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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for May 2022

Jeff Ostrowski · May 31, 2022

Kevin Allen • “What is Sacred Music?”

J. F. M. kindly made us aware of the following video clip, which features Kevin Allen.

Jeff Ostrowski · May 28, 2022

28 May 2022 • “Pristine” Vatican Rhythm

My choirs have been singing from the “pure” Editio Vaticana rhythm, which is (technically) the official rhythm of the Catholic Church. I haven’t quite decided how I want the scores to look yet, but this one I’ve produced for tomorrow, Dominica Post Ascensionem (“Sunday after the Ascension”).

Corpus Christi Watershed · May 28, 2022

Scandalous “Catholic” Hymn

Keven Smith · May 27, 2022

On Mistakes (Part II of II)

How we all respond to mistakes can have a huge effect on the cohesiveness and sound of our choirs.

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Jeff Ostrowski · May 27, 2022

27 May 2022 • FEEDBACK

A reader from Wisconsin: “I will pray for you and CC Watershed. This site has been one of the most valuable resources I have in helping me run a choir for an ICKSP apostolate.” A reader from New York: “May God bless you for your wonderful work! This site has been invaluable to me.” A […]

Jeff Ostrowski · May 26, 2022

PDF Download • “Spanish TLM Missal” (2,288 pages)

A french version (1,798 pages) is also available for free PDF download.

Dr. Charles Weaver · May 26, 2022

Summer Courses in Sacred Music in New York

This summer, there are several interesting graduate-level courses on offer at St. Joseph’s Seminary in New York.

Jeff Ostrowski · May 25, 2022

25 May 2022 • FEEDBACK

From a reader: “I can’t tell you how much I appreciate all the time and resources poured into CCWatershed. It’s transformed how I approach music in the parish, and has especially helped me deepen appreciation for the ability of volunteer musicians.”

Jeff Ostrowski · May 25, 2022

CCWatershed Is In Financial Trouble!

“In truth, I’ve done a decidedly poor job soliciting money.” —Jeff Ostrowski

Corpus Christi Watershed · May 24, 2022

The USCCB desires your input!

“All contributions will be shared anonymously to ensure all questions can be answered with honesty and authenticity.”

Veronica Brandt · May 24, 2022

Review • A Catholic Book of Hymns

A budget, orthodox option for your parish music program.

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Jeff Ostrowski · May 24, 2022

23 May 2022 • FEEDBACK

From a reader: “I wasn’t looking for it. But, I stumbled across your hand-dandy arrangement of Pachelbel’s Canon. Jeff, this is the greatest thing since sliced bread! I had to play a wedding on Saturday. The bride requested the Canon. There were 11 bridesmaids! The organ loft is a football field away from the communion […]

Jeff Ostrowski · May 21, 2022

PDF Download • “A Canon Choirs Love!”

You will notice Father Guerrero takes the chant melody (“Beata Mater”) and creates a perfect canon between Soprano and Alto.

Keven Smith · May 21, 2022

On Mistakes (Part I of II)

We choir directors can’t eliminate mistakes entirely. But here’s what we can do to minimize them.

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Jeff Ostrowski · May 19, 2022

19 May 2022 • “Trochee Trouble”

I’m still trying to decide how to visually present the “pure” Editio Vaticana scores, using what is (technically) the official rhythm of the Church. You can download my latest attempt, for this coming Sunday. Notice the “trochee trouble” as well as the old issue of neumes before the quilisma.

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“Always remember: God opposes the proud.” (leaning into the microphone) “…even when they’re right!”

— ‘Scott Hahn, speaking in Plano, TX’

Recent Posts

  • New Bulletin Article • “21 September 2025”
  • How do you pronounce this word in Latin?
  • Cheap! Cheap! Cheap!
  • Children’s Repertoire: “3 Recommendations”
  • PDF Download • Dom Murray Harmonies

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