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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“OCP” (Oregon Catholic Press) Forbids Organ Improvisation! • Screenshot Provided

Jeff Ostrowski · August 17, 2023

HAVE AN ENTIRE file in my drawer labelled “OCP.” I’m referring to OREGON CATHOLIC PRESS, originally known as “The Catholic Truth Society of Oregon.” This file contains a number of items from the last decade or so—items such as screenshots and letters—which chronicle behavior by the leaders of their organization which is reprehensible, dishonest, and (at least as far as I’m concerned) unforgivable. I have never felt called by God to release any of this information. I’m too busy with other tasks. Our organization attempts to provide positive solutions; we try to avoid dwelling on evil. However, this afternoon I was sent a message which almost tempts me to release some of my file. Who knows? Maybe someday I will.

No Organ Improvisation? • Just because something is legal, that doesn’t make it morally permissible. Indeed, the United States of America has legalized many acts which are (objectively speaking) gravely sinful. Contrariwise, just because something is illegal doesn’t necessarily mean it’s morally wrong. For example, the current laws of copyright in the United States—depending on certain factors too complicated to explain in this blog article—have the result that a short melody could be legally “under copyright” for something like 150 years. That’s what the law says, but such a law is immoral. Moreover, it’s unenforceable. Indeed, such a notion is a farce, and has nothing to do with what copyright was originally supposed to protect (for a reasonable period of time).

Forbidding Organ Improvisation? • Can you imagine a publishing company attempting to intrude into individual churches to prevent the organist from improvising on melodies during Mass? Believe it or not, OREGON CATHOLIC PRESS recently did precisely that:

*  SCREENSHOT • (OCP forbids organ improvisation)

Here’s a transcript of the message from OCP, dated 17 August 2023:

Hello, thank you for speaking with me today. To go over the copyright laws (when it comes to improvisation in the church) you are not allowed to change the melody without our approval. You will need to submit a copy of the music changes to OCP. I will have my editor review and accept the changes. You can submit a copy to my email. For improvisation, you can change keys or adapt the original melody, but you are not allowed to change the melody without our approval first. You can submit the live-streaming usage under your One License podcast/streaming license. Please feel free to contact me if you have any other questions.

OCP Takes My Breath Away • The hubris on the part of OCP is breathtaking. Perhaps they’re trying to take advantage of the fact that many musicians are ignorant about copyright laws. Indeed, certain internet forums and blogs spew forth disinformation on a daily basis about copyright—and such authors have much to answer for. Being ignorant about certain laws is one thing. Logging on to the internet and leading people into error is something else entirely.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: OCP Forbids Organ Improvisation, Oregon Catholic Press Last Updated: August 17, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

In the Orthodox Churches they have kept that pristine liturgy, so beautiful. We have lost a bit the sense of adoration. They keep, they praise God, they adore God, they sing, time doesn’t count. God is the center, and this is a richness …

— Pope Francis (8/2/2013)

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