Summit” • What Is That?

Notice how Dom Franquesa (without explanation) stealthily annihilates sacrifice, sin, and the adoration we owe God.

Jeff Ostrowski · December 20, 2024

Rorate Caeli + ICEL + Dynamic Equivalence

There’s an old adage: “Once stung, twice shy.”

Jeff Ostrowski · December 19, 2024

“Music List” (4th Sunday of Advent, Year C)

Readers have expressed interest in perusing the “music list” I’ve prepared for this coming Sunday.

Jeff Ostrowski · December 19, 2024

“Entrance Chant” • 4th Sunday of Advent

Like so many Advent antiphons, this one is in the first mode and comes from the prophet Isaiah.

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Corpus Christi Watershed

President’s Corner

    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski
    PDF Download • Introit (3rd Sn. Ord.)
    This coming Sunday, 25 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT (“Dóminus secus mare”) is somewhat rare because it comes from the New Testament. The authentic version in Latin—of astounding antiquity—was jettisoned in 1955 but restored in 1970. This rehearsal video has me attempting to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it because it has extremely ‘happy’ harmonies.
    —Jeff Ostrowski
    “Lamb of God” (Musical Setting)
    The MASS OF SAINT ANNE LINE has been quite popular ever since ROMAN MISSAL Third Edition was released circa 2011. You can now download the musical score (PDF) for this setting, placed into five (5) different keys; i.e. “pitch levels” that are high and low. This makes it possible to adjust based upon who’s singing at which time of day.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“Every experienced choirmaster’s work is founded on the following three axioms: (1) Few boys have a really good natural voice; (2) No boy is able to control his voice and produce good tone without training; (3) Most boys have a good ear, and considerable imitative capacity. It is on the last of these axioms that the choirmaster must begin his work.”

— Sir Richard Runciman Terry (1912)

Recent Posts

  • Active Participation • “Participatio Actuosa”
  • “Holy Name Hymn” (2-Voice Arrangement)
  • PDF Download • Introit (3rd Sn. Ord.)
  • “New Hope For Sacred Music!” • Richard J. Clark Interviews Dr. Myrna Keough
  • Fulton J. Sheen • “24-Hour Catechism”

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