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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for February 2024

Jeff Ostrowski · February 29, 2024

Relics of Father Brébeuf Touring the United States!

“They are the relics of the love of God which alone triumphs in the death of martyrs,” exclaimed Father Ragueneau.

Jeff Ostrowski · February 28, 2024

“Palestrina500” • Sacred Heart Parish (Michigan)

Jean Calvin (d. 1564) famously detested sacred music. Ironically, Jonathan Bading—a convert from Calvinism!—has become one of the Church’s “leading lights” when it comes to authentic church music.

Jeff Ostrowski · February 28, 2024

PDF Download • “Two-Voice Polyphony For Lent”

Found in a special choral collection by Maria von Trapp.

Keven Smith · February 20, 2024

Choir Doesn’t Sound “Musical” Enough? Here’s What May Be MiSSSing

How a simple technique called “SSS” can bring out the elegance of any phrase.

Follow the Discussion on Facebook

Jeff Ostrowski · February 16, 2024

PDF Download • “For the Season of Lent” (SATB)

It even sounds great with four (4) singers: Soprano, Alto, Tenor, and Bass!

Jeff Ostrowski · February 15, 2024

Offered in a Spirit of Dialogue

Pope Francis said famously: “To dialogue entails a cordial reception, not a prior condemnation.” The following brief utterances of mine are offered in that spirit. Pope Saint Pius X called the sacred liturgy “the primary and indispensable source of the true Christian spirit.” If the reformers had told the fathers of Vatican II they desired […]

Jeff Ostrowski · February 15, 2024

Josquin Des Prez Was A Vandal • (Not Kidding)

Also included: the day my life changed forever.

Jeff Ostrowski · February 14, 2024

Polyphony For Three Voices!

Writing excellent music is easier in four voices than three. We often sing from MATRI DIVINAE GRATIAE, a 3-voice collection by Kevin Allen for Soprano, Alto, and Bass. Someone made a recording of my volunteer choir singing “Si Ambulávero” (from that collection). This “raw recording” starts toward the end of the psalm tone then launches […]

Corpus Christi Watershed · February 13, 2024

PDF Download • “Jesuit Martyrs of North America” (Stained Glass Window) — High Resolution

From “American Martyrs Catholic Church” in Manhattan Beach, California.

Jeff Ostrowski · February 13, 2024

“Ite, Missa Est” • What Does That Actually Mean?

Bishop Ambo’s assertion that Mass was attended—for centuries—by a single woman (and nobody else) is bizarre.

Jeff Ostrowski · February 10, 2024

PDF Download • “Chant Chart”

A thoughtful priest from another country wrote me a magnificent message praising a PDF comparison chart I recently posted. It deals with “staffless” CARMEN GREGORIANUM (Gregorian Chant). Download it for free by scrolling to the bottom of this article. Of course, I hope you will read the article instead of just scrolling past it.

Jeff Ostrowski · February 10, 2024

Must We “Love” All Gregorian Chant?

Where “Parce Dómine” (the famous song for Lent) came from.

Guest Author · February 8, 2024

Father Robbie Low: “The State of Catholic Music”

“Music has an immense part to play in this perception of the divine reality and the heavenward leanings of the soul.” —Fr Robbie Low

Jeff Ostrowski · February 7, 2024

“Somber Song!” • Sexagesima Sunday

As we approach the holy season of Lent, the prayers and readings become more lengthy. When we arrive at Easter, the prayers and readings will become extremely brief. As we get closer to Lent, some of the music becomes quite somber. I can’t think of a more somber piece than the INTROIT for Sexagesima Sunday. […]

Jeff Ostrowski · February 6, 2024

“Reader Feedback” • 6 February 2024

The word 𝒍𝒂𝒕𝒆 can mean “not punctual” or “dead.”

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Corpus Christi Watershed

President’s Corner

    “Simplified” Keyboard Accompaniment (PDF)
    I’d much rather hear an organist play a simplified version correctly than listen to wrong notes. I invite you to download this simplified organ accompaniment for hymn #729 in the Father Brébeuf Hymnal. The hymn is “O Jesus Christ, Remember.” I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 1,900 times in a matter of hours—so there seems to be interest in such a project. For the record, this famous text by Oratorian priest, Father Edward Caswall (d. 1878) is often married to AURELIA, as it is in the Brébeuf Hymnal.
    —Jeff Ostrowski
    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski
    Father Cuthbert Lattey • “The Hebrew MSS”
    Father Cuthbert Lattey (d. 1954) wrote: “In a large number of cases the ancient Christian versions and some other ancient sources seem to have been based upon a better Hebrew text than that adopted by the rabbis for official use and alone suffered to survive. Sometimes, too, the cognate languages suggest a suitable meaning for which there is little or no support in the comparatively small amount of ancient Hebrew that has survived. The evidence of the metre is also at times so clear as of itself to furnish a strong argument; often it is confirmed by some other considerations. […] The Jewish copyists and their directors, however, seem to have lost the tradition of the metre at an early date, and the meticulous care of the rabbis in preserving their own official and traditional text (the ‘massoretic’ text) came too late, when the mischief had already been done.” • Msgr. Knox adds: “It seems the safest principle to follow the Latin—after all, St. Jerome will sometimes have had a better text than the Massoretes—except on the rare occasions when there is no sense to be extracted from the Vulgate at all.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“The sacrificial death of Jesus Christ the High Priest on Calvary is and will remain the basis for the active participation of the faithful in the liturgy. Membership in the Church, which is brought about by valid baptism, makes one a part of the Mystical Body of Christ, THE PRIEST, to whose priesthood one is interiorly conformed through the baptismal character.”

— “Divini Cultus Studium” (Dr. Robert A. Skeris, 1990)

Recent Posts

  • PDF Download • “Pope Pius XII Psalter” — English, Latin, and Commentary (532 pages)
  • “Simplified” Keyboard Accompaniment (PDF)
  • ‘Bogey’ of the Half-Educated: Paraphrase
  • Father Cuthbert Lattey • “The Hebrew MSS”
  • Re: The People’s Mass Book (1974)

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