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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for July 2024

Veronica Moreno · July 20, 2024

720,000 Views … and Counting!

In last Friday’s Eucharistic Conference, Corrinne May underscored that Silence is an integral and essential part in the Holy Sacrifice of the Mass.

Fr. David Friel · July 20, 2024

Society for Catholic Liturgy Conference 2024

Hosted in Houston, this conference will explore “Liturgy and the Human Imagination.”

Jeff Ostrowski · July 19, 2024

PDF Download • “Plainsong Propers” (1964) — Extremely Rare!

English Gregorian Chant by the Sisters of the Most Precious Blood (O’Fallon, Missouri)

Corpus Christi Watershed · July 16, 2024

PDF Download • “Discomforts Of Transition”

We’d be grateful if a reader could determine the precise year this bizarre pamphlet appeared.

Jeff Ostrowski · July 16, 2024

“Soul of my Savior” arranged for 3 voices

Many readers watched this video, which was a iPhone recording from last Sunday of three young women singing “Soul of my Savior” arranged for three equal voices by Miss Helen Drost. People have been asking where they can get the musical score. Please know it can be instantly downloaded by clicking here.

Jeff Ostrowski · July 15, 2024

What Can You Do With Three Voices?

Some spend their days giving “hot takes” online—but others build the kingdom of God.

Jeff Ostrowski · July 13, 2024

Musical Plan (English) for 14 July 2024

I’m not sure whether anyone wants to peruse my musical outline for tomorrow—which is Sunday, 14 July 2024 (15th Sunday in Ordinary Time, Year B)—but if you would like to, you can download this PDF document (2 pages). I’ve only been at this job less than two weeks—after spending ten years in Los Angeles—so I […]

Jeff Ostrowski · July 11, 2024

Introit • “15th Sunday in Ordinary Time”

Mr. Ostrowski shares a ‘quick thought’ regarding the topic of the sacred liturgy.

Jeff Ostrowski · July 11, 2024

Reminder!

Sometimes men—usually not women—brag publicly about how much money they make. It’s important to remember that everything (everything) comes from God, and we’ll be held responsible for every cent. Anything we currently possess is only thanks to God, Who gave us our bodies, minds, health, energy … indeed, our very existence. Only a foolish and […]

Dr. Lucas Tappan · July 10, 2024

Five Reflections • “The ‘Church’ of My Youth Was Coming to an End”

When the Lord finally calls me home, I have no plans to trip over “eagle’s wings” on my way to the cemetery.

Jeff Ostrowski · July 9, 2024

PDF • “Gregorian Missal” (712 Pages)

Several readers have requested the URL link to download the GREGORIAN MISSAL (Solesmes Abbey, 1989) in PDF format. All you have to do is click here. The book was professionally scanned and made available online by the Church Music Association of America on 21 January 2009.

Jeff Ostrowski · July 9, 2024

Live Recording • “Entrance Chant” (14th Sunday in Ordinary Time, Year B)

In the 1970s, some musicians felt that annihilating the Mass propers would lead to “freedom”—but the opposite was true.

Jeff Ostrowski · July 7, 2024

PDF Download • {English Mass} This Sunday

Those who wish to do so may download the Order of Music I’m using for the 14th Sunday in Ordinary Time, Year B (English Masses). Including plainsong in English, wonderful hymns, settings of the Ordinary in both Latin & English, and even a motet by Kevin Allen.

Matthew Frederes · July 6, 2024

Bidding Starts in 4 Days on these Catholic treasures!

Christie’s Valuable Books and Manuscripts auction on July 10 will be offering a selection of important Catholic medieval and renaissance manuscripts for sale.

Jeff Ostrowski · July 6, 2024

PDF • “14th Sunday in Ordinary Time”

This Sunday I begin service at my new church in Michigan. If you’re curious about the musical lineup for the Spanish Mass, feel free to download the Order of Music I created for the 14th Sunday in Ordinary Time, Year B. I tried to be sensitive to what the parish was doing before my arrival […]

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Corpus Christi Watershed

President’s Corner

    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski
    Jeff’s Mother Joins Our Fundraiser
    To assist our fundraiser, Mrs. Kathleen Ostrowski has drawn several beautiful sketches which she offers to all our readers free of charge. If you have a moment, I invite you download them at this link.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

Using the shoddiest, sleaziest material we have for the purpose of glorifying God is not very sound theology or even very good common sense. […] (In general, when you see a diminished seventh chord in a hymn, run.) And these chords are usually used in bad hymns in precisely the same order in which they occur in “Sweet Adeline.”

— Paul Hume (1956)

Recent Posts

  • PDF Comparison Chart • “Serious Problems with the Lectionary Translation”
  • “Music List” • 17th in Ordinary Time (Year C)
  • Flor Peeters In A Weird Mood?
  • Communion • “Ask & You Shall Receive”
  • Jeff’s Mother Joins Our Fundraiser

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