Kevin Allen • “What is Sacred Music?”
J. F. M. kindly made us aware of the following video clip, which features Kevin Allen.
“Is it not true that prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death?” —The Vatican’s chief liturgist from 2014-2021; interview with Edw. Pentin (23-Sep-2019)
J. F. M. kindly made us aware of the following video clip, which features Kevin Allen.
My choirs have been singing from the “pure” Editio Vaticana rhythm, which is (technically) the official rhythm of the Catholic Church. I haven’t quite decided how I want the scores to look yet, but this one I’ve produced for tomorrow, Dominica Post Ascensionem (“Sunday after the Ascension”).
How we all respond to mistakes can have a huge effect on the cohesiveness and sound of our choirs.
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A french version (1,798 pages) is also available for free PDF download.
This summer, there are several interesting graduate-level courses on offer at St. Joseph’s Seminary in New York.
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From a reader: “I wasn’t looking for it. But, I stumbled across your hand-dandy arrangement of Pachelbel’s Canon. Jeff, this is the greatest thing since sliced bread! I had to play a wedding on Saturday. The bride requested the Canon. There were 11 bridesmaids! The organ loft is a football field away from the communion […]
You will notice Father Guerrero takes the chant melody (“Beata Mater”) and creates a perfect canon between Soprano and Alto.
We choir directors can’t eliminate mistakes entirely. But here’s what we can do to minimize them.
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I’m still trying to decide how to visually present the “pure” Editio Vaticana scores, using what is (technically) the official rhythm of the Church. You can download my latest attempt, for this coming Sunday. Notice the “trochee trouble” as well as the old issue of neumes before the quilisma.
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