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Corpus Christi Watershed

We’re a 501(c)3 public charity established in 2006. We have no endowment, no major donors, no savings, and run no advertisements. We exist solely by the generosity of small donors.

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Views from the Choir Loft

Archives for May 2022

Jeff Ostrowski · May 31, 2022

Kevin Allen • “What is Sacred Music?”

J. F. M. kindly made us aware of the following video clip, which features Kevin Allen.

Jeff Ostrowski · May 28, 2022

28 May 2022 • “Pristine” Vatican Rhythm

My choirs have been singing from the “pure” Editio Vaticana rhythm, which is (technically) the official rhythm of the Catholic Church. I haven’t quite decided how I want the scores to look yet, but this one I’ve produced for tomorrow, Dominica Post Ascensionem (“Sunday after the Ascension”).

Corpus Christi Watershed · May 28, 2022

Scandalous “Catholic” Hymn

Keven Smith · May 27, 2022

On Mistakes (Part II of II)

How we all respond to mistakes can have a huge effect on the cohesiveness and sound of our choirs.

Follow the Discussion on Facebook

Jeff Ostrowski · May 27, 2022

27 May 2022 • FEEDBACK

A reader from Wisconsin: “I will pray for you and CC Watershed. This site has been one of the most valuable resources I have in helping me run a choir for an ICKSP apostolate.” A reader from New York: “May God bless you for your wonderful work! This site has been invaluable to me.” A […]

Jeff Ostrowski · May 26, 2022

PDF Download • “Spanish TLM Missal” (2,288 pages)

A french version (1,798 pages) is also available for free PDF download.

Dr. Charles Weaver · May 26, 2022

Summer Courses in Sacred Music in New York

This summer, there are several interesting graduate-level courses on offer at St. Joseph’s Seminary in New York.

Jeff Ostrowski · May 25, 2022

25 May 2022 • FEEDBACK

From a reader: “I can’t tell you how much I appreciate all the time and resources poured into CCWatershed. It’s transformed how I approach music in the parish, and has especially helped me deepen appreciation for the ability of volunteer musicians.”

Jeff Ostrowski · May 25, 2022

CCWatershed Is In Financial Trouble!

“In truth, I’ve done a decidedly poor job soliciting money.” —Jeff Ostrowski

Corpus Christi Watershed · May 24, 2022

The USCCB desires your input!

“All contributions will be shared anonymously to ensure all questions can be answered with honesty and authenticity.”

Veronica Brandt · May 24, 2022

Review • A Catholic Book of Hymns

A budget, orthodox option for your parish music program.

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Jeff Ostrowski · May 24, 2022

23 May 2022 • FEEDBACK

From a reader: “I wasn’t looking for it. But, I stumbled across your hand-dandy arrangement of Pachelbel’s Canon. Jeff, this is the greatest thing since sliced bread! I had to play a wedding on Saturday. The bride requested the Canon. There were 11 bridesmaids! The organ loft is a football field away from the communion […]

Jeff Ostrowski · May 21, 2022

PDF Download • “A Canon Choirs Love!”

You will notice Father Guerrero takes the chant melody (“Beata Mater”) and creates a perfect canon between Soprano and Alto.

Keven Smith · May 21, 2022

On Mistakes (Part I of II)

We choir directors can’t eliminate mistakes entirely. But here’s what we can do to minimize them.

Follow the Discussion on Facebook

Jeff Ostrowski · May 19, 2022

19 May 2022 • “Trochee Trouble”

I’m still trying to decide how to visually present the “pure” Editio Vaticana scores, using what is (technically) the official rhythm of the Church. You can download my latest attempt, for this coming Sunday. Notice the “trochee trouble” as well as the old issue of neumes before the quilisma.

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Iconographic tradition has theologically interpreted the manger and the swaddling cloths in terms of the theology of the Fathers. The child stiffly wrapped in bandages is seen as prefiguring the hour of his death: from the outset, he is the sacrificial victim, as we shall see more closely when we examine the reference to the first-born. The manger, then, was seen as a kind of altar.”

— Pope Benedict XVI (2012)

Recent Posts

  • Luis Martínez Must Go!
  • Pope Pius XII Hymnal?
  • PDF Download • “Gospel Acclamation” for 29 June (Solemnity of Saints Peter and Paul, Apostles)
  • “Hybrid” Chant Notation?
  • Available! • Free Rehearsal Videos for Agnus Dei “Mille Regretz” after Gombert (d. 1560)

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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