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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for September 2023

Jeff Ostrowski · September 30, 2023

[Quiz] • “Do You Know Your Hymns?”

In case you missed it, many readers have enjoyed taking this little Quiz On Hymns. In the context of that article, I included a sensational quote about the Holy Mass by Monsignor Ronald Knox. Moreover, I talk about how Abraham Lincoln’s mother died, as well as a fabulous Eucharistic hymn by the Archbishop of Canterbury.

Jeff Ostrowski · September 30, 2023

Eight (8) Responsorial Psalm Options • On turning Missalettes into little “gods”

They have embraced a certain opinion about matters and will never change—not even on their deathbed.

Patrick Williams · September 28, 2023

Gregorian Rhythm Wars • “Nuances of Nuances” (28 Sep 2023)

“Reading deliberate ‘nuances’ into normal variations in handwriting is a solution in search of a problem.” —Patrick Williams

Jeff Ostrowski · September 28, 2023

William Byrd • Simple “Agnus Dei” Canon

Time flies! Back in July, I posted a PDF setting of a perfect canon by William Byrd (d. 1623) arranged as an AGNUS DEI for three voices. Last Sunday, we sang that arrangement with our volunteer choir. To hear a ‘live’ recording of it, click here (Mp3). In my humble opinion, this would be a perfect […]

Patrick Williams · September 28, 2023

Active Participation or Not?

“Somehow, an amplified soloist drowning out everyone else is deemed ‘active participation,’ but a choir of thirty voices singing polyphony is not.” —Patrick Williams

Jeff Ostrowski · September 27, 2023

(Not Kidding) • Does Singing for Mass Fulfill One’s Obligation to Attend Mass?

Jeff Ostrowski provides five (5) responses to an assertion made by a priest.

Dr. Charles Weaver · September 27, 2023

A Brief Addendum

In praise of the Cardine approach to chanting, with some further thoughts on pluralism and correctness in performance practice.

Jeff Ostrowski · September 26, 2023

PDF Download • All Seven (7) Movements: “Mass in Honor of Saint Noël Chabanel”

My Mass setting for the Ordinary Form involves your Congregation, your Cantrix, and your Choir.

Corpus Christi Watershed · September 25, 2023

Composer Kevin Allen in Europe!

Can anybody tell where Mæstro Allen is?

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Jeff Ostrowski · September 25, 2023

“Slander!” • (Response to an Accusation We Received)

“Please don’t get cocky and think of your methods as somehow innately superior or universally and inarguably superior in their benefits.” —Email from a Reader

Dr. Charles Weaver · September 24, 2023

Some Questions Answered

Some very quick answers to questions posed by Patrick Williams.

Patrick Williams · September 24, 2023

Concerning Alterations to the Vatican Edition

“I cannot imagine any justification for making such an alteration and still claiming that one’s edition corresponds to the Vaticana.” —Patrick Williams

Daniel Tucker · September 23, 2023

Introducing the CRCCM Repertoire Project

“Here is offered choral music recommendations for all Sundays and major liturgical occasions of the church year, including selected Ritual Masses. The repertoire is submitted by CRCCM members and is offered to all musicians of liturgical churches throughout the world.”

Jeff Ostrowski · September 23, 2023

“Everybody Loves Raymond” Actress Responds to Cardinal Dolan

“The ‘Lamb of God’ can reach the length of a baseball game.” —Cardinal Dolan

Dr. Alfred Calabrese · September 23, 2023

PDF Download • “Kyrie for the Ordinary Form in Honor of Saint Thomas More”

A month of William Byrd … in Dallas, Texas!

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President’s Corner

    “Music List” • 29th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 19 October 2025, which is the 29th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Liturgical Round (“Canon”) in C-Major
    Those who direct children’s choirs are always on the lookout for repertoire that’s dignified, inspired, and pleasing—yet still within reach of young choristers. Such directors will want to investigate this haunting liturgical round (PDF download) which has been married to the KYRIE from Mass VI (EDITIO VATICANA). I have provided an accompaniment, but it’s only for use during rehearsal; i.e. when teaching this round to your choristers. I also provided an organ accompaniment for the KYRIE—which some know by its trope (Kyrie Rex Genitor)—so that your congregation can take part when this round is used as a choral extension during Mass.
    —Jeff Ostrowski
    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“Gerard Manley Hopkins once argued that most people drank more liquids than they really needed and bet that he could go without drinking for a week. He persisted until his tongue was black and he collapsed at drill.”

— A biography of Fr. Gerard M. Hopkins (d. 1889)

Recent Posts

  • A Simple Way to Sing and Notate Organum Harmony
  • Feast of the Jesuit Martyrs of North America
  • “Music List” • 29th in Ordinary Time (Year C)
  • Fulton J. Sheen + this Sunday’s “Entrance Chant”
  • Children’s Repertoire • Three More Recommendations by Keven Smith

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