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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Symposium 2019 • “Video Outtakes”

Jeff Ostrowski · August 16, 2019

IKE EVERYONE ELSE, I have my own personal struggles: spiritual, physical, financial, and so forth. I have bad days, like everybody else. But something I like to call to mind—which gives me joy—is the very special “week.” When I refer to “the week,” I’m referencing the Sacred Music Symposium, which is a very happy week that occurs each year. During difficult moments, I often recall the beautiful memories, bringing a smile to my face. Regarding this year’s Symposium, I wish I could express in a particular way my thanks to Andrea, Kevin, Richard, and Alfred for what they did. I’ve tried to express my gratitude to them, but I doubt they know how very special it was—happy memories I shall never forget.

God-willing, we will eventually post the professional audio recordings, as well as the marvelous testimonials from the participants. I say “God-willing” because we can never know the future; today might be my last day on earth. Only the Lord knows.

Until we get the professional recordings posted,
please enjoy the iPhone snippets below!

Maestro Clark, who just travelled across the entire United States, steps off his plane and begins rehearsing a brand new “Ave Maria,” written specifically for the First Mass of Fr. Luc Poirier, FSSP:


Dr. Calabrese rehearsing the Magnificat by Guerrero, in spite of the bells ringing:


Maestro Clark rehearsing part of the Benedictus shortly before the First Mass of Fr. Luc Poirier:


Dr. Calabrese rehearsing what is probably my favorite part of the Palestrina Kyrie, viz. the “Christe” section:


Friends from Las Vegas preparing to teach a course on multi-track recordings:


Dr. Calabrese rehearsing part of the Palestrina Kyrie:


Maestro Clark rehearsing part of the Palestrina Benedictus:


The theme of this year’s conference was “Roman Catholic Hymnody,” and in this clip we sight-read a hymn text by Fr. Dominic Popplewell, FSSP. The pieces in the Brébeuf hymnal are “simple”—for the average choir—but profoundly rewarding to sing:


Alongside the Sacred Music Symposium, Fr. James Fryar, FSSP, always runs an altar server camp with help from FSSP seminarians:


The Symposium is a place where literally anything can happen. Here are two famous church musicians just walking around talking:


This is a short excerpt from Dr. Calabrese’s conducting clinics, which are very much in demand:


After a long day of classes, rehearsals, Mass, Solemn Vespers, and so forth, we always closed with a beautiful setting of a hymn by Cardinal Newman. The sheet music will be available soon:


The Sacred Music Symposium has become the preëminent conference on Church music the world over. I can’t think of any other sacred music conference that approaches what we do. I think we gained this reputation by avoiding the “trap” into which too many conferences fall. We give valuable instruction the people can take home with them; we don’t just sing the entire time. That being said, we do an awful lot of singing:


Here’s a clip of participants walking to the Chapel to rehearse:


During Sacred Music Symposium 2019, we sight-read tons of SATB hymns from the Brébeuf hymnal. Here is an example:


A few photographs. The final one, where I am with a young lady in a yellow (orange?) shirt, was taken the very first day of the Symposium:

82950 Sacred Music Symposium 82952 faculty 82953 Sacred Music Symposium 82954 Sacred Music Symposium 82955 Sacred Music Symposium 82956 Sacred Music Symposium 82957 Sacred Music Symposium 82598 Sacred Music Symposium 82982-beginning-day-POINTS
Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: March 17, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • Our Lady of Guadalupe (12 Dec.)
    The Responsorial Psalm may be downloaded as a PDF file (organist & vocalist) for 12 December, which is the Feast of Our Lady of Guadalupe. When it comes to the formulary for this Mass, it’s astounding how infrequently it’s included in official books. Prior to Vatican II, one had to search through “supplemental material” printed in the back of hand-missals and graduals. But since 1970, the feast is virtually nonexistent. According to the UNIVERSAL KALENDAR, 12 December is the “Feast of Saint Jane Frances De Chantal, Religious” (Die 12 decembris: S. Ioannæ Franciscæ de Chantal, religiosæ). Why should that feast overpower Our Lady of Guadalupe? In the United States, OLG is celebrated—and I’d assume in Mexico, Central America, South America, and Canada—but, as I said, the Propria Missae are virtually impossible to locate. I possess only three books which mention this feast.
    —Jeff Ostrowski
    Simplified Accompaniment (Advent Hymn)
    Many organists are forced to simultaneously serve as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult. I invite you to download this simplified organ accompaniment (PDF) which in the Father Brébeuf Hymnal is hymn #661: “Come, Thou Long-Expected Jesus” (for ADVENT). I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 2,900 times in a matter of hours—so there appears to be interest.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed
    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed

Random Quote

The 1960s reformers had no chance of success since their goal was “recasting from top to bottom—and in a few months!—an entire liturgy which had required twenty centuries to develop.”

— Professor Louis Bouyer, close friend of Pope Saint Paul VI

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  • PDF Download • “Santo Santo Santo”
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  • Soloists in Gregorian Chant?

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