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Corpus Christi Watershed

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Views from the Choir Loft

Archives for August 2023

Jeff Ostrowski · August 30, 2023

“Momentous Release!” • Freakishly Rare Gradual & Vesperal Published by Pothier’s Protégé (1,638 pages!)

He screamed into the telephone: “There’s no such thing as Gregorian Chant!”

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Jeff Ostrowski · August 29, 2023

PDF Download • “Alleluia Verse before Gospel” • (Mass in honor of Saint Noël Chabanel)

Instead, Saint Francis knelt down and kissed the priest’s hands…

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Daniel Tucker · August 27, 2023

In Festo Sancte Augustine

“In the psalms and hymns used in your prayers to God, let that be pondered in the heart which is uttered by the voice; chant nothing but what you find prescribed to be chanted; whatever is not so prescribed is not to be chanted.”

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Jeff Ostrowski · August 27, 2023

27 August 2023 • Nine Merry Men!

Half a decade has passed since nine (9) colleagues from Corpus Christi Watershed contributed texts, melodies, and harmonizations to a special hymn book in honor of North America’s patron saint, Father John Brébeuf. The website promoting it was massively overdue for a facelift. As of a few minutes ago, I can report that it’s been […]

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Jeff Ostrowski · August 24, 2023

24 August 2023 • FEEDBACK

From a female choirmaster: “Thank you for your recent article, Jeff. We here in _____ absolutely love our Brébeuf hymnals! They have saved my life as a choir director! ☺️ The ease with which my choir members plunge into a new hymn using the ‘common melodies technique’ is so wonderful. You can see the relief on […]

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Jeff Ostrowski · August 24, 2023

Natalia’s Message • “Hymn Verses Written Out!”

The cruelest thing you can do to anyone is…

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Jeff Ostrowski · August 23, 2023

PDF Download • Saint Noël Chabanel Mass Setting (“Kýrie Eléison”) for the Ordinary Form

We must remember the lesson of the rock.

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Jeff Ostrowski · August 22, 2023

PDF Download • “Our Father” (SATB Version)

Today, I release another movement of the “Saint Noël Chabanel Mass Setting” (for use in the Ordinary Form).

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Jeff Ostrowski · August 18, 2023

PDF Download • Saint Noël Chabanel Mass Setting (“Holy, Holy, Holy”) for the Ordinary Form

As if the canonic sections were insufficiently stupendous, the composer works in stepwise ascending lines juxtaposed with lines in augmentation.

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Keven Smith · August 18, 2023

Give Them Permission to Be Awesome

The case for offering private lessons to your singers. (Part 1 of 2.)

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Richard J. Clark · August 18, 2023

Father Morales’ Astonishing “Ave Maris Stella” Gloria

Including a recording from Sacred Music Symposium 2023.

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Jeff Ostrowski · August 17, 2023

“OCP” (Oregon Catholic Press) Forbids Organ Improvisation! • Screenshot Provided

The hubris on the part of OCP is breathtaking.

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Jeff Ostrowski · August 17, 2023

Why Did You Become a Church Musician?

Including two (2) haunting and powerful Eucharistic hymns.

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Jeff Ostrowski · August 14, 2023

“Did One Man Single-Handedly Sabotage the Gregorian Restoration?” • (Part 1 of 2)

Including a scanned copy of a rare “Graduale” (Pustet, 1911) released a few minutes ago—for the first time in history!

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Jeff Ostrowski · August 11, 2023

PDF Download • Saint Noël Chabanel Mass Setting (“Lamb of God”) for the Ordinary Form

Today, we release the congregational “Lamb of God” with SATB polyphonic extension.

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Corpus Christi Watershed

President’s Corner

    SLANE • “Simplified” Keyboard Arr.

    Do you know ‘SLANE’ the hymn tune?

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    —Jeff Ostrowski
    Insane Baroque-Era Dissonance!
    The sumptuous melody called “JESU LEIDEN PEIN UND TOD” appears no fewer than three times in the Brébeuf Catholic Hymnal and is harmonized with standard Common Practice Era SATB voice leading and harmonies (which is only natural). However, one who takes the time to examine what Sebastian Bach did with that tune will encounter an incredibly dissonant sound. As far as I’m concerned, there is no more dissonant sound—in the entire Baroque era—than what I highlighted in yellow on that excerpt. Please let me know if you disagree.
    —Jeff Ostrowski
    “Reminder” — Month of July (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). Since we were founded in 2006, not one of our board members has ever accepted any remuneration whatsoever—not a penny. We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed
    Time and Again We Are Asked…
    John Baptist Singenberger (d. 1924) was a central figure of Catholic Church music. In this utterly fascinating excerpt (Single-Page PDF), Singenberger writes: Time and again we are asked: “Is the Gregorian chant to be accompanied by the organ?” As a young student in Saint Gall, Singenberger befriended SEBASTIAN GEBHARD MESSMER, the future Archbishop of Milwaukee (Wisconsin). The two graduated together in 1861. The school they attended (Saint George’s Seminary) was a “seminary”—but in the older European sense. In other words, it provided a classical education without necessarily leading to ordination. Singenberger remained a layman his whole life, but Messmer was eventually made archbishop—by Pope Saint Pius X—of the very archdiocese in Wisconsin where Singenberger would spend his American career, giving him a powerful ecclesiastical ally.
    —Jeff Ostrowski

Random Quote

“The priest coming nearer to the faithful; communicating with them; praying and singing with them and therefore standing at the pulpit; saying the COLLECT, the EPISTLE, and the GOSPEL in their language; the priest singing in the divine traditional melodies—the Kyrie, the Gloria, the Credo—with the faithful: these are so many good reforms that give back to that part of the Mass its true finality.”

— Archbishop Marcel Lefebvre (1965) praising vernacular readings at Mass

Recent Posts

  • SLANE • “Simplified” Keyboard Arr.
  • “Taking Over an Inner City School Choir” • Rebecca’s Story
  • Insane Baroque-Era Dissonance!
  • Explanation of Gregorian Chant • “Using Words Mama Can Understand”
  • “Reminder” — Month of July (2026)

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Corpus Christi Watershed
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