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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Dates Revealed” • 2023 Sacred Music Symposium

Corpus Christi Watershed · October 26, 2022

O YOU SING AT CHURCH? Do you direct a choir? Do you believe the liturgy should be set apart (holy) and beautiful? If you said “yes” to any of these questions, we urge you to consider attending the SACRED MUSIC SYMPOSIUM! If you attend Mass in either form—Ordinary or Extraordinary—you won’t want to miss it. This annual event is considered the church music conference par excellence when it comes to Catholic musicians “in the trenches.” The next Sacred Music Symposium will take place from 19 June (Monday) through 23 June (Friday) in 2023. Please mark your calendars!

Summary • A brief film explains our conference:

Direct URL to the promo video.

2023 Location • In 2023, the conference will be held in the diocese of Orange at Saint John the Baptist parish—just 9 minutes from John Wayne Airport. The parish is located in a gorgeous neighborhood; it has a booming Catholic school; it has plenty of parking; it has a spacious hall; its campus is enchanting; its church is large and beautiful. Regarding this location, please read a personal testimony from the president of Corpus Christi Watershed.

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How To Apply? • Please keep an eye on the Views from the Choir Loft blog. Early in 2023 an announcement will appear on that blog letting you know it’s time to submit your application. (No applications will be accepted during 2022.) Do not make any travel plans until you receive your unique “confirmation number” letting you know your application was approved. Space is limited. It usually takes less than a week to know whether your application has been accepted by the committee—but those who have never participated will receive a personal “welcome” phone call in order to answer any questions you have.

From the 2022 Symposium:

*  PDF Download • 2022 Poster
*  Article • “By day 4, tears were running down my face.”
*  Article • Review (Music Director for the Diocese of Marquette)
*  Article • “I Flew 8,700 Miles From Singapore To Take Part.”
*  Article • “I’ll be back next year … but with my entire choir!”
*  NY Letter • “It was tremendously encouraging”
*  Article • Harrison Hoge • “My Personal Testimony”
*  Article • Isabella Marie • “My Personal Testimony”
*  Article • Eric L. • “From A Recent Convert”
*  Article • Helen Tsang • “The Memory Will Stay With Me Forever.”
*  PDF Download • 2022 Royal Charter
*  PDF Download • Booklet (262 pages)
*  REPERTOIRE PAGE • with Rehearsal Videos
*  81 Photographs • From Symposium 2022
*  Article • “I Found Myself Weeping, Almost In Disbelief…”
*  Daily Schedule 2022 • Updated: 14 June 2022

From the 2019 Symposium:

The theme in 2019 was “Hymnody and your volunteer choir.” Participants learned clever ways Catholic hymns can be sung during the sacred liturgy, as well as different compositional techniques for hymns. Participants sang for the first Mass of a newly-ordained FSSP priest, which took place on Thursday Evening (27 June 2019) at 7:00PM in the historic MISSION SAN FERNANDO. The setting was Palestrina’s Missa Jam Christus, which is based on a famous hymn tune. The “Agnus Dei” was the exquisite Mille Regretz (6-voice) by Fr. Cristóbal de Morales. Participants also sang for Solemn Vespers, including a polyphonic setting of the MAGNIFICAT by Francisco Guerrero. You can view the daily schedule from 2019. You can also read an article about Sacred Music Symposium 2019 printed in the National Catholic Register.

*  PDF Download • 2019 Poster
*  PDF Download • Testimonials from 2019
*  YouTube Videos • “Candid Videos” from 2019
M 2019 Promotional Video

From the 2018 Symposium:

*  PDF Download • 2018 Poster
*  Internet Article • By Miss Phoebe Wing
*  YouTube • Dr. Buchholz—“Agnus Dei”
*  PDF Download • Testimonials from 2018

From the 2017 Symposium:

*  PDF Download • 2017 Poster
*  PDF Download • Testimonials from 2017
*  Internet Article • 2017 Sacred Music Symposium
*  YouTube Video • “iPhone Snippets”

From the 2016 Symposium:

*  PDF Download • 2016 Poster
*  PDF Download • Testimonials from 2016
*  YouTube Video • “The 2016 Symposium”

Testimonials :

A happy participant from Colorado wrote: The absolute best part of the entire Symposium for me, however, was the glorious Solemn Mass on the last day. The “proof” was right there—the liturgy done properly and beautifully is the ultimate catechesis for me. The reverence of the clergy and the music and the clear emphasis on the Eucharist as “source and summit” brought me to tears many times in that Mass (I confess, I was not able to sing the “Agnus Dei” through my tears, even though it was one of my favorite pieces!) I am now convinced that it is vital to restore sacred music and proper liturgical practice, particularly in the Ordinary Form, in which I work. I was already receiving that direction from prayer, my pastor, and my research, but now I have a new fire underneath me. I feel renewed and ready to do my part!

A happy participant from the Philippines wrote: Today, I just got back from a full five-day symposium on Sacred music, inspired by conversations with fantastic and very experienced conductors and composers Jeffrey Ostrowski, Dr. Kevin Allen, and Dr. Horst Buchholz, to what I can say was the most incredibly musical immersion of my life. It was an experience that was uplifting and not condescending: a new direction for the next steps. It was witnessing commitment, love, dedication, and hard work put in Sacred Music. It was meeting people with the same mind: that Sacred Music is serious work and not a hobby. It also shows that it is worthwhile “complicating” our lives for God. Thank you Andrea and Jeff for making this possible with all of your help. Thank you Corpus Christi Watershed. Now it’s time to get that music moving!

A happy participant from Los Angeles wrote: What an amazing and unforgettable experience the 2018 Sacred Music Symposium was! I was able to participate in singing the most beautiful sacred music with many other wonderful Catholics from around the world; a rare opportunity for me. The conferences provided many helpful tips and ideas for both choir directors and choir members. I came home in high spirits and motivated to continue doing my work as a voluntary choir director. I look forward to attending the next Sacred Music Symposium. It is too awesome an opportunity to miss. Thank you to all of you who helped coordinate this wonderful event and may God bless you!

A happy participant from New Hampshire wrote: It was the most wonderful experience I have had in a long time, for it both introduced me to knowledge which I could not otherwise easily acquire, and also connected me with the most wonderful people who brought a taste of the strength of the medieval musical school to the present day. I will be processing it for a long time, and hope that I will be able to retain even a fraction of the experience.

A happy participant from Las Vegas wrote: I’m back from an absolutely wonderful week of Sacred Music with Corpus Christi Watershed and Los Angeles FSSP. It was so great to be able to learn so much ancient and new music that is part of the history of our Catholic Faith. I learned so much about music theory, chant, and technique. Even though I feel like I don’t know very much, it has inspired me to learn more! What’s more, I got to meet so many amazing and wonderful young people who are dedicated to their faith! It was a pleasure to meet them and talk about all sorts of things from Latin, to Theology, to the Mass, to school, to vocations, and even goats! God bless you all and I look forward to next year’s Sacred Music Symposium! I will be forever grateful to Mr. Ostrowski, Mr. Allen, Dr. Buchholz, Fr. Popplewell, and all the organizers of the Sacred Music Symposium for the knowledge, experience, and help they have given me. Thank you also to Fr. James and Fr. Ken Fryar, all the FSSP Seminarians, and the altar boys. If you enjoy singing Catholic music, conducting, or composing music, I highly suggest you attend next year’s Sacred Music Symposium! You will have an experience never to be forgotten!!!

A happy participant from Charlottesville wrote: What a symposium! I had high hopes for the quality of the music and lectures, but even those expectations were exceeded. I don’t even know where to begin… The lectures were incredibly packed with information and helpful for the choir director trying to navigate his music program to greatness, which is what Our Lord deserves. What I really appreciated was the wide diversity of topics, ranging from the theoretical to the practical, from the academic to the “real world” problems encountered in music ministry. The lecturers were engaging—and all brought their own unique contributions to the table—providing us with a rich feast of information to digest at the conference and beyond. My favorite topics were the children choir lectures, the music theory sections, and the repertoire portions. I am also grateful for the spiritual renewal it brought about. I had fallen into a slump with regards to music ministry because I lacked direction and faced some discouraging obstacles. Having tasted beauty itself in the elegant duet of silence and music at the Masses and the solemn Vespers, I left with a sense of peace and a burning desire to steer the liturgy towards contemplation once again. I rediscovered an old love thanks to all the efforts and prayers associated with the symposium. God bless you for this precious gift!

A happy participant from Arizona wrote: I have been blessed to attend the Sacred Music symposium for the past three years. Listening and singing with the many young people who attend is a privilege and tells me that there is hope for retaining this precious gift of sacred music. We can be assured that our valuable Catholic treasury of music and art will be preserved and in time brought into the Ordinary form with their expertise. These young people have been singing & learning solfege, conducting, learning to play organ, forming small choral groups and teaching others. All have amassed an incredible wealth of good solid repertoire. I applaud our sponsor FSSP and organizer Jeff Ostrowski for continuing their mission to bring sacred music to the forefront, to educate us on what is truly sacred and why.

A happy participant from the Dominican Republic wrote: My experience with the Symposium was far beyond of what I could imagine, the night I saw the event article on the CCW site, I did not think twice and sent an e-mail to apply, even though I live far away from the location it was going to take place, I knew that somehow I would have to be part of this. Talking with Andrea during the process of application, answering doubts, solving the dormitory made things so much easier and took a great weight off my shoulders in adventuring into the unknown. The first day I was greatly impressed at the number of young people dedicated on bringing the sacred back to our liturgies, how hardworking they were as if their lives depended on it—talent isn’t enough!—these hardworking young people have a clear sight in mind, be apostles of the church through their voices. The hospitality of the faculty mixed with the spiritual bond that united us made this Symposium something I will never forget. Beginning the day with a Low Mass in an improvised classroom chapel made me realize how the Mass even when is stripped to a bare minimum and more importantly celebrated devoutly can bring such many graces to the ones who are hearing the priest’s prayers, the different classes and talks during the week had so many information packed in that my brain felt it was going to explode, probably sounding like one of Victoria’s Masses, learned so much by watching the conductors mold and perfect to the littlest details of a piece to bring forth a magnificent sound worthy of, keeping the distance, the choir of angels who sing to the Lord a new song according to their virtues infused in their nature, just as that, every participant, being entirely different from the other united their virtues and offered to the Lord this unity made possible by the consuming fire of the Holy Spirit in which we, the Mystical Body of Christ sing in “una voce”. Every day, finishing with sung vespers was something I could not wait to show others, the way the psalms were resonating the spirit being felt during the event, the different antiphons with completely different meanings from one to the other made sense as a whole, perfected our work during the day by the offering of the Church’s praise. At the end of the week, during the extravaganza and subsequently the Mass, everything clicked, the hard work during the week made sense, the 4 daily cups of coffee finally made their effect…the things we were so nervous about, waiting anxiously for it to come, was here, and, Oh man, thanks God that made me wait so long, because I would not realize the meaning and purpose of sacred music viewed in the context of Church’s history and especially the Mass. Everything flowed, we were one in Christ that whole week and I give thanks to the Lord for allowing me to have this amazing experience, my prayers goes to everyone involved in this event, to the carmélites who hosted it in their school, and the FSSP for sponsoring it! Thank you Jeff, Kevin, Horst, Andrea, Fr. Popplewell and everyone involved in this, may God give you many graces to keep up the good work.

A happy participant from Honolulu, Hawaii wrote: When I decided to attend the Sacred Music Symposium, I was seeking an answer—a prayer of hope to rekindle the flame of love and affirm my decision in music ministry. Jeff Ostrowski is genuine and touched my heart. His talks grasped the real struggles and frustrations the church musician endures and provided a treasure of tips and knowledge to cope with the challenges. It was an affirmation and consolation of hope that lifted the uncertainty from my heart, and I found the answer I was seeking: Sing, Sing, Sing!!! But nothing could have prepared me for the grandeur of singing a Mass by Francisco Guerrero under the helms of Dr. Calabrese and Dr. Buchholz because they made it so simple and yet extraordinarily magnificent as they steered the choir with poignant understanding of breathing techniques, pronunciation, and total surrender from the heart. Dr. Buchholtz and Meaghan King’s superb organ playing finally ignited the flame. Watching them play and listening to the pipe organ was absolutely magnificent. Thank you for allowing me to sing among the stars to honor the Mother of God on her Feast of the Queenship of Mary. And may God continue to bless ccwatershed—a wonderful apostolate.

A happy participant from Santa Clara wrote: The Symposium was wonderful. I have attended similar programs in the past, but what set this experience apart was that the Faith was at its center. Being surrounded by like-minded Catholics for five days was refreshing, and singing the most beautiful music in the world—with dozens of wonderful individuals who cherish the rich body of Tradition and meaning behind it—was truly lovely. It was like being in virtual heaven for the length of a work week.

Want to help us? Please email your friends this link:

ccwatershed.org/symposium

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Last Updated: October 26, 2022

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President’s Corner

    PDF Comparison Chart • “Serious Problems with the Lectionary Translation”
    EARS BEFORE truly revolutionary changes were introduced by the post-conciliar reformers, Evelyn Waugh wrote (on 16 August 1964) to John Cardinal Heenan: “I think that a vociferous minority has imposed itself on the hierarchy and made them believe that a popular demand existed where there was in fact not even a preference.” We ask the kind reader— indeed, we beg you—to realize that those of us born in the 1940s and 1950s had no cognizance of Roman activities during the 1960s and 1970s. We were concerned with making sure we had the day’s bus fare, graduating from high school, taking care of our siblings, learning a trade, getting a job, courting a spouse. We questioned neither the nuns nor the Church.1 Do not believe for one instant any of us were following the liturgical machinations of Cardinal Lercaro or Father Bugnini in real time. Setting The Stage • To never question or resist Church authorities is praiseworthy. On the other hand, when a scandalous situation persists for decades, it must be brought into focus. Our series will do precisely that as we discuss the Lectionary Scandal from a variety of angles. We don’t do this to attack the Catholic Church. Our goal is bringing to light what’s been going on, so it can be fixed once and for all. Our subject is extremely knotty and difficult to navigate. Its complexity helps explain why the situation has persisted for such a long time.2 But if we immediately get “into the weeds” we’ll lose our audience. Therefore, it seems better to jump right in. So today, we’ll explore the legality of selling these texts. A Word On Copyright • Suppose Susie modifies a paragraph by Edgar Allan Poe. That doesn’t mean ipso facto she can assert copyright on it. If Susie takes a picture of a Corvette and uses Photoshop to color the tires blue, that doesn’t mean she henceforth “owns” all Corvettes in America. But when it comes to Responsorial Psalm translations, certain parties have been asserting copyright over them, selling them for a profit, and bullying publishers vis-à-vis hymnals and missals. Increasingly, Catholics are asking whether these translations are truly under copyright—because they are identical (or substantially identical) to other translations.3 Example After Example • Our series will provide copious examples supporting our claims. Sometimes we’ll rely on the readership for assistance, because—as we’ve stressed—our subject’s history couldn’t be more convoluted. There are countless manuscripts (in Greek, Hebrew, and Latin) we don’t have access to, so it would be foolish for us to claim that our observations are somehow the ‘final word’ on anything. Nevertheless, we demand accountability. Catholics in the pews are the ones who paid for all this. We demand to know who specifically made these decisions (which impact every English-speaking Catholic) and why specifically certain decisions were made. The Responsorial Psalms used in America are—broadly speaking—stolen from the hard work of others. In particular, they borrowed heavily from Father Cuthbert Lattey’s 1939 PSALTER TRANSLATION:
    *  PDF Download • COMPARISON CHART —We thank the CCW staff for technical assistance with this graph.
    Analysis • Although certain parties have been selling (!!!) that translation for decades, the chart demonstrates it’s not a candidate for copyright since it “borrows” or “steals” or “rearranges” so much material from other translations, especially the 1939 translation by Father Cuthbert Lattey. What this means in layman’s terms is that individuals have been selling a translation under false pretenses, a translation they don’t own (although they claim to). To make RESTITUTION, all that money will have to be returned. A few years ago, the head of ICEL gave a public speech in which he said they give some of “their” profits to the poor. While almsgiving is a good thing, it cannot justify theft. Our Constant Theme • Our series will be held together by one thread, which will be repeated constantly: “Who was responsible?” Since 1970, the conduct of those who made a profit by selling these sacred texts has been repugnant. Favoritism was shown toward certain entities—and we will document that with written proof. It is absolutely essential going forward that the faithful be told who is making these decisions. Moreover, vague justifications can no longer be accepted. If we’re told they are “making the translations better,” we must demand to know what specifically they’re doing and what specific criteria they’re following. Stay Tuned • If you’re wondering whether we’ll address the forthcoming (allegedly) Lectionary and the so-called ABBEY PSALMS AND CANTICLES, have no fear. We’ll have much to say about both. Please stay tuned. We believe this will end up being the longest series of articles ever submitted to Corpus Christi Watershed. To be continued. ROBERT O’NEILL Former associate of Monsignor Francis “Frank” P. Schmitt at Boys Town in Nebraska JAMES ARNOLD Formerly associated w/ King’s College, Cambridge A convert to the Catholic Church, and distant relative of J. H. Arnold MARIA B. Currently serves as a musician in the Roman Catholic Diocese of Charlotte. Those aware of the situation in her diocese won’t be surprised she chose to withhold her last name.
    1 Even if we’d been able to obtain Roman journals such as NOTITIAE, none of them contained English translations. But such an idea would never have occurred to a high school student or a college student growing up in the 1960s. 2 A number of shell corporations claim to own the various biblical translations mandated for Roman Catholics. They’ve made millions of dollars selling (!) these indulgenced texts. If time permits, we hope to enumerate these various shell corporations and explain: which texts they claim to own; how much they bring in each year; who runs them; and so forth. It would also be good to explore the morality of selling these indulgenced texts for a profit. Furthermore, for the last fifty years these organizations have employed several tactics to manipulate and bully others. If time permits, we will expose those tactics (including written examples). Some of us—who have been working on this problem for three decades—have amassed written documentation we’ll be sharing that demonstrates behavior at best “shady” and at worst criminal. 3 Again, we are not yet examining the morality of selling (!) indulgenced texts to Catholics mandated to use those same translations.
    —Guest Author
    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“To speak the language of God’s beauty, we must first begin to listen. And to listen, we must have silence in our lives. I pray that God will open our eyes and ears to beauty, and help us use it in the service of the Truth.”

— Bishop James D. Conley (10/4/2013)

Recent Posts

  • PDF Comparison Chart • “Serious Problems with the Lectionary Translation”
  • “Music List” • 17th in Ordinary Time (Year C)
  • Flor Peeters In A Weird Mood?
  • Communion • “Ask & You Shall Receive”
  • Jeff’s Mother Joins Our Fundraiser

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